scholarly journals Illustrations of damnation in late Anglo-Saxon manuscripts

2003 ◽  
Vol 32 ◽  
pp. 231-245 ◽  
Author(s):  
Sarah Semple
Keyword(s):  
Ninth Century ◽  
Tenth Century ◽  
Anglo Saxon ◽  
Late Ninth Century ◽  
Religious Devotion ◽  
Divine Punishment

‘Many tribulations and hardships shall arise in this world before its end, and they are heralds of the eternal perdition to evil men, who shall afterwards suffer eternally in the black hell for their sins.’ These words, composed by Ælfric in the last decade of the tenth century, reflect a preoccupation in the late Anglo-Saxon Church with perdition and the infernal punishments that awaited sinners and heathens. Perhaps stimulated in part by anxiety at the approach of the millennium, both Ælfric and Wulfstan (archbishop of York, 1002–23) show an overt concern with the continuation of paganism and the evil deeds of mankind in their sermons and homilies. Their works stress the terrible judgement that awaited sinners and heathens and the infernal torment to follow. The Viking raids and incursions, during the late eighth to ninth and late tenth centuries, partially inspired the great anxiety apparent in the late Anglo-Saxon ecclesiastical leadership. Not only were these events perceived as divine punishment for a lack of religious devotion and fervour in the English people, but the arrival of Scandinavian settlers in the late ninth century may have reintroduced pagan practice and belief into England.

The Old English Benedictine Rule: writing for women and men

2003 ◽  
Vol 32 ◽  
pp. 147-187 ◽  
Author(s):  
Rohini Jayatilaka
Keyword(s):  
Ninth Century ◽  
Tenth Century ◽  
Reform Movement ◽  
Anglo Saxon ◽  
Way Of Life ◽  
Monastic Reform ◽  
Monastic Life ◽  
Benedictine Reform ◽  
The Status ◽  
Linguistic Level

The Regula S. Benedicti was known and used in early Anglo-Saxon England, but it was not until the mid-tenth-century Benedictine reform that the RSB became established as the supreme and exclusive rule governing the monasteries of England. The tenth-century monastic reform movement, undertaken by Dunstan, Æthelwold and Oswald during the reign of Edgar (959–75), sought to revitalize monasticism in England which, according to the standards of these reformers, had ceased to exist during the ninth century. They took as a basis for restoring monastic life the RSB, which was regarded by them as the main embodiment of the essential principles of western monasticism, and in this capacity it was established as the primary document governing English monastic life. By elevating the status of the RSB as the central text of monastic practice in England and the basis of a uniform way of life the reformers raised for themselves the problem of ensuring that the RSB would be understood in detail by all monks, nuns and novices, whatever their background. Evidence of various attempts to make the text accessible, both at the linguistic level and at the level of substance, survives in manuscripts dating from the mid-tenth and eleventh centuries; the most important of these attempts is a vernacular translation of the RSB.

scholarly journals The Emergence and Transformation of Medieval Cumbria

2014 ◽  
Vol 93 (2) ◽  
pp. 195-216
Author(s):  
Fiona Edmonds
Keyword(s):  
Old English ◽  
Eleventh Century ◽  
Ninth Century ◽  
Tenth Century ◽  
Old Norse ◽  
Large Area ◽  
New Name ◽  
Late Ninth Century ◽  
Administrative Units ◽  
The Relationship

There has long been uncertainty about the relationship between the polities known as Strathclyde and Cumbria. Did medieval writers apply these terms to the same kingdom, or were Strathclyde and Cumbria separate entities? This debate has significant implications for our understanding of the politics of northern Britain during the period from the late ninth century to the twelfth. In this article I analyse the terminology in Latin, Old English, Old Norse, Welsh and Irish texts. I argue that Strathclyde developed into Cumbria: the expansion of the kingdom of Strathclyde beyond the limits of the Clyde valley necessitated the use of a new name. This process occurred during the early tenth century and created a Cumbrian kingdom that stretched from the Clyde to the south of the Solway Firth. The kingdom met its demise in the mid-eleventh century and Cumbrian terminology was subsequently appropriated for smaller ecclesiastical and administrative units. Yet these later usages should not be confused with the tenth-century kingdom, which encompassed a large area that straddled the modern Anglo-Scottish border.

