Li Guo: The Performing Arts in Medieval Islam: Shadow Play and Popular Poetry in Ibn Dāniyāl's Mamluk Cairo. (Islamic History and Civilization, Studies and Texts.) xi, 240 pp. Leiden: Brill, 2012. €99. ISBN 978 90 04 21045 5.

2015 ◽  
Vol 78 (1) ◽  
pp. 189-190
Author(s):  
Nefeli Papoutsakis
Keyword(s):  
Performing Arts ◽  
Islamic History ◽  
Shadow Play ◽  
Medieval Islam

scholarly journals عروض مختصرة

2012 ◽  
Vol 18 (69) ◽  
pp. 216-207
Author(s):  
أسماء حسين ملكاوي
Keyword(s):  
New Media ◽  
Performing Arts ◽  
Global Studies ◽  
Islamic Art ◽  
Yale University ◽  
Islamic History ◽  
New Media Art ◽  
The Gift ◽  
Medieval Islam ◽  
Art And Ethics

تصنيف الفنون العربية والإسلامية؛ دراسة تحليلية نقدية، سيد أحمد بخيت علي، واشنطن: المعهد العالمي للفكر الإسلامي، 2012م، 341 صفحة. مرجعيات القراءة والتأويل عند نصر حامد أبو زيد، اليامين بن تومي، الجزائر: منشورات الاختلاف، ط1، 2011م، 255 صفحة. مساجلات نقدية - ردود وتعقيبات (في الدين والعلمانية والحداثة وقضايا فكرية راهنة)، عبد الله العليان، بيروت: المؤسسة العربية للدراسات والنشر، 2012م، 341 صفحة. تعارف الحضارات، إعداد: زكي الميلاد، دمشق: دار الفكر المعاصر، 2007م، 224 صفحة. الأسس الفلسفية للحداثة - دراسة مقارنة بين الحداثة والإسلام، صدر الدين القبّانجي، بيروت: مركز الحضارة لتنمية الفكر الإسلامي، 2011م، 415 صفحة. طه عبد الرحمن ونقد الحداثة، بو زبرة عبد السلام، بيروت: جداول للنشر والتوزيع، 2011م، 279 صفحة. مشروع الإبداع الفلسفي العربي؛ قراءة في أعمال د. طه عبد الرحمن، يوسف بن عدي، بيروت: الشبكة العربية للأبحاث والنشر، 2011م، 222 صفحة. طه عبد الرحمن.. قراءة في مشروعه الفكري، إبراهيم مشروح، بيروت: مركز الحضارة لتنمية الفكر الإسلامي، سلسلة أعلام الفكر والإصلاح في العالم الإسلامي، 2009م، 263 صفحة. الإسلام والحضارات الأخرى، محمد عمارة، القاهرة: دار السلام للطباعة والنشر والتوزيع والترجمة، 2012م، 104 صفحة. الدين والمتغيرات الثقافية المعاصرة؛ الحداثة - العلمنة – العولمة، علي رضا شجاعتي زند، بيروت: مركز الحضارة لتنمية الفكر الإسلامي، 2012م، 180 صفحة. الإسلام والتعددية:الاختلاف والتنوع في إطار الوحدة، محمد عمارة، القاهرة: دار السلام للطباعة والنشر، 2011م، 272 صفحة. الإسلام وما بعد الحداثة: الوعود والتوقعات، أكبر صلاح الدين أحمد، بيروت: مركز الحضارة لتنمية الفكر الإسلامي، 2009م، 536 صفحة. The Gift Tradition in Islamic Art, Linda Komaroff, UK- Yale University Press (September 28, 2012), 160 pages. Islam Art & Architecture, Markus Hattstein (Editor), Peter Delius (Editor), ULLMANN (October 12, 2011), 640 pages. The Performing Arts in Medieval Islam (Islamic History and Civilization), Li Guo, BRILL (January 1, 2012), 324 pages. Islamic Art and Visual Culture: An Anthology of Sources, Fairchild Ruggles, Wiley-Blackwell; 1 edition (May 3, 2011), 200 pages. Picturing Islam: Art and Ethics in a Muslim Lifeworld, Kenneth M. George, Wiley-Blackwell; 1 edition (January 26, 2010), 184 pages. Wonder, Image, and Cosmos in Medieval Islam, Persis Berlekamp, Yale University Press (May 17, 2011), 224 pages. Creative Encounters: Artists Engaged in Interreligious Dialogue (Cross Cultural Theologies), Ruth Illman, Equinox Publishing Limited (May 31, 2012), 208 pages. Enfoldment and Infinity: An Islamic Genealogy of New Media Art, Laura U. Marks, The MIT Press (August 13, 2010), 408 pages. Thinking about Thinking: What Kind of Conversation is Philosophy? Adriaan T. Peperzak, Fordham University Press (March 14, 2012), 216 pages. Interculturalism, Education and Dialogue (Global Studies in Education), Tina Besley, Michael A. Peters, Peter Lang Publishing; First printing edition (April 13, 2012), 416 pages. Culture and Dignity: Dialogues Between the Middle East and the West, Laura Nader, Wiley-Blackwell; 1 edition (October 23, 2012), 272 pages. للحصول على كامل المقالة مجانا يرجى النّقر على ملف ال PDF  في اعلى يمين الصفحة.

