Jane Hathaway, ed., The Arab Lands in the Ottoman Era, Minnesota Studies in Early Modern History (Minneapolis, Minn.: Center for Early Modern Studies, University of Minnesota, 2009). Pp. 304. $60.00 cloth.

2013 ◽  
Vol 45 (4) ◽  
pp. 837-839
Author(s):  
Heather Ferguson
2021 ◽  
Vol 25 (6) ◽  
pp. 475-480
Author(s):  
Simon Ditchfield

Abstract After a discussion of the twentieth anniversary issue, the author of the book which is the subject of our “round table” review of this twenty-fifth anniversary issue: Merry Wiesner Hanks’ What is Early Modern History (2021) is introduced. This is followed by a brief account of the rationale behind the foundation of the JEMH in the 1990s and how, from the very first issue, the journal has tried to decolonize our understanding of the period 1300–1800, as exemplified by Antony Black’s warning that: “we should stop selling off second-hand concepts to unsuspecting non-European cultures.” Passing comment is made on the chronological (as well as geographical) breadth of the coverage of the JEMH which accords well with the recent merger of the Centers for Medieval and Early Modern History at the University of Minnesota (to form the Center for Premodern Studies). At a time when the advocacy of the study of pre-modern history is vital as never before, this situates the JEMH very well. The introduction closes with a series of acknowledgements and thanks not only directed to the editorial team both in Minnesota and Leiden for the support they have given me, as editor-in-chief, since July 2010, but also to the numerous authors and readers of manuscripts who have made the journal what it is today.


Author(s):  
Tom Hamilton

This chapter explores the material culture of everyday life in late-Renaissance Paris by setting L’Estoile’s diaries and after-death inventory against a sample of the inventories of thirty-nine of his colleagues. L’Estoile and his family lived embedded in the society of royal office-holders and negotiated their place in its hierarchy with mixed success. His home was cramped and his wardrobe rather shabby. The paintings he displayed in the reception rooms reveal his iconoclastic attitude to the visual, contrasting with the overwhelming number of Catholic devotional pictures displayed by his colleagues. Yet the collection he stored in his study and cabinet made him stand out in his milieu as a distinguished curieux. It deserves a place in the early modern history of collecting, as his example reveals that the civil wars might be a stimulus as much as a disruption to collecting in sixteenth-century France.


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