scholarly journals Artists and the city: mapping the art worlds of eighteenth-century Paris

Urban History ◽  
2018 ◽  
Vol 46 (1) ◽  
pp. 106-131
Author(s):  
HANNAH WILLIAMS
Keyword(s):  
Eighteenth Century ◽  
Large Scale ◽  
World View ◽  
Art World ◽  
Urban Art ◽  
Digital Mapping ◽  
Art Worlds ◽  
French Art ◽  
Nineteenth And Twentieth Centuries ◽  
The City

ABSTRACT:Paris is renowned for artistic neighbourhoods like Montmartre and Montparnasse in the nineteenth and twentieth centuries. But for earlier periods, the art-historical picture is much vaguer. Where did artists live and work in the eighteenth century? Which neighbourhoods formed the cultural geography of the early modern art world? Drawing on data from a large-scale digital mapping project locating the addresses of hundreds of eighteenth-century artists, this article answers these crucial questions of urban art history. Following an overview of the digital project, the article explores three different mappings of the city's art worlds: a century long survey of the neighbourhoods inhabited by the Academy's artists; a comparison of where the Guild's artists were living in a single year and a wider world view of Parisian artists abroad. Through its new cartographic models of Paris's art worlds, this article brings the city to the foreground of eighteenth-century French art.

Sex in the City that Peter Built: The Demimonde and Sociability in Mid-Eighteenth Century St. Petersburg

Slavic Review ◽  
2017 ◽  
Vol 76 (4) ◽  
pp. 907-930
Author(s):  
Igor Fedyukin
Keyword(s):  
Eighteenth Century ◽  
Public Sphere ◽  
Large Scale ◽  
Historical Context ◽  
Reading Public ◽  
Associational Life ◽  
The Public ◽  
The World ◽  
The Public Sphere ◽  
The City

This article uses the materials of the Drezdensha affair, a large-scale investigation of “indecency” in St. Petersburg in 1750, to explore unofficial sociability among the Imperial elite, and to map out the institutional, social, and economic dimensions of the post-Petrine “sexual underworld.” Sociability and, ultimately, the public sphere in eighteenth century Russia are usually associated with loftier practices, with joining the ranks of the reading public, reflecting on the public good, and generally, becoming more civil and polite. Yet, it is the privately-run, commercially-oriented, and sexually-charged “parties” at the focus of this article that arguably served as a “training ground” for developing the habits of sociability. The world of these “parties” provides a missing link between the debauchery and carousing of Peter I's era and the more polite formats of associational life in the late eighteenth century, as well as the historical context for reflections on morality, sexual licentiousness, foppery, and the excesses of “westernization.”

An Inventory of Mid-Eighteenth-Century Oxford Musical Hands

2002 ◽  
Vol 35 ◽  
pp. 61-139 ◽  
Author(s):  
Peter Ward Jones ◽  
Donald Burrows
Keyword(s):  
Eighteenth Century ◽  
Large Scale ◽  
Church Music ◽  
Fiftieth Anniversary ◽  
Bodleian Library ◽  
The City

Between them William Hayes (1708–77) and his eldest son Philip (1738–97) occupied the Oxford music professorship for over half a century. William, who came to Oxford in 1734 as organist of Magdalen College, succeeded Richard Goodson the younger in 1741, and at his death was replaced by Philip, who continued in office for the rest of his own life. In addition, both men continued to hold a variety of other posts, in particular as college organists. The period also saw the opening of the Holywell Music Room in 1748, which gave further impetus to an already flourishing concert scene in the city. Although little remains of the general performing material from the Music Room concerts, the Hayeses' own compositions have in large part survived, and include, besides church music and concertos (many of which were certainly heard at the Music Room), a series of large-scale odes and oratorios, often composed as occasional works for university celebrations. In many cases not only the scores, but also the parts survive, and now form a substantial archive in the Bodleian Library, Oxford. The life and works of the two Hayeses has been thoroughly investigated by Simon Heighes in his Oxford dissertation of 1990, although he did not discuss in detail the problems arising out of the similarity of their musical hands, nor deal with the wider question of copyists active in the city at the time. This inventory attempts to clarify this area, and it forms a companion to a book chapter which originated in a paper that the authors gave at a conference in 1998 celebrating the two hunded and fiftieth anniversary of the opening of the Holywell Music Room.

