Knowledge of the writings of John Cassian in early Anglo-Saxon England

2003 ◽  
Vol 32 ◽  
pp. 27-41 ◽  
Author(s):  
Stephen Lake

The writings of John Cassian (c. 370–c. 435) circulated widely through the Middle Ages, not least in Anglo-Saxon England. They are commonly assumed by scholars to have been fundamental to the formation of western monasticism, yet it is worth examining the nature and extent of their usage a little more closely. The following discussion considers this usage in Anglo-Latin sources between the later seventh century and the mid-eighth.

2018 ◽  
Vol 136 (4) ◽  
pp. 223-238 ◽  
Author(s):  
Francis Young

St Edmund, king and martyr (an Anglo-Saxon king martyred by the Vikings in 869) was one of the most venerated English saints in Ireland from the 12th century. In Dublin, St Edmund had his own chapel in Christ Church Cathedral and a guild, while Athassel Priory in County Tipperary claimed to possess a miraculous image of the saint. In the late 14th century the coat of arms ascribed to St Edmund became the emblem of the king of England’s lordship of Ireland, and the name Edmund (or its Irish equivalent Éamon) was widespread in the country by the end of the Middle Ages. This article argues that the cult of St Edmund, the traditional patron saint of the English people, served to reassure the English of Ireland of their Englishness, and challenges the idea that St Edmund was introduced to Ireland as a heavenly patron of the Anglo-Norman conquest.


Traditio ◽  
1999 ◽  
Vol 54 ◽  
pp. 1-39 ◽  
Author(s):  
Scott DeGregorio

As a monk at the famous Northumbrian monastery of Jarrow, the Venerable Bede (673–735) produced a body of exegetical work that enjoyed enormous popularity throughout the Middle Ages. Something of that spirit seems to have reawakened in recent years, as Bede's commentaries are increasingly being studied and made available to wider audiences in English translation. One distinctive feature of this development is a growing awareness that Bede's reputation as an exegete is more multifaceted than has been previously realized, that it goes beyond what Beryl Smalley called “his faithful presentation of the tradition in its many aspects. Whereas earlier interpreters were content to regard Bede as a mere compiler reputed for his good sense and able Latinity, scholars are now paying homage to him as a penetrating and perceptive biblical commentator who did more than reproduce the thought of the fathers who preceded him. As I intend to show in what follows, Bede's treatment of prayer and contemplation in his exegesis attests well to this quality of his thought. The topic to date has received only minimal commentary, mainly on what Bede actually taught about prayer. My approach will be different. I begin with a discussion not of Bede's exegetical method but of his occupations and aims as a spiritual writer. Neither Bede's spirituality nor his role as spiritual writer have received the attention they deserve, and it is hoped that the reflections offered here will help rekindle interest in these neglected subjects. I then consider four prayer-related themes in his exegesis that bring his aims as a spiritual writer into view. Patristic tradition had commented widely on prayer, and Bede, we will see, did not set out to summarize this tradition in its entirety but rather to highlight and distill certain themes within it, those that best suited the needs of his Anglo-Saxon audience.


2021 ◽  
Vol 0 (0) ◽  
Author(s):  
Jay Rubenstein

Abstract The apocalyptic belief systems from early modernity discussed in this series of articles to varying degrees have precursors in the Middle Ages. The drive to map the globe for purposes both geographic and symbolic, finds expression in explicitly apocalyptic manuscripts produced throughout the Middle Ages. An apocalyptic political discourse, especially centered on themes of empire and Islam, developed in the seventh century and reached extraordinary popularity during the Crusades. Speculation about the end of world history among medieval intellectuals led them not to reject the natural world but to study it more closely, in ways that set the stage for the later Age of Discovery. These broad continuities between the medieval and early modern, and indeed into modernity, demonstrate the imperative of viewing apocalypticism not as an esoteric fringe movement but as a constructive force in cultural creation.


1984 ◽  
Vol 13 ◽  
pp. 65-96 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle

Among the relics in the treasury of the church of St Catherine at Maaseik in Limburg, Belgium, there are some luxurious embroideries which form part of the so-called casula (probably ‘chasuble’) of Sts Harlindis and Relindis (pls. I–VI). It was preserved throughout the Middle Ages at the abbey church of Aldeneik (which these sister-saints founded in the early eighth century) and was moved to nearby Maaseik in 1571. Although traditionally regarded as the handiwork of Harlindis and Relindis themselves, the embroideries cannot date from as early as their time, and they must have been made in Anglo-Saxon England. Indeed, they represent the earliest surviving examples of the highly prized English art of embroidery which became famous later in the Middle Ages as opus anglicanum.


Author(s):  
Peter Mitchell

This chapter starts as the Roman Empire fragmented, encompasses the emergence of Christianity and Islam, and explores the donkey’s place in the history of the Middle Ages, as well as what Fernand Braudel termed ‘the triumph of the mule’ in the ensuing early modern period from the fifteenth to the nineteenth centuries. Being closer in time to the present, historical documents are generally richer and more plentiful than for earlier periods, but archaeological excavations and surveys—especially of post-medieval sites and landscapes—are still undeveloped in many regions. Inevitably, therefore, what I present draws as much on textual sources as it does on them. I look first at the symbolic value of donkeys and mules in Christianity and Islam. Next, I consider their disappearance from some parts of Europe in the aftermath of Rome’s collapse and their re-expansion and persistence elsewhere. One aspect of this concerns their continuing contribution to agricultural production, another their consumption as food, a very un-Roman practice. A second theme showing continuities from previous centuries is their significance in facilitating trade and communication over both short and long distances. Tackling this requires inserting donkeys and mules into debates about how far pack animals replaced wheeled forms of transport as Late Antiquity gave way to the Middle Ages. Wide-ranging in time and space, this discussion also provides opportunities for exploring their role in human history in areas beyond those on which I have concentrated thus far. West Africa is one, the Silk Road networks linking China to Central Asia a second, and China’s southward connections into Southeast Asia a third. According to the New Testament Jesus entered Jerusalem on Palm Sunday seated on a donkey (Plate 20). The seventh-century apocryphal Gospel of Pseudo-Matthew also envisages donkeys carrying His mother to Bethlehem, being present at the Nativity, and conveying the Holy Family into temporary exile in Egypt. Donkeys thus framed both ends of Jesus’ life and, given their importance in moving people and goods in first-century Palestine, must have been a familiar sight. But the implications of their place in Christianity’s narrative were originally quite different from those that are generally understood today.


