Beyond Othello: Juan Latino in Black America

2019 ◽  
Vol 54 (1) ◽  
pp. 59-65
Author(s):  
EMILY WEISSBOURD
Keyword(s):  
African American ◽  
Early Modern ◽  
Intellectual History ◽  
Spanish Civil War ◽  
Early Modern Europe ◽  
New Negro ◽  
Black America ◽  
Diasporic Identity ◽  
Historical Figure ◽  
History Of

This essay focusses on references to the sixteenth-century black poet and scholar Juan Latino in African American journals in the 1920s–1940s. Although Juan Latino is largely forgotten in the present day, publications such as the Journal of Negro History and the New Negro referred to the poet as an important figure in the intellectual history of the African diaspora. My essay posits Juan Latino (both the historical figure and an early modern play about him) as an alternative exemplar of blackness in early modern Europe to that found in Othello. By turning to Juan Latino instead of to Othello, scholars in the 1920s–1940s were able to suggest a transnational and transhistorical black diasporic identity linked with African American solidarity with the Republican cause in the Spanish Civil War.

Leibniz’s Network

2018 ◽  
pp. 562-590
Author(s):  
Howard Hotson
Keyword(s):  
Early Modern ◽  
Intellectual History ◽  
Primary Reason ◽  
Early Modern Europe ◽  
Republic Of Letters ◽  
Digital Infrastructure ◽  
Major Subject ◽  
History Of ◽  
The Republic ◽  
New Generation

Leibniz’s network is a major subject of study in its own right, exemplifying the centrality of the ‘republic of letters’ to the intellectual history of early modern Europe.  Yet the primary reason for discussing it here is that understanding Leibniz’s network is also indispensable for understanding his thought.  Leibniz’s thought is not a fixed product, immortalized in a small number of polished publications.  Its content and expression evolved constantly in a long series of fragmentary statements, many penned in dialogue with contemporaries.  To understand these fragments, we must understand the hundreds of people with whom Leibniz was interacting, and the networks and communities for which they spoke.  Grasping the complexity of these interactions surpasses the limitations of print technology.  Obtaining a synoptic understanding of Leibniz’s network therefore requires a new generation of digital infrastructure capable of assembling and exploring the relevant data in a highly collaborative and interactive fashion.

scholarly journals Name & sign: About Zaharija Orfelin’s pseudonym

2016 ◽  
pp. 75-87
Author(s):  
Vladimir Simic
Keyword(s):  
Early Modern ◽  
Intellectual History ◽  
Historical Context ◽  
Early Modern Period ◽  
General Characteristic ◽  
Name Change ◽  
Modern Period ◽  
Historical Figure ◽  
History Of ◽  
The Individual

The problem of representation of intellectuals and artists in the early modern period has long occupied historians and researchers of various disciplines. One of the forms of artistic expression of intellectual self-consciousness was creation of pseudonyms. That was the metaphorical way of deliberation of individual identity, but also a signifier of cultural processes that took place between self, creativity and historical context. Onomastic studies had a long tradition and pre-modern intellectuals very early accepted idea that name reveals the essence of things and indicates the character of its wearer. The name was considered as a strong denotative force, which could affect private or public life of an individual. That was further confirmed in the manual of Adrien Baillet Auteurs Deguisez Sous Des Etrangers Noms published in 1690, for all those who wanted to create an alias. Zaharija Orfelin (1726-1785), as one of the early Serbian intellectuals and artists of the Enlightenment, also rejected his last name which remained unknown to date. Only one uncertain explanation was provided and that by Metropolitan Stefan Stratimirovic which stated that Zaharija?s last name was ?Stefanovic?, and that he himself invented the pseudonym ?Orfelin?. In the lack of other sources that thesis was accepted, but never did explain the motives behind the act. That aspect of his artistic personality remained unsolved, so this paper analyze the individual circumstances of his life in the context of onomastic and intellectual history of the early modern period. The invention of pseudonyms was recognized as a general characteristic of the era, so the comparisons and analogies of some biographical details are made between him and few other intellectuals and artists. Signatures that Orfelin put on his pieces are interpreted in the context of his public representation. From today?s perspective, it seems that Orfelins? historical figure stayed hidden behind the personality which was introduced by his chosen name. In that context, the name change referred to deeper internal changes in matters of his identity and public role.

The Concept of Conversation

2018 ◽  
Author(s):  
David Randall
Keyword(s):  
Early Modern ◽  
Intellectual History ◽  
Important Change ◽  
Early Modern Europe ◽  
Republic Of Letters ◽  
Women's Speech ◽  
History Of ◽  
Modern Europe ◽  
The Republic ◽  
The Public Sphere

The Concept of Conversation traces the rise of conversation from a minor mode of rhetoric to the point where rhetoric as a whole was redefined as conversation, and argues that this was the most important change in rhetoric during the centuries between 1400 and 1700. In the classical period, conversation referred to real conversations, conducted in the leisure time of noble men, and concerned with indefinite philosophical topics. Christianity inflected conversation with universal aspirations during the medieval centuries and the ars dictaminis, the art of letter writing, increased the importance of this written analogue of conversation. The Renaissance humanists from Petrarch onward further transformed conversation, and its genre analogues of dialogue and letter, by transforming it into a metaphor of increasing scope. This expanded realm of humanist conversation bifurcated in Renaissance and early modern Europe. The Concept of Conversation traces the way the rise of conversation spread out from the history of rhetoric to include the histories of friendship, the court and the salon, the Republic of Letters, periodical press and women. It revises Jürgen Habermas’ history of the emergence of the rational speech of the public sphere as the history of the emergence of rational conversation and puts the emergence of women’s speech at the centre of the intellectual history of early modern Europe.

