Time for Hegel

2006 ◽  
Vol 27 (1-2) ◽  
pp. 125-132
Author(s):  
Stephen Houlgate
Keyword(s):  
The Past ◽  

In section 82 of Being and Time Heidegger calls Hegel's account of time ‘the most radical way in which the ordinary [or vulgar] understanding of time has been given form conceptually’ (BT 480). For Heidegger, in the vulgar conception ‘the basic phenomenon of time is seen in the “now”; by contrast, Dasein's own “ecstatico-horizonal temporality temporalizes itself primarily in terms of the future (BT 479). Hegel's problem, it seems, is that he has no time for the future.As Heidegger explains in his 1924 lecture on the concept of time, Dasein is futural because it is essentially possibility — ‘the possibility of its certain yet indeterminate past (CT 12). That future pastness is, of course, Dasein's death. Dasein is thus oriented towards the future because it is being-towards-death — the death that is certain to come, one knows not when.The vulgar interpretation of time represents a flight both from Dasein's death and from its futural temporality, since it places the present at the centre of concern. Time, for the vulgar understanding, is simply ‘a sequence of “nows” which are constantly “present-at-hand”, simultaneously passing away and coming along’ (BT 474). The past and future are thus understood to be no more than the now that is no longer or is not yet. The future in particular is hereby distorted: for it is not thought to be the certain though indeterminate possibility in relation to which our present existence is first constituted, but is conceived as present existence that is yet to come.

Religions ◽  
2021 ◽  
Vol 12 (1) ◽  
pp. 59
Author(s):  
Rachel Wagner

Here I build upon Robert Orsi’s work by arguing that we can see presence—and the longing for it—at work beyond the obvious spaces of religious practice. Presence, I propose, is alive and well in mediated apocalypticism, in the intense imagination of the future that preoccupies those who consume its narratives in film, games, and role plays. Presence is a way of bringing worlds beyond into tangible form, of touching them and letting them touch you. It is, in this sense, that Michael Hoelzl and Graham Ward observe the “re-emergence” of religion with a “new visibility” that is much more than “simple re-emergence of something that has been in decline in the past but is now manifesting itself once more.” I propose that the “new awareness of religion” they posit includes the mediated worlds that enchant and empower us via deeply immersive fandoms. Whereas religious institutions today may be suspicious of presence, it lives on in the thick of media fandoms and their material manifestations, especially those forms that make ultimate promises about the world to come.


2002 ◽  
Vol 37 ◽  
pp. 117-132
Author(s):  
Hilary M. Carey

Time, according to medieval theologians and philosophers, was experienced in radically different ways by God and by his creation. Indeed, the obligation to dwell in time, and therefore to have no sure knowledge of what was to come, was seen as one of the primary qualities which marked the post-lapsarian state. When Adam and Eve were cast out of the garden of delights, they entered a world afflicted with the changing of the seasons, in which they were obliged to work and consume themselves with the needs of the present day and the still unknown dangers of the next. Medieval concerns about the use and abuse of time were not merely confined to anxiety about the present, or awareness of seized or missed opportunities in the past. The future was equally worrying, in particular the extent to which this part of time was set aside for God alone, or whether it was permissible to seek to know the future, either through revelation and prophecy, or through science. In the fourteenth and fifteenth centuries, the scientific claims of astrology to provide a means to explain the outcome of past and future events, circumventing God’s distant authority, became more and more insistent. This paper begins by examining one skirmish in this larger battle over the control of the future.


Author(s):  
Elliot R. Wolfson
Keyword(s):  
The Past ◽  
To Come ◽  

This chapter addresses the co-dependence of people's conceptions of end and of beginning. To comprehend the beginning, one must think of it from the perspective of futurity, from the perspective, that is, of the ultimate end. Consequently, the beginning lies not in the past but, rather, in the future. The chapter then relates this mode of philosophizing with the way people understand Jewish eschatology, which lies at the center of Jewish theorization about time. In Jewish eschatology, what is yet to come is understood as what has already happened, whereas what has happened is derived from what is yet to come. Martin Heidegger has dismissed Judaism as a religion that by its very nature cannot experience temporality authentically. Yet his own understanding of temporality accords well with rabbinic conceptions of temporality and later kabbalistic eschatologies.