1985 ◽  
Vol 65 (2) ◽  
pp. 353-389 ◽  
Author(s):  
Mildred Budny ◽  
Dominic Tweddle

This article offers an account of the components, the structure and the history of the so-calledcasulaandvelaminaof Sts Harlindis and Relindis preserved at the Church of St Catherine at Maaseik in Belgium as relics of the two sisters who founded the nearby abbey of Aldeneik (where the textiles were kept throughout the Middle Ages). The compositecasulaof Sts Harlindis and Relindis includes the earliest surviving group of Anglo-Saxon embroideries, dating to the late eighth century or the early ninth. Probably similarly Anglo-Saxon, a set of silk tablet-woven braids brocaded with gold associated with the embroideries offers a missing link in the surviving corpus of Anglo-Saxon braids. The ‘David silk’ with its Latin inscription and distinctly western European design dating from the eighth century or the early ninth offers a rare witness to the art of silk-weaving in the West at so early a date. Thevelamenof St Harlindis, more or less intact, represents a remarkable early medieval vestment, garment or cloth made up of two types of woven silk cloths, tablet-woven braids brocaded with gold, gilded copper bosses, pearls and beads. Thevelamenof St Relindis, in contrast, represents the stripped remains—reduced to the lining and the fringed ends—of another composite textile. Originally it was probably luxurious, so as to match the two other composite early medieval textile relics from Aldeneik. As a whole, the group contributes greatly to knowledge of early medieval textiles of various kinds.


1977 ◽  
Vol 6 ◽  
pp. 39-76 ◽  
Author(s):  
Michael Winterbottom

Eduard Norden's great bookDie antike Kunstprosais grounded on first-hand acquaintance with an astonishingly wide range of literature, both from classical antiquity and from the Middle Ages. But at the authors of Anglo-Saxon England Norden does seem to have drawn the line. ‘The two great writers, Aldhelm and Bede’, he says, ‘write, like all Anglo-Saxons, a stylistically uncultivated (verwildertes) though grammatically correct Latin.’ There is no need to labour the point that Aldhelm and Bede are not to be mentioned thus cavalierly in the same stylistic breath: we are all familiar today with the distinction between the ‘hermeneutic’ Latin of the one and the ‘classical’ Latin of the other. But at least Norden could not fall victim to another widely accepted doctrine that purports to explain the origin of that distinction: the doctrine that Aldhelm's style was influenced by Ireland, Bede's by the continent of Europe. I doubt if this is true even of Bede. But my present business is with Aldhelm; I shall try to show that his literary origins are not to be found in Ireland. At the same time I shall be challenging Norden's claim that his Latin was uncultivated. I shall suggest, indeed, that its cultivation was of a kind that Norden himself would have been uniquely qualified to analyse.


Early medieval and medieval - Wendy Davies, Guy Halsall & Andrew Reynolds (ed.) People and Space in the Middle Ages (Studies in the Early Middle Ages). 368 pages, 52 illustrations, 2 tables. 2006. Turnhout: Brepols; 978-2-503-51526-7 hardback. - Catherine E. Karkov & Nicholas Howe (ed.). Conversion and Colonization in Anglo-Saxon England. xx+248 pages, 25 illustrations. 2006. Tempe (AZ): Arizona Center for Medieval and Renaissance Studies; 978-0-86698-363-1 hardback £36 & $40. - Penelope Walton Rogers. Cloth and Clothing in Early Anglo-Saxon England, AD 450–700. xx+290 pages, 177 b&w & colour illustrations, 7 tables. 2007. York: Council for British Archaeology; 978-1-902771-54-0 paperback. - Rachel Moss (ed.) Making and Meaning in Insular Art. xxiv+342 pages, 255 b&w & colour illustrations, 2 tables. 2007. Dublin: Four Courts; 978-1-85182-986-6 hardback £60. - Andrew Saunders. Excavations at Launceston Castle, Cornwall (The Society for Medieval Archaeology Monograph 24). xviii+490 pages, 344 b&w & colour illustrations. 2006. London: Maney; 978-1-904350-75-0 paperback. - Julian Munby, Richard Barber & Richard Brown. Edward Ill’s Round Table at Windsor: The House of the Round Table and the Windsor Festival of 1344. xiv+282 pages, 24 b&w illustrations, 16 colour plates, 8 tables. 2007. Woodbridge: Boydell; 978-1-84383-313-0 hardback £35. - Reviel Netz & William Noel. The Archimedes Codex. xii+306 pages, 42 illustrations. 2007. London: Weidenfeld & Nicolson; 978-0-297-64547-4 hardback £18.99.

Antiquity ◽  
2007 ◽  
Vol 81 (313) ◽  
pp. 826-826
Author(s):  
Madeleine Hummler

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