Drowning Voices and Drowning Shoreline: A Riverside View of the Social and Ecological Impacts of the St. Lawrence Seaway and Power Project

Rural History ◽  
1999 ◽  
Vol 10 (2) ◽  
pp. 235-257 ◽  
Author(s):  
Heather M. Cox ◽  
Brendan G. DeMelle ◽  
Glenn R. Harris ◽  
Christopher P. Lee ◽  
Laura K. Montondo
Keyword(s):  
United States ◽  
New York ◽  
Twentieth Century ◽  
Private Sector ◽  
The United States ◽  
Ecological Impacts ◽  
Commercial Vehicles ◽  
The Social ◽  
Power Project ◽  
St Lawrence River

The St. Lawrence Seaway and Power Project was a massive restructuring of the St. Lawrence River bordering Canada and the United States. The river had always been used for human transportation, and a shipping canal for commercial vehicles was constructed and enhanced throughout the nineteenth century. However, the river grew increasingly incapable of handling an international fleet composed of larger boats during the twentieth century. Proposals to undertake major renovations for shipping were debated at the highest levels of policy for several decades. Finally, the St. Lawrence River was substantially altered during the 1950s. These changes created a Seaway able to accommodate vessels with deeper drafts and permitted the development of hydro-electric generating facilities through the construction of dikes and dams. All of this activity involved numerous agencies in the governments of the United States, Canada, the Iroquois Confederacy, New York, Ontario, other states and provinces, as well as commercial and industrial entities in the private sector.

scholarly journals Corporate Defaults, Workouts, and the Rise of the Distressed Asset Investment Industry

2015 ◽  
Vol 89 (2) ◽  
pp. 305-330 ◽  
Author(s):  
Douglas Cumming ◽  
Grant Fleming
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Private Sector ◽  
Scale Effects ◽  
The United States ◽  
Corporate Restructuring ◽  
Specific Focus ◽  
Late Twentieth ◽  
Late Twentieth Century

We examine the formation and growth of the distressed asset investment industry during the late twentieth century, with specific focus on the strategies of the leading firms. The distressed asset investment industry is dominated by firms based in the United States and is relatively concentrated, due in large part to early movers developing distinctive investment capabilities through participation in landmark transactions, relationship-specific resources, and exploitation of scale effects. We argue that the participation of these firms in the bankruptcy and corporate restructuring markets has resulted in private-sector workouts becoming more competitive and more efficient over the last thirty years, especially in the United States.

Technology’s Retreat: The Decline of Rural Telephony in The United States, 1920-1940

1987 ◽  
Vol 11 (3) ◽  
pp. 295-327
Author(s):  
Claude S. Fischer
Keyword(s):  
United States ◽  
Twentieth Century ◽  
Diffusion Of Innovation ◽  
Technology Diffusion ◽  
Social Role ◽  
The United States ◽  
Knowing How ◽  
The Social

One million fewer American farms had telephones in 1940 than in 1920; the instrument was disconnected in at least a third of the farm homes that once had it. Knowing how and why this “devolution” (Mattingly and Aspbury, 1985) occurred can expand our understanding of the social role of technology, diffusion of innovation, and more generally, twentieth-century modernization in America.

“The Hora Staccato in Swing!”: Jascha Heifetz's Musical Eclecticism and the Adaptation of Violin Miniatures

2012 ◽  
Vol 6 (4) ◽  
pp. 405-431
Author(s):  
JOSHUA S. WALDEN
Keyword(s):  
United States ◽  
New York ◽  
Twentieth Century ◽  
Eastern Europe ◽  
The United States ◽  
Popular Song ◽  
Tin Pan Alley ◽  
Popular Songs ◽  
History Of

AbstractJascha Heifetz (1901–87) promoted a modern brand of musical eclecticism, recording, performing, and editing adaptations of folk and popular songs while remaining dedicated to the standard violin repertoire and the compositions of his contemporaries. This essay examines the complex influences of his displacement from Eastern Europe and assimilation to the culture of the United States on both the hybridity of his repertoire and the critical reception he received in his new home. It takes as its case study Heifetz's composition of the virtuosic showpiece “Hora Staccato,” based on a Romany violin performance he heard in Bucharest, and his later adaptation of the music into an American swing hit he titled “Hora Swing-cato.” Finally, the essay turns to the field of popular song to consider how two of the works Heifetz performed most frequently were adapted for New York Yiddish radio as Tin Pan Alley–style songs whose lyrics narrate the early twentieth-century immigrant experience. The performance and arrangement history of many of Heifetz's miniatures reveals the multivalent ways in which works in his repertoire, and for some listeners Heifetz himself, were reinterpreted, adapted, and assimilated into American culture.

Fired by the Ideal

2018 ◽  
Author(s):  
Marcella Bencivenni
Keyword(s):  
United States ◽  
New York ◽  
New York City ◽  
Historical Context ◽  
The United States ◽  
Late Nineteenth Century ◽  
Italian Immigration ◽  
The Social ◽  
Late Nineteenth ◽  
The Ideal

This chapter details the social, political and historical context out of which Italian anarchism emerged in New York City. Embracing a transnational approach, she charts the movement's early roots, its main leaders, geopolitical spaces and distinctive subculture starting from the late nineteenth century when the great Italian immigration to the United States began through the 1920s when the movement started to decline under the blows of governmental repression and postwar nativist calls for 100 percent Americanism.

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