Religion and the Samanid Amirs

2016 ◽  
Author(s):  
L. Marlow
Keyword(s):  
Good Governance ◽  
Ninth Century ◽  
Tenth Century ◽  
Active Participation ◽  
Religious Culture ◽  
The Public ◽  
The Social ◽  
Religious Devotion ◽  
Social Prominence ◽  
Funerary Rites

To situate Naṣīḥat al-mulūk in the religious culture of the tenth-century Samanid domains, this chapters explores the orientations and practices of the Samanid amirs from the later ninth century onwards. It portrays the proclivities towards austerity (zuhd) and religious devotion (ʿibāda) of the earlier amirs, especially the generation of Naṣr I and his brothers, the memory of whose conduct significantly shaped Pseudo-Māwardī’s conception of good governance. The chapter presents the efforts of this generation of amirs to develop mutually supportive relations with the religious scholars, and their active participation in the public religious sphere, in, for example, the hearing and transmission of ḥadīth and participation in the funerary rites of prominent scholars. It treats the social prominence and economic means of religious scholars and renunciants, whose support and co-operation Pseudo-Māwardī urges the king to cultivate. The chapter concludes with a discussion of religious developments during the reign of Naṣr II.

An Unknown Late Anglo-Saxon Text About old St Peter's in Rome

1990 ◽  
Vol 70 (1) ◽  
pp. 115-117
Author(s):  
Veronica Ortenberg
Keyword(s):  
Present Note ◽  
Ninth Century ◽  
Tenth Century ◽  
British Library ◽  
Anglo Saxon ◽  
English History ◽  
Short Text ◽  
The World ◽  
The Creation

Ms Royal 2. B.V. in the British Library, London, is a tenth-century Psalter from Winchester, possibly from Nunnaminster. On the last folios of this MS (189-190) were added in the late tenth century, miscellaneous computistical entries, which include the years ofChrist, the ages of the world, the ages and generations, the numbering and reckoning of years and the number of years from the Creation to the foundation of Rome. Two texts, the ‘De longitudine mundi’ (fol. 189) and ‘Longitudo, latitudo et altitudo templi et tabernaculum (sic)’ (fols. 189randv) precede, and another, ‘De area Noe’ (fol. 189v) follows a short text entitled ‘De aedificatio (sic) ecclesie sancti Petri apostoli’ at folio 189v.With the exception of this last, all these texts are also found in a ninth-century MS, British Library, Cotton Vespasian B.VI (fols. 106-70). To the best of my knowledge, the ‘De aedificatio[ne]’ does not exist in any other manuscript, and there is no known source for it. The present note aims solely at bringing this text to light and providing an edition of it; an examination of its implications for English history and architecture will be provided elsewhere.

DEBATING CHICHEN ITZA

2017 ◽  
Vol 28 (1) ◽  
pp. 119-136 ◽  
Author(s):  
William M. Ringle
Keyword(s):  
San Diego ◽  
Ninth Century ◽  
Tenth Century ◽  
University Of California ◽  
Present Evidence ◽  
Late Ninth Century ◽  
The University ◽  
Chichen Itza

AbstractTeams from the Instituto Nacional de Antropología e Historia (INAH) and the University of California, San Diego (UCSD) have put forth a new chronology for Chichen Itza that challenges recent scholarly opinion favoring a date of roughlya.d.800/850–1000/1050 for the so-called “Toltec” or Modified Florescent occupation. The new chronology instead argues for the placement of this occupation betweena.d.950–1150, a span favored by scholars prior to the 1970s. This paper presents a critique of the ceramic, radiocarbon, and stratigraphic foundations of these arguments, arguing that, on present evidence, Chichen Itza experienced a tenth-century florescence. Although the site may very well have been occupied into the next century, at present we have no absolute dates aftera.d.1000 and no evidence for later monumental construction. Furthermore, arguments for a proposed hiatus or discontinuity at the onset of the Modified Florescent period are rejected in favor of a model of continued development of Toltec ideas from the late ninth century onward.

