Duetto a tre: Franco Alfano's completion of Turandot

2004 ◽  
Vol 16 (2) ◽  
pp. 163-185 ◽  
Author(s):  
LINDA B. FAIRTILE

This study of the ending customarily appended to Giacomo Puccini's unfinished Turandot offers a new perspective on its genesis: that of its principal creator, Franco Alfano. Following Puccini's death in November 1924, the press overstated the amount of music that he had completed for the opera's climactic duet and final scene. In fact, Puccini's manuscripts were so disjointed that Arturo Toscanini, the conductor chosen to lead the première, drafted the reluctant Alfano to fashion them into a viable conclusion. While occupied with this assignment, Alfano spoke with the writer Raymond Roussel about his plans for the opera's completion. This long-forgotten interview, absent from previous studies of Turandot's conclusion, reveals a strategy that would inevitably fall foul of Toscanini's expectations. Rejecting Alfano's first attempt for its extensive original composition, Toscanini forced changes on the conclusion that undermine both its musical coherence and dramatic logic. I assess Alfano's original ending in light of his frustration with Puccini's sketches, as well as the generally deleterious result of Toscanini's interventions. While neither conclusion represents an ideal solution, a judicious conflation of the two versions offers the best chance of reconciling a suitable denouement with the musical character of Puccini's finished score.

2018 ◽  
Vol 11 (1) ◽  
pp. 71
Author(s):  
Mufti Nurlatifah

Aturan mengenai pers di Indonesia diatur oleh Undang-undang No.40 tahun 1999 tentang pers. Segala bentuk aktivitas jurnalisme, baik yang menggunakan media cetak, media penyiaran, dan media baru dilindungi dan dijamin oleh Undang-undang Pers. Pada perkembangannya, praktik jurnalistik pada media online tidak sesederhana formulasi pada undang-undang Pers. Ruang lingkup media baru yang menghadirkan sedemikian banyak kebaruan menghadirkan persoalan dilematis karena karakter media yang berbeda. Karakter media yang berbeda membuat aktivitas jurnalistik pada media baru juga mengalami pergeseran dan dinamika yang luar biasa. Hal ini pula yang kemudian menghadirkan persoalan dilematis di wilayah normatif dan etis. Berangkat dari asumsi tersebut, penelitian ini bermaksud ingin melihat bagaimana posisi Undang-undang Pers dalam ekosistem media baru. Penelitian ini berusaha menjawab posisi tersebut dalam dua aras. Pertama, penelitian ini hendak mengelaborasi bagaimana posisi Undang-undang Pers dalam konteks hukum media di Indonesia, baik dalam perspektif lex spesialis maupun perspektif lex generalis. Kedua, posisi Undang-undang Pers dalam penelitian ini dilihat dalam konteks empirik pada berbagai kasus jurnalisme media online di Indonesia. Konteks empirik ini lebih melihat pada bagaimana fakta yang terjadi di wilayah hukum dalam menanggapi berbagai persoalan terkait pers di media online.  Indonesian Law No. 40 in 1999 on Press regulate Indonesia press activity in print media, electronic media, and online media. This law not only regulate press activity in collecting and reporting information but also guarantee freedom of the press in all Indonesian platform media. However, online journalism practice not as simple as the law. New media ecosystem challenge journalism practice, ethics, and regulation to the new level. New media character change journalism in many aspect, such as commentary, accuracy, and media management. These changes brought new perspective to discuss about regulation for online journalism. This research want to answer, how Indonesian Press Law taking position in new media ecosystem. First, we can discuss this position by elaborate Indonesian Press Law in lex specialist or in lec generalis condition. Second, we can compare Indonesian online journalism case which use Indonesian Press Law to justice.


2018 ◽  
Vol 18 (1) ◽  
pp. 190-206
Author(s):  
Dalia Rusu-Persic

Abstract In late 19th-century periodicals, music criticism captured only a few details on the composition techniques, the structural organization, the rhythmic-melodic or vocal and stage interpretation of various performances. The press shed light on these pieces only at an informative level, mentioning titles, composers, and interpreters and even omitting some details due to, on the one hand, the authorities’ indifference to the musical phenomenon and, on the other hand, the editors’ sheer ignorance of particular stylistic or musical language features. However, the attempts made by the personalities active in the cultural and artistic life were real and unrelenting, their results being guided by the desire to promote music with specific national traits. This study provides an analytical perspective on the current reception of that social-artistic context. Taking into account that new sources have favored a more detailed and profound investigation of the 19th-century critical phenomenon, our analysis supplements the information presented in the music history studies already published in Romania. Consequently, the first section of this paper approaches the extremely dynamic phenomenon represented by the creation of new journals / newspapers in the 19th century. It is our belief that starting from general journalism we can acquire a better understanding of the development of musical criticism. This research aimed to discover new dimensions of Iași-based music, placing special emphasis on the critical reception of the composer Alexandru Flechtenmacher. We have followed its reflection in the Romanian press, starting from the first accounts in this respect, and ending with the subsequent assessments formulated in 20th-century musicology. Although the texts that tackle musical issues are quite few and social aspects prevail in the commentators’ list of interests, by combining the information provided by general literary/historical/social sources with the details included in specialized articles we can create a new perspective on late 19th-century Iași-based compositions.


Author(s):  
H.-J. Ou

The understanding of the interactions between the small metallic particles and ceramic surfaces has been studied by many catalyst scientists. We had developed Scanning Reflection Electron Microscopy technique to study surface structure of MgO hulk cleaved surface and the interaction with the small particle of metals. Resolutions of 10Å has shown the periodic array of surface atomic steps on MgO. The SREM observation of the interaction between the metallic particles and the surface may provide a new perspective on such processes.


1979 ◽  
Vol 10 (3) ◽  
pp. 145-151 ◽  
Author(s):  
Sallie W. Hillard ◽  
Laura P. Goepfert

This paper describes the concept of teaching articulation through words which have inherent meaning to a child’s life experience, such as a semantically potent word approach. The approach was used with six children. Comparison of pre/post remediation measures indicated that it has promise as a technique for facilitating increased correct phoneme production.


2018 ◽  
Vol 17 (2) ◽  
pp. 55-65 ◽  
Author(s):  
Michael Tekieli ◽  
Marion Festing ◽  
Xavier Baeten

Abstract. Based on responses from 158 reward managers located at the headquarters or subsidiaries of multinational enterprises, the present study examines the relationship between the centralization of reward management decision making and its perceived effectiveness in multinational enterprises. Our results show that headquarters managers perceive a centralized approach as being more effective, while for subsidiary managers this relationship is moderated by the manager’s role identity. Referring to social identity theory, the present study enriches the standardization versus localization debate through a new perspective focusing on psychological processes, thereby indicating the importance of in-group favoritism in headquarters and the influence of subsidiary managers’ role identities on reward management decision making.


1981 ◽  
Vol 36 (5) ◽  
pp. 480-487 ◽  
Author(s):  
Russell H. Weigel ◽  
Jeffrey J. Pappas
Keyword(s):  

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