P. R. and Municipal Reform

1943 ◽  
Vol 5 (1) ◽  
pp. 82-102
Author(s):  
F.A. Hermens

Treatises on political machines in the United States too often suffer from a lack of historical perspective. Machine government is due to factors peculiar to certain periods in American history, and it is doomed to disappear when its historical basis disintegrates. Since the details of this matter have been discussed previously, let us only review the important phases of the struggle for reform. Between the Civil War and the 1890s political machines—some of which had begun to develop early in the Nineteenth Century—reached the peak of their power; these were “the dark ages of city government”. During the 1890s the reform forces began to wrestle with the “bosses” on even terms; they developed organizations and adopted techniques which helped them to overcome the isolation and the haphazard character of their early efforts. During the 1920s and the 1930s the victories of reform became accentuated; resounding defeats of individual machines recurred, and it looked like the beginning of a rout of the institution. To mention but a few: the Cox-Hynicka machine in Cincinnati fell in 1924; the Maschke machine in Cleveland received blows in the 1920s to which it finally succumbed in the 1930s; in New York, Tammany went down in 1933, and whereas the five reform administrations which New York had witnessed since 1871 all enjoyed only one two-year term each, La Guardia was elected to three four-year terms in succession.

1983 ◽  
Vol 10 (1) ◽  
pp. 69-86 ◽  
Author(s):  
James L. Boockholdt

The paper explores the origins of the auditing profession in the United States. It is suggested that the development of the audit function in this country can be traced to reporting by internal and shareholder auditors in the American railroads during the middle of the nineteenth century. Evidence is presented that a recognition of the need for audit independence existed, and that the provision of advisory services and reports on internal control by American auditors have been an inherent part of the auditor's role from that time.


Fragmentology ◽  
10.24446/dlll ◽  
2020 ◽  
pp. 73-139
Author(s):  
Scott Gwara

Using evidence drawn from S. de Ricci and W. J. Wilson’s Census of Medieval and Renaissance Manuscripts in the United States and Canada, American auction records, private library catalogues, public exhibition catalogues, and manuscript fragments surviving in American institutional libraries, this article documents nineteenth-century collections of medieval and Renaissance manuscript fragments in North America before ca. 1900. Surprisingly few fragments can be identified, and most of the private collections have disappeared. The manuscript constituents are found in multiple private libraries, two universities (New York University and Cornell University), and one Learned Society (Massachusetts Historical Society). The fragment collections reflect the collecting genres documented in England in the same period, including albums of discrete fragments, grangerized books, and individual miniatures or “cuttings” (sometimes framed). A distinction is drawn between undecorated text fragments and illuminated ones, explained by aesthetic and scholarly collecting motivations. An interest in text fragments, often from binding waste, can be documented from the 1880s.


1977 ◽  
Vol 37 (4) ◽  
pp. 1009-1027 ◽  
Author(s):  
David A. Martin

Foreign money remained in widespread use in the United States until the middle of the nineteenth century. Several foreign coins were provided legal tender status in order to supplement the scanty American specie supply. A particular disadvantage was the perpetuation of non-decimal units of account, especially in New York. When the U.S. enacted a subsidiary silver standard in 1853, the expedient bases for the lawful status of foreign coin was removed. In 1857, the United States coinage was finally reformed to secure an exclusive national currency.


Author(s):  
Jean Lee Cole

A particularly grotesque form of the comic sensibility emerged in the closing years of the nineteenth century in the works of George Luks. Luks was called on to take over Richard Outcault’s phenomenally popular Yellow Kid comic strip at Joseph Pulitzer’s New York World in 1896; he soon made the Yellow Kid his own. As Outcault’s duplicate or twin, Luks capitalized on the grotesque potential of twinning, doubling, and replication to question the social order from below, laying bare—and then savagely mocking—fears of the rapidly growing immigrant and ethnic populations in the United States. In subsequent strips, including The Little Nippers and Mose’s Incubator, his representations of polyglot America become positively fantastical, even monstrous, reflecting the interchangeability and reproducibility of ethnic identity that formed the logical basis of the “melting pot.”


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