Bald's Leechbook and the Physica Plinii

1992 ◽  
Vol 21 ◽  
pp. 87-114 ◽  
Author(s):  
J. N. Adams ◽  
Marilyn Deegan
Keyword(s):  
Old English ◽  
Systematic Study ◽  
Ninth Century ◽  
Latin Text ◽  
Anglo Saxon ◽  
Medical Texts ◽  
Late Ninth Century ◽  
History Of ◽  
The Relationship ◽  
Source Materials

The study of the sources of the Anglo-Saxon medical texts began more than a hundred years ago with T.O. Cockayne's monumental edition of most of the medical, magical and herbal material extant in Old English. Cockayne demonstrated that the most significant text in this corpus, the late ninth-century compilation known as Bald's Leechbook, drew on an impressive range of Latin source materials. Recent work by C.H. Talbot and M.L. Cameron has further extended our knowledge of the classical texts which underlie the Leechbook. Among the significant sources is the text known as the Physica Plinii. Although the Physica survives in several recensions, there has as yet been no systematic study of the relationship between these recensions and the version of the Latin text used by the Old English compiler. The present article investigates Bald's Leechbook as a witness to the history of the Physica Plinii, and demonstrates the complexity of the transmission of the latter work.

The Leofric Missal and tenth-century English art

1977 ◽  
Vol 6 ◽  
pp. 145-173 ◽  
Author(s):  
Robert Deshman
Keyword(s):  
Ninth Century ◽  
Tenth Century ◽  
Bodleian Library ◽  
Medieval Art ◽  
Anglo Saxon ◽  
Monastic Reform ◽  
Artistic Activity ◽  
History Of

One of the most crucial and problematic periods in the history of English medieval art is the tenth century. Already in the first half of the century there were signs of renewed artistic activity after the comparatively barren period of the ninth century when the Viking invasions rent the fabric of Anglo-Saxon society. But a full revival did not occur until the second half of the tenth century under the impetus of monastic reform and strong royal support. It was then that English artists created the so-called ‘Winchester Style’, which was to exercise a powerful influence in England and also on the continent for more than a century. Despite the research of many scholars, most notably Homburger and Wormald, there are still many more questions than answers about the sources and development of tenth-century English art. Among the most important works from this time are the Anglo-Saxon drawings and initial which were added to the so-called Leofric Missal (Oxford, Bodleian Library, Bodley 579). Through a consideration of their style, technique, ornament and iconography I hope to take a step towards a clearer understanding of this period of artistic renaissance.

The Galba Psalter: pictures, texts and context in an early medieval prayerbook

1997 ◽  
Vol 26 ◽  
pp. 109-138 ◽  
Author(s):  
Robert Deshman (†)
Keyword(s):  
Ninth Century ◽  
Tenth Century ◽  
British Library ◽  
Bodleian Library ◽  
Anglo Saxon ◽  
Ps I ◽  
Full Page ◽  
Terminus Post Quem ◽  
King Alfred ◽  
Made In