Cyber Crime ◽  
2013 ◽  
pp. 1016-1042 ◽  
Author(s):  
Debarati Halder ◽  
K. Jaishankar

In this chapter, an attempt is made to operationally define cyber crimes against women, as we have found that the definitions of cyber crimes have changed in the past decade and we presume that even this will change in the future decades to come. In addition, the current definitions do not specifically fit in to the nitty-gritty issues of cyber crimes against women and a succinct operational definition is provided. A new set of typology is made with regard to the cyber crimes against women as not all type of crimes fit to the category of cyber crimes against women. The patterns of victimization of women in cyberspace are dealt by qualitative case studies along with the typology.


In this chapter, an attempt is made to operationally define cyber crimes against women, as we have found that the definitions of cyber crimes have changed in the past decade and we presume that even this will change in the future decades to come. In addition, the current definitions do not specifically fit in to the nitty-gritty issues of cyber crimes against women and a succinct operational definition is provided. A new set of typology is made with regard to the cyber crimes against women as not all type of crimes fit to the category of cyber crimes against women. The patterns of victimization of women in cyberspace are dealt by qualitative case studies along with the typology.


2019 ◽  
Vol 7 (1) ◽  
pp. 69-91
Author(s):  
Cajetan Iheka

Mineral extraction in Africa has exacerbated ecological degradation across the continent. This article focuses on the example of the Niger Delta scene of oil exploration depicted in Michael Watts and Ed Kashi’s multimedia project, Curse of the Black Gold: 50 Years of Oil in the Niger Delta. Analyzing the infringement on human and nonhuman bodies due to fossil fuel extraction, I read the Delta, inscribed in Watts and Kashi’s image-text, as an ecology of suffering and as a site of trauma. Although trauma studies tend to foreground the past and the present, I argue that Curse of the Black Gold invites serious consideration of trauma of the future, of-the-yet-to-come, in apprehending the problematic of suffering in the Delta. I conclude with a discussion of the ethics of representing postcolonial wounding, which on the one hand can create awareness of ecological degradation and generate affect, but which on the other hand, exploits the vulnerability of the depicted and leaves an ecological footprint.


1977 ◽  
Vol 21 (2) ◽  
pp. 125-129 ◽  
Author(s):  
Antony Allott

To launch a new journal is an act of faith; it is also an act of recognition. An act of faith, because the editors and publishers of the journal will naturally ask themselves where the readership is to come from, which is to make the journal viable. An act of recognition, because the new journal officially marks, at least in the minds of its begetters, the recognition that a new area of theoretical study or practical action has now defined itself, which has hitherto been unrecognised or insufficiently provided for by the journals already in existence. As the first editor of this Journal, and the only member of the original Editorial Committee still serving the Journalin that capacity, I may be permitted to indulge in a personal reflection on the motives and background to the launching of the Journal of African Law in 1957.


ILUMINURAS ◽  
2020 ◽  
Vol 21 (53) ◽  
Author(s):  
Oscar Hernando Guarín Martínez ◽  
Marta Jimena Cabrera Ardila

