scholarly journals Writing the Social History of Labor in the Iranian Oil Industry

2013 ◽  
Vol 84 ◽  
pp. 154-158 ◽  
Author(s):  
Touraj Atabaki
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
Oil Industry ◽  
Political Elite ◽  
Economic Damage ◽  
Human Suffering ◽  
Cultural Relations ◽  
The Social ◽  
History Of ◽  
The Military

Over the course of the twentieth century, Iran has experienced numerous dramatic events and has undergone radical transformations. The country participated in three major wars (1914–1918, 1941–1945, 1980–1988) that caused enormous human suffering and economic damage; two coup détats (1921, 1953) that altered power relations within the military and political elite; and two revolutions (1905–1909, 1978–1982) that led to fundamental changes in social, political, and cultural relations in Iran and beyond. But the event that, perhaps, has had the most significant impact on the history of twentieth-century Iran was the discovery of oil in 1908.

Music in the British Workplace: From Voice to a Technique of Control?

2020 ◽  
Author(s):  
Marek Korczynski
Keyword(s):  
Twentieth Century ◽  
Social Control ◽  
Social History ◽  
Singing Voice ◽  
Industrial Noise ◽  
The Third ◽  
The Social ◽  
History Of

This chapter examines music in the British workplace. It considers whether it is appropriate to see the history of music in the workplace as involving a journey from the organic singing voice (both literal and metaphorical) of workers to broadcast music appropriated by the powerful to become a technique of social control. The chapter charts four key stages in the social history of music in British workplaces. First, it highlights the existence of widespread cultures of singing at work prior to industrialization, and outlines the important meanings these cultures had for workers. Next, it outlines the silencing of the singing voice within the workplace further to industrialization—either from direct employer bans on singing, or from the roar of the industrial noise. The third key stage involves the carefully controlled employer- and state-led reintroduction of music in the workplace in the mid-twentieth century—through the centralized relaying of specific forms of music via broadcast systems in workplaces. The chapter ends with an examination of contemporary musicking in relation to (often worker-led) radio music played in workplaces.

Italian-Jewish Patrons of Modern Art in Nineteenth- and Twentieth-Century Italy

2020 ◽  
Vol 16 (1) ◽  
pp. 3-29
Author(s):  
Luisa Levi D’Ancona Modena
Keyword(s):  
Twentieth Century ◽  
Case Studies ◽  
Social History ◽  
Modern Art ◽  
European Countries ◽  
The Social ◽  
History Of ◽  
Public Museums

With a focus on art donations, this article explores several case studies of Jewish Italian patrons such as Sforni, Uzielli, Sarfatti, Castelfranco, Vitali, and others who supported artists of movements that were considered modern at their time: the Macchiaioli (1850-1870), the Futurists (1910s), the Metaphysical painters (1920s), the Novecento group (1920-1930s), and several post WWII cases. It reflects on differences in art donations by Jews in Italy and other European countries, modes of reception, taste, meanings and strategy of donations, thus contributing to the social history of Italian and European Jewry and the history of collections and donations to public museums.

Caribbean and Latin American Reverberations and the First Birth of Latin Jazz

Latin Jazz ◽  
2020 ◽  
pp. 36-63
Author(s):  
Christopher Washburne
Keyword(s):  
Twentieth Century ◽  
New Orleans ◽  
Social History ◽  
Latin American ◽  
Political Development ◽  
Formative Period ◽  
Latin American Music ◽  
The Social ◽  
History Of ◽  
Latin Jazz

This chapter documents the strong ties of the Caribbean and Latin America to the formative period of jazz and how that influence reverberated throughout the twentieth century. It argues that the strong foundational influence of Caribbean and Latin American music on pre-jazz styles makes the birth of jazz synchronous with the birth of Latin jazz. By building on the work of a number of scholars who have recently begun to tackle this complexity through historical studies of immigration patterns and the social and political development of New Orleans throughout the 1700s and 1800s and by conducting a “sonic archeology” of jazz styles throughout the twentieth century, reverberations of jazz’s pre-history are uncovered and shown to resound loudly. Along with a discussion of the social history of New Orleans, the focus is on the function of certain rhythmic cells in the jazz repertoire that are most typically associated with Caribbean and Latin American styles.

scholarly journals Solidarity: The Social History of an Idea in Nineteenth Century France

1959 ◽  
Vol 4 (2) ◽  
pp. 261-284 ◽  
Author(s):  
J. E. S. Hayward
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Social History ◽  
Grand Nombre ◽  
Human History ◽  
The Social ◽  
Nineteenth Century France ◽  
History Of

The survival of a concept is generally only secured at the price of an intellectual odyssey in the course of which it is transformed out of all recognition. The nineteenth century fortunes of the idea of solidarity exemplify this axiom only too strictly. It became the victim of a multiplicity of ingenious puns and metaphors as well as outright malicious distortions that rendered a simple, technical word, drawn from the sphere of jurisprudence, at once emotive and obscure, influential and diffuse. As the eminent and caustic critic of the twentieth century, Julien Benda, formulated this vital problem of the fate of concepts, “pour l'historien des idées des hommes, la réalité ce n'est point ce qu'ont été les idées dans l'esprit de ceux qui les ont inventées, mais ce qu'elles ont été dans l'esprit de ceux qui les ont trahies… car il est clair qu'une doctrine se propage d'autant plus largement qu'elle est apte à satisfaire un plus grand nombre de sentiments divers.” This pessimistic view has been all too frequently verified in human history.

scholarly journals Tessere per la memoria sociale del Novecento: gli archivi di Antonio Carbonaro, Andrea Devoto, ANDU (Associazione nazionale docenti universitari)

2021 ◽  
pp. 27-40
Author(s):  
Giovanna Cestone ◽  
Giulia Malavasi ◽  
Francesca Moretti
Keyword(s):  
Twentieth Century ◽  
Social History ◽  
National Association ◽  
University Professors ◽  
The Social ◽  
History Of ◽  
Personal Archives

The contribution illustrates the personal archives of Antonio Carbonaro, sociologist, Andrea Devoto, psychiatrist and the National Association of University Professors (ANDU), testimonies of great importance for the social history of the twentieth century

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