The ‘Galba Psalter’ (London, British Library, Cotton Galba A. xviii) is a pocket-sized (128 × 88 mm.), early-ninth-century Carolingian book, perhaps made in the region of Liège, that was originally decorated with only ornamental initials. By the early tenth century the manuscript had reached England, where an Anglo-Saxon scriptorium added two prefatory quires (1r–19v) containing a metrical calendar illuminated with zodiac signs, KL monograms and single figures (pls. IX–X), and five full-page pictures. Two miniatures of Christ and the saints on 2v and 21r (pls. X–XI) preface the calendar and a series of prayers respectively, and three New Testament pictures marked the customary threefold division of the Psalms. Facing Ps. I was a miniature of the Nativity (pl. XII), now detached from the manuscript and inserted into an unrelated book (Oxford, Bodleian Library, Rawlinson B. 484, 85r). The Ascension on 120v (pl. XIII) prefaces Ps. CI. A third picture before Ps. LI has been lost, but almost certainly it represented the Crucifixion. The placement of an image of this theme between the Nativity and the Ascension would have been appropriate from a narrative standpoint, and some later Anglo-Saxon and Irish psalters preface this psalm with a full-page picture of the Crucifixion. Obits for King Alfred (d. 899) and his consort Ealhswith (d. 902) provide a terminus post quem for the calendar and the coeval illumination. The Insular minuscule script of the calendar indicates a West Saxon origin during the first decade of the tenth century. On the grounds of the Psalter's style and later provenance, the additions were very likely made at Winchester.

Drypoint Glossing in a Tenth-Century Manuscript of Aldhelm's Prose Treatise on Virginity

Traditio ◽  
1996 ◽  
Vol 51 ◽  
pp. 99-145 ◽  
Author(s):  
Scott Gwara
Keyword(s):  
Ninth Century ◽  
Tenth Century ◽  
Eighth Century ◽  
Anglo Saxon ◽  
Prose Style ◽  
Native Literature

Aldhelm of Malmesbury (ca. 640–709/710) conceived and practiced an idiosyncratic style of Latin prose called “hermeneutic,” which was characterized mainly by lexical peculiarities: neologisms, graecisms, archaisms, poeticisms, distributive numerals, and other varieties of contrived or recherché diction. The principal model of the hermeneutic prose style was, of course, Aldhelm's treatise on virginity, theProsa de virginitate(hereafterPdv). Aldhelm probably wrote the work in the 670s. Partly — if not mainly — because of this influential treatise, hermeneutic Latin became a vogue in seventh- and eighth-century England, and practitioners of it flourished on the continent, too. Alas, ninth-century Viking incursions put an end not only to hermeneutic latinity but also to native literature. Not until the 920s would interest in hermeneutic Latin be renewed, and after a few more decades Aldhelm's prose work became one of the most intensively studied books in Anglo-Saxon England. In fact, the complexity of Aldhelm's prose led to copious glossing.

From memory to record: musical notations in manuscripts from Exeter

1984 ◽  
Vol 13 ◽  
pp. 97-112 ◽  
Author(s):  
Susan Rankin
Keyword(s):  
Eleventh Century ◽  
Ninth Century ◽  
Great Majority ◽  
Tenth Century ◽  
The Other ◽  
Anglo Saxon ◽  
Musical Notation ◽  
Corpus Christi ◽  
South West ◽  
South West England

When Ælfric wrote that ‘every mass-priest should have a mass-book and epistle-book and song-book and reading-book and psalter and handbook and penitential and kalendar’, there is every possibility that by ‘song-book’ he was thinking of a book containing not just chant texts, but also their melodies. A type of musical notation recognized as Anglo-Saxon appears in more than one hundred manuscript sources of the late tenth and the eleventh centuries, many of which may be linked with major ecclesiastical centres such as Worcester, Exeter, Sherborne, Canterbury, Durham and Winchester. Whilst it is possible that knowledge of musical notation reached England via northern France during the ninth century, it was apparently not until after the mid-tenth century, when the Benedictine revival occasioned numerous contacts between England and the continent, that music-writing became established in Anglo-Saxon England. Several Anglo-Saxon manuscripts of the late tenth century have contemporary notation, and they show the use at this period of two different neumatic systems. One system – closely related to northern French notations, particularly those of Corbie — was to set the pattern for the great majority of eleventh-century English notations; the other type, related to notations of Breton provenance, appears mainly confined to sources originating in south-west England. The breadth of notational detail found in one of the so-called Winchester Tropers (Cambridge, Corpus Christi College 473) indicates that the practice of notating music was well established, at least at Winchester, by the year 1000.

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