scholarly journals FROM SACRED HISTORY TO THE HISTORY OF RELIGION: PAGANISM, JUDAISM, AND CHRISTIANITY IN EUROPEAN HISTORIOGRAPHY FROM REFORMATION TO ‘ENLIGHTENMENT’

2012 ◽  
Vol 55 (4) ◽  
pp. 1117-1160 ◽  
Author(s):  
DMITRI LEVITIN
Keyword(s):  
Early Modern ◽  
Intellectual History ◽  
Old Testament ◽  
Early Modern Europe ◽  
Early Modern History ◽  
History Of Religion ◽  
History Of ◽  
The Impact ◽  
Sacred History

ABSTRACTThis essay is a critical historiographical overview of the recent literature on the writing of sacred history (history of the biblical Jews and early Christians) and history of religion in early modern Europe. It considers the rise of interest in this branch of intellectual history in the last decade, placing it in the context of the rise of the history of scholarship as a historical discipline. It then charts how the characterization of early modern history of religion as stale, pedantic, and blandly ‘orthodox’ until it was swept aside by a critical and heterodox ‘enlightenment’ is being revised, first in new approaches to early modern histories of biblical Judaism and historicizations of the Old Testament, second in new readings of early modern scholarship on primitive Christianity. It concludes by suggesting new avenues of research which divorce narratives of intellectual change from the linear and inconclusive emphasis on ‘enlightenment’, favouring an approach that conversely emphasizes the impact of confessionalization in creating a newly critical scholarly culture.

Conclusion

2018 ◽  
Author(s):  
David Randall
Keyword(s):  
Public Opinion ◽  
Early Modern ◽  
Intellectual History ◽  
Fine Arts ◽  
James Madison ◽  
Modern Conception ◽  
Political World ◽  
The Enlightenment ◽  
History Of ◽  
Constitutional Thought

The changed conception of conversation that emerged by c.1700 was about to expand its scope enormously – to the broad culture of Enlightenment Europe, to the fine arts, to philosophy and into the broad political world, both via the conception of public opinion and via the constitutional thought of James Madison (1751–1836). In the Enlightenment, the early modern conception of conversation would expand into a whole wing of Enlightenment thought. The intellectual history of the heirs of Cicero and Petrarch would become the practice of millions and the constitutional architecture of a great republic....

Renaissance Mass Murder

2018 ◽  
Author(s):  
Stephen D. Bowd
Keyword(s):  
Early Modern ◽  
Social History ◽  
Historical Context ◽  
Mass Murder ◽  
Early Modern Europe ◽  
Contemporary Culture ◽  
The Face ◽  
History Of ◽  
Italian Wars ◽  
Human Tragedy

Renaissance Mass Murder explores the devastating impact of war on the men and women of the Renaissance. In contrast to the picture of balance and harmony usually associated with the Renaissance, it uncovers in forensic detail a world in which sacks of Italian cities and massacres of civilians at the hands of French, German, Spanish, Swiss, and Italian troops were regular occurrences. The arguments presented are based on a wealth of evidence—histories and chronicles, poetry and paintings, sculpture and other objects—which together provide a new and startling history of sixteenth-century Italy and a social history of the Italian Wars. It outlines how massacres happened, how princes, soldiers, lawyers, and writers, justified and explained such events, and how they were represented in contemporary culture. On this basis the book reconstructs the terrifying individual experiences of civilians in the face of war and in doing so offers a story of human tragedy which redresses the balance of the history of the Italian Wars, and of Renaissance warfare, in favour of the civilian and away from the din of the battlefield. This book also places mass murder in a broader historical context and challenges claims that such violence was unusual or in decline in early modern Europe. Finally, it shows that women often suffered disproportionately from this violence and that immunity for them, as for their children, was often partially developed or poorly respected.

scholarly journals Cultural History, Ritual and Performance: George L. Mosse in Context

2021 ◽  
pp. 002200942094003
Author(s):  
Peter Burke
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Cultural History ◽  
Performance Studies ◽  
Early Modern Europe ◽  
History Of ◽  
Nineteenth And Twentieth Centuries ◽  
Modern Europe ◽  
And Performance ◽  
Cultural Turn

George L. Mosse took a ‘cultural turn’ in the latter part of his career, but still early enough to make a pioneering contribution to the study of political culture and in particular what he called political ‘liturgy’, including marches, processions, and practices of commemoration. He adapted to the study of nationalism in the nineteenth and twentieth centuries the approach to the history of ritual developed by historians of medieval and early modern Europe, among them his friend Ernst Kantorowicz. More recently, the concept of ritual, whether religious or secular, has been criticized by some cultural historians on the grounds that it implies a fixed ‘script’ in situations that were actually marked by fluidity and improvisation. In this respect cultural historians have been part of a wider trend that includes sociologists and anthropologists as well as theatre scholars and has been institutionalized as Performance Studies. Some recent studies of contemporary nationalism in Tanzania, Venezuela and elsewhere have adopted this perspective, emphasizing that the same performance may have different meanings for different sections of the audience. It is only to be regretted that Mosse did not live long enough to respond to these studies and that their authors seem unaware of his work.

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