Definitions of Poverty and the Rise of the Muslim Urban Poor

1996 ◽  
Vol 6 (3) ◽  
pp. 335-344 ◽  
Author(s):  
Michael Bonner
Keyword(s):  
Urban Poor ◽  
Turning Point ◽  
Point Of View ◽  
Historical Scholarship ◽  
Islamic History ◽  
Preliminary Attempt ◽  
The Poor ◽  
History Of ◽  
Medieval Islam ◽  
The Way

Poverty in medieval Islam is an enormous topic. It is worth considering from a historian's point of view, especially in the light of what has been accomplished by historians of Rome, Byzantium, and the medieval and modern West who have dealt with poverty and the poor. But as always, the sources for Islamic history, especially for the formative early centuries, present difficulties. Here I wish to make a preliminary attempt at dealing with part of this problem. I shall begin by considering an event which represents a turning point in the history of the Muslim poor, or more accurately, in the way poverty and the poor have been represented in modern historical scholarship on medieval Islam. Then I shall suggest a way in which this event may be set in context, and a possible strategy for handling some of the relevant sources. This strategy involves the identification of different, competing ways in which the poor were defined in the first centuries of Islam.

scholarly journals Islam, National, and Local History in Tabbhuwan Walisanga Performance Art

2020 ◽  
Vol 7 (2) ◽  
pp. 94-108
Author(s):  
Panakajaya Hidayatullah
Keyword(s):  
Performing Arts ◽  
Boarding School ◽  
Traditional Music ◽  
Local History ◽  
Islamic History ◽  
Modern Culture ◽  
Lower Middle Class ◽  
Present Context ◽  
History Of ◽  
Younger Generation