Resumen: Este artículo aborda los modos como las imágenes prefiguran el tiempo por venir, el futuro. En otras palabras, lo que entendemos por el futuro, un tiempo sin historicidad, es articulado en el tiempo presente y corresponde a un paradójico movimiento entre tiempo de nostalgia y tiempo de deseo. Para explorar el tema, abordamos las nociones de profecía y predicción y posteriormente ahondamos en las imágenes técnicas, que son centrales en la producción de la era geológica conocida como Antropoceno. El Antropoceno, en tanto escenario planetario inminente, significa un particular encuentro entre las profecías apocalípticas de las religiones y el pensamiento mítico, y las predicciones catastróficas de las ciencias, derivando en una singular imagen de futuro que pareciera ser un fin y un comienzo a la vez: la conquista del Espacio y la terraformación de otros mundos, donde Marte es una suerte de espejo de la Tierra que proyecta imágenes que son simultáneamente del pasado y del futuro.Palabras Clave: Antropoceno. antropología de la imagen. historicidad. Marte. terraformación ¿Existe una imagen del futuro? Sobre tiempos, imágenes, mundos otros y Antropoceno Abstract: This article explores the ways in which images prefigure times to come, the future. In other words, what we understand as future, a time devoid of historicity, is articulated in the present and corresponds to a paradoxical movement between nostalgia and desire. To delve into the matter, we explore the notions of prophecy and prediction, then we examine technical images, which are key to the production of the geological era known as the Anthropocene. The Anthropoce, seen as an imminent planetary scenario, implies a remarkable encounter between apocalyptic prophecies, mythical thinking, and scientific catastrophic predictions which condensate in a singular image of the future that speaks of beginnings and ends: the conquest of outer space and the terraforming of other worlds where Mars mirrors the Earth and projects images that belong simultaneously to the past and the future.Keywords: Anthopocene. anthropology of the image. historicity. Mars. terraforming EXISTE UMA IMAGEM DO FUTURO? SOBRE TEMPOS, IMAGENS, OUTROS MUNDOS E O ANTROPOCENO Resumo: O artigo aborda os modos como as imagens provém o tempo por vir, o futuro. Em outras palavras, aquilo que entendemos por futuro, um tempo sem historicidade, é articulado no tempo presente e faz parte de um movimento paradoxal entre o tempo da saudade e o tempo do desejo. Para fazer essa abordagem, partimos das noções de profecia e predição, para compreender as imagens técnicas como elementos centrais da visualidade da era geológica conhecida como Antropoceno. Essa era geológica, em quanto cenário planetario iminente, significa um particular encontro entre as profecias apocalípticas das religões e o pensamiento mítico, e as predições catastróficas das ciências, dando lugar a uma singular imagem do futuro que se propõe como um final e um começão ao mesmo tempo: a conquista do Espaço e a terraformação de outros mundos, onde Marte é um tipo de espelho da Terra, que projeta imagens que são do pasado e do futuro ao mesmo tempo.Palavras-chave: Antropoceno. antropologia das imagens. historicidade. Marte. terraformação


2021 ◽  
Vol 83 (3) ◽  
pp. 7-13
Author(s):  
Tuleutai Suleimenov ◽  

In this issue we publish an article by Tuleutai Skakovich Suleimenov entitled "The Past, the Present and the Future to Come". The author has made a great contribution as the first Minister of Foreign Affairs (1991-1994) to Kazakhstan's foreign policy and diplomacy after gaining independence, has been Ambassador Extraordinary and Plenipotentiary in several countries, is a Laureate of the State Prize of the Republic of Kazakhstan and holds a PhD in Political Science. Today, as a professor at the Academy of Public Administration under the President of the Republic of Kazakhstan, Suleimenov is actively involved in training a new generation of diplomatic personnel. On the eve of his 80th birthday Tuleitai Suleimenov shares his reflections on the path of a young state - the Republic of Kazakhstan in the 30th anniversary of its independence, in particular on the international initiatives of the First President of Kazakhstan - Elbasy Nazarbayev, which were a major contribution of Kazakhstan to the global agenda and international issues.


2021 ◽  
Vol 16 (3) ◽  
pp. 189-200
Author(s):  
Rabia Demir

Events such as illness, death, violence, and war deeply affect the life of the individual or the social structure and cause radical changes and traumas. In the historical process of art, it is seen that artists are not indifferent to traumas, on the contrary, traumas constitute the center of their work. This article examines how the letter is handled as a means of communication between the artist and the audience in contemporary artworks that want to face personal or social traumas. In this context, examples of contemporary art that want to be aware of the traumas experienced, to tell them, to come to terms with the past and to achieve improvement in the name of the future, and using the letter as a means of expression, are included. In these works, where the letter is used as a means of expression and communication, the writer, reader or listener changes; the letter is written/read/listened to by the artist or the audience. Thus, the audience plays an important role as well as the letter in the emergence and completion of the work. This, in turn, turns the works into an interactive space, allowing to face the past and to realize the trauma experienced.


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