Varieties of Unsuccessful Industrialization: The Balkan States Before 1914

1975 ◽  
Vol 35 (1) ◽  
pp. 56-85 ◽  
Author(s):  
John R. Lampe

This paper should begin with a brief defense of its title. “Variety” and “unsuccessful” are doubtful if not dirty words to most economists and many economic historians. The “success stories” of rapid development in Western Europe, Russia and Japan have been the most frequent subject of this Journal's articles on non-American topics. And the discovery of uniformity in the past, rather than variety, is admittedly essential to the development economist's search for predictability in the future that has informed so much of the economic history written since the Second World War.

Author(s):  
Magdalena Saryusz-Wolska

The article focuses on advertisements as visual and historical sources. The material comes from the German press that appeared immediately after the end of the Second World War. During this time, all kinds of products were scarce. In comparison to this, colorful advertisements of luxury products are more than noteworthy. What do these images tell us about the early post-war years in Germany? The author argues that advertisements are a medium that shapes social norms. Rather than reflecting the historical realities, advertisements construct them. From an aesthetical and cultural point of view, advertisements gave thus a sense of continuity between the pre- and post-war years. The author suggests, therefore, that the advertisements should not be treated as a source for economic history. They are, however, important for studying social developments that occurred in the past.


Tempo ◽  
2010 ◽  
Vol 64 (251) ◽  
pp. 8-16
Author(s):  
Edward Venn

One of the more telling indicators of Luigi Russolo's (1885–1947) Anglo-American reception is his description in Grove as an ‘Italian inventor, painter and composer’. Within this lurks the devaluation of his composing efforts in comparison to his work as the maker of intonarumori (noise instruments), his authoring of new aesthetic ideas, and his activities as a painter. There is little, perhaps, to argue with in this assessment, for (somewhat ironically) Russolo's music of the future has been consigned irrevocably to the music of the past; Raymond Fearn has suggested that ‘the musical remnants from this period have remained to a large extent in the realm of musical archaeology’. The only material traces available for musical archaeologists are the opening seven bars of the score of Il risveglio di una città (The Awakening of the City; 1913–14): the machines that were to play it were destroyed during the Second World War. The loss of Russolo's compositions has inevitably distorted our understanding of his work and has served to throw attention onto those progressive, and sometimes speculative, theoretical and mechanical aspects of it that have survived in written accounts, at the expense of those elements that are of a more traditional or pragmatic nature. Study of the remaining fragments of Il risveglio di una città, leavened with necessary doses of circumspection and speculation, forms a vital and hitherto under-utilized component to any assessment of Russolo's career.


2021 ◽  
pp. 82-104
Author(s):  
Catherine R. Schenk

The 2008 crisis was a boon to the discipline of economic history and created an appetite for ‘lessons from the past’ by academics as well as policy-makers as they sought to respond to the failure of economic theory to anticipate the crisis. But beyond this intense example, can we make conclusions about the pathway to impact for historical treatments? Is there something especially inspiring or impactful about the 1930s? Does the widespread awareness that there was an interwar Great Depression and that it was terrible and that it may have contributed to the Second World War mean that it has particular resonance when it is invoked by policy-makers? How has the past been used in anticipation of (rather than reaction to) financial crises? Examining two episodes, this chapter demonstrates the use of the past as a parable for current and future policy and as a rehearsal for a future crisis.


1973 ◽  
Vol 12 (2) ◽  
pp. 181-188
Author(s):  
Rafiq Ahmad

Like nations and civilizations, sciences also pass through period of crises when established theories are overthrown by the unpredictable behaviour of events. Economics is passing through such a crisis. The challenge thrown by the Great Depression of early 1930s took a decade before Keynes re-established the supremacy of economics. But this supremacy has again been upset by the crisis of poverty in the vast under-developed world which attained political independence after the Second World War. Poverty had always existed but never before had it been of such concern to economists as during the past twenty five years or so. Economic literature dealing with this problem has piled up but so have the agonies of poverty. No plausible and well-integrated theory of economic development or under-development has emerged so far, though brilliant advances have been made in isolated directions.


Modern Italy ◽  
2021 ◽  
pp. 1-22
Author(s):  
Gianmarco Mancosu

This article aims to expose the political and cultural processes that contributed to the eradication of problematic memories of the Italian colonial period during the national reconstruction following the Second World War. It offers a systematic examination of newsreels and documentaries about the Italian former colonies that were produced between 1946 and 1960, a film corpus that has largely been neglected by previous scholarship. The article first dissects the ambiguous political scenario that characterised the production of this footage through the study of original archival findings. The footage configured a particular form of self-exculpatory memory, which obstructed a thorough critique of the colonial period while articulating a new discourse about the future presence of Italy in the former colonies. This seems to be a case of aphasia rather than amnesia, insofar as the films addressed not an absence, but an inability to comprehend and articulate a critical discourse about the past. This aphasic configuration of colonial memories will be tackled through a close reading of the voice-over and commentary. In so doing, this work suggests that the footage actively contributed to spread un-problematised narratives and memories about the colonial period, whose results still infiltrate Italian contemporary society, politics and culture.


2019 ◽  
Vol 4 (4) ◽  
pp. 218-234
Author(s):  
PURMER MICHIEL ◽  
HENK BAAS

Threatened ruins. Castle remains in the Dutch landscape anno 2019 In The Netherlands, around 80 castle ruins are preserved. In 1997, a book was dedicated to the castle ruin. A year later, one of the authors of this paper investigated castle remains as part of a historical geographical inventory. In 2012, the Dutch State Heritage Agency wrote a practical guide for the conservation and development of castle ruins. In this article, the authors describe the development of ruins in the past 20 years. They tried to investigate the development of the castle ruins since the late nineties and tried to categorize this. Rebuilding of the castle, partly or totally, appeared in almost 10% of all ruins. In other cases, there was attention for the touristic infrastructure around the ruin. In most cases however (68%), the ruins stayed more or less intact, with sometimes careful consolidation or restoration. Sometimes, the surroundings of the ruin changed dramatically with the development of housing, infrastructure or other forms of urbanization. In other examples, historical gardens were restored or reconstructed. There are however several plans for the rebuilding or reconstruction of ruins. These plans often provide the new castle with functions, from wedding location to hotel or office-space. This could be a good development for castles destroyed relatively short ago, i.e. in the Second World War or in de postwar period. Many ruins are however destroyed centuries ago. Given the limited amount of ruins in The Netherlands and the sometimes centuries old development of the landscape and the ruin itself, the authors plea for more attention for the castle ruins as such.


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