Tabbhuwân is a Madurese tradition of performing arts. In the present context, modern culture influences many young people. It has become a restlessness for the clerics who then think of strategies on how to incorporate Islamic values in the younger generation today. In 2015 in Situbondo, Wali Sanga boarding school established a tabbhuwân wali sanga art group. Tabbhuwân is considered a way of preaching according to the conditions and culture of the community of Madura Situbondo. The players consist of the santri of the younger generation of Islamic boarding schools. Tabbhuwân wali sanga features Islamic drama performances that elevate the play of Islamic history and Indonesia. The play included Islamic history (stories of the companions of the Prophet Muhammad), local history, the history of the entry of Islam on Java (walisanga), and the history of Indonesian independence, one of which was titled ‘Jihad Resolution.’ Besides, tabbhuwân also includes elements of Madurese culture, including language, traditional music, expression, decoration, and discourse. Tabbhuwân plays a role in the spread of Islam, preserving Madurese culture and instilling nationalism in society through historical themes. The lower-middle-class community assumes that tabbhuwân is a means to understand the historical, social, and cultural realities occurring today. Tabbhuwân also influences fostering a sense of nationalism through heroic historical values, especially to the younger generation. In this case, tabhuwân imagines Indonesia in the discourse of religious nationalism. Islam, Nasional, dan Sejarah Lokal dalam Seni Pertunjukan Tabbhuwan Walisanga. TabbhuwânadalahsenipertunjukantradisimasyarakatMadura.Dalamkontekskekinian, budaya modern banyak mempengaruhi kaum muda. Hal ini menjadi keresahan para ulama yang kemudian memikirkan strategi bagaimana memasukkan nilai-nilai Islam pada generasi muda saat ini. Pada tahun 2015 di Situbondo, Pondok Pesantren Wali Sanga mendirikan kelompok seni tabbhuwân wali sanga. Tabbhuwân dianggap sebagai cara dakwah yang sesuai dengan kondisi dan budaya masyarakat Madura Situbondo. Para pemainnya terdiri dari para santri generasi muda pondok pesantren. Tabbhuwân wali sanga menampilkan pertunjukan drama Islam yang mengangkat lakon sejarah Islam dan Indonesia. Lakon tersebut meliputi sejarah Islam (cerita para sahabat Nabi Muhammad), sejarah lokal, sejarah masuknya Islam di Jawa (walisanga), dan sejarah kemerdekaan Indonesia, salah satunya bertajuk ‘Resolusi Jihad’. Selain itu, tabbhuwân juga memasukkan unsur budaya Madura yang meliputi bahasa, musik tradisional, ekspresi, ragam hias dan wacana. Tabbhuwân berperan dalam penyebaran agama Islam, pelestarian budaya Madura dan menanamkan nasionalisme dalam masyarakat melalui tema sejarah. Masyarakat kelas menengah ke bawah menganggap tabbhuwân sebagai cara memahami realitas sejarah, sosial dan budaya yang terjadi saat ini. Tabbhuwân juga memiliki pengaruh dalam menumbuhkan rasa nasionalisme melalui nilai-nilai sejarah yang heroik, khususnya kepada generasi muda. Dalam hal ini, tabhuwân membayangkan Indonesia dalam wacana nasionalisme agama.

Graves and Shrines in Medieval Islam: From Pre-Islamic Times to Ibn Taymiyya’s Legacy

2018 ◽  
Author(s):  
Ondřej Beránek ◽  
Pavel Ťupek
Keyword(s):  
Islamic History ◽  
Ibn Taymiyya ◽  
Islamic Identity ◽  
Medieval Islam ◽  
Early Islamic ◽  
The Ideal

This chapter provides an overview of the broader context within which debates regarding graves, funeral architecture and ziyāra have taken place. The early Islamic interdictions against certain funerary structures and grave-related rites did not arise in a vacuum. Therefore, the chapter contextualises these debates and the gap that began to emerge between the traditionalists’ (Ahl al-hadith) vision of ideal Islam and the reality of popular Islam. The chapter also offers a detailed focus on the teachings of Ibn Taymiyya, as it was his narrative of Islamic history and the ideal Islamic community that inspired later Sunni reformists, among them the Salafis, who sought to defend Islamic identity against the incursion of foreign influences and impurities, be they elements of Christianity, Judaism, syncretism or modernity.

More than Beast: Muhammad's She-Mule Duldul and Her Role in Early Islamic History

2021 ◽  
pp. 1-16
Author(s):  
Taryn Marashi
Keyword(s):  
Political Authority ◽  
Literary Genres ◽  
Islamic History ◽  
Islamic Tradition ◽  
Medieval Islam ◽  
Early Islamic ◽  
Insight Into

Abstract Duldul, a beloved she-mule of the Prophet Muhammad and ʿAli b. Abi Talib (d. 661), fourth caliph and Muhammad's son-in-law, was a venerated riding beast in early Islamic tradition. The article argues that Duldul reflected the transmission of political authority and became a tool of legitimation for hadith compilers and medieval Muslim writers to use, contest, and navigate an emergent Shiʿa-Sunni rift. Exploring the responsive relationship between hadith construction and the Shiʿa-Sunni polemic, the article first analyzes three literary genres—maghāzī, hadith, and sīra—to describe Duldul and her role in early Islamic history. Second, the article examines the writings of al-Jahiz (d. 868) and al-Damiri (d. 1405) to understand medieval Muslim attitudes toward Duldul and she-mules in general. By taking Duldul more seriously as a historical actor, we can gain deeper insight into the disputes over Muhammad's legacy in medieval Islam.

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