An emerging art world: The de-subculturalization and artification process of graffiti and pixação in São Paulo

2021 ◽  
pp. 136787792110184
Author(s):  
Ricardo Campos ◽  
Gabriela Leal
Keyword(s):  
Urban Space ◽  
Sao Paulo ◽  
Street Art ◽  
Art World ◽  
São Paulo ◽  
Urban Art ◽  
Social Actors ◽  
The Social ◽  
The One ◽  
The City

Graffiti art and street art have been increasingly described as an artistic movement, with a constant presence in the streets, but also in galleries and museums. In this article we use the term urban art to define this institutionalized category, originating from informal street expressions. In the specific context of the city of São Paulo (Brazil), most of the social actors that make up this art world have backgrounds linked to graffiti and pixação. These two urban subcultures are linked to informal forms of appropriation of the urban space through illicit inscriptions. In this article, we aim, on the one hand, to describe the features and singularities of urban art as an emerging art world and, on the other, to understand how careers are developed in this universe. The empirical data derives from a qualitative research (in-depth interviews and ethnographic observation) developed during the past three years.

God and the Gallows: Christianity and Capital Punishment in the Nineteenth and Twentieth Centuries

2004 ◽  
Vol 40 ◽  
pp. 330-356 ◽  
Author(s):  
Hugh Mcleod
Keyword(s):  
Eighteenth Century ◽  
Death Penalty ◽  
Capital Punishment ◽  
England And Wales ◽  
Women And Children ◽  
Nineteenth And Twentieth Centuries ◽  
Full Force ◽  
The City

At the end of the eighteenth century the ‘bloody code’ was still in full force in England and Wales. There were some two hundred offences which carried the death penalty, ranging from murder to stealing goods worth five shillings from a shop. In the 1780s several hundred men, women and children were sentenced to death each year, and though rather over half were reprieved, there were still about two hundred executions. In London, condemned prisoners were confined in Newgate prison in the City, and until 1783 they were transported two miles to be hanged at Tyburn on the western outskirts of the metropolis. There were usually large crowds lining the streets, and particularly notorious criminals might expect up to thirty thousand spectators at their death. A clergyman would travel in the cart with the prisoners, his main purpose being to ensure that they died repentant, and, it was hoped, with better prospects in the next world than in the present one.

Lagos Art World: The Emergence of an Artistic Hub on the Global Art Periphery

2019 ◽  
Vol 63 (1) ◽  
pp. 170-196 ◽  
Author(s):  
Jess Castellote ◽  
Tobenna Okwuosa
Keyword(s):  
Critical Mass ◽  
Art Museum ◽  
Global City ◽  
Art World ◽  
The West ◽  
Art Galleries ◽  
Art Auctions ◽  
Art Worlds ◽  
Global Art ◽  
The City

Abstract:The global geography of art has changed greatly in recent years. Whereas global art hubs were formerly found only in the West, they now exist in locations all over the world, including Africa. Though some art worlds in Asia and Latin America have been studied in recent times, there is insufficient empirical data on art worlds in Africa. This is a study of the Lagos art world, which shows how an “art system,” with all of its attendant structures and agents, has emerged in the city of Lagos, Nigeria, in the last few years. Lagos reflects the dynamics of globalization and is building up the art infrastructure and the critical mass needed for a sustainable art world: an ambitious and fast-growing group of young local collectors, an art fair, an international photography festival, regular art auctions, new art galleries, historical and critical publications, a university art museum, symposiums, art foundations, residencies, and competitions. Lagos is becoming not only a “global city,” but also a “global art hub.”

‘Imagined San Francisco’: Unpacking Urban Regime Theory through Interactive Cartography

2017 ◽  
Vol 11 (1) ◽  
pp. 126-143
Author(s):  
Ocean Howell
Keyword(s):  
San Francisco ◽  
Political Power ◽  
Regime Theory ◽  
Commercial Development ◽  
Urban Regime Theory ◽  
Digital Mapping ◽  
Urban Regime ◽  
Historical Processes ◽  
The City ◽  
Interactive Cartography

American urban historians have begun to understand that digital mapping provides a potentially powerful tool to describe political power. There are now important projects that map change in the American city along a number of dimensions, including zoning, suburbanization, commercial development, transportation infrastructure, and especially segregation. Most projects use their visual sources to illustrate the material consequences of the policies of powerful agencies and dominant planning ‘regimes.’ As useful as these projects are, they often inadvertently imbue their visualizations with an aura of inevitability, and thereby present political power as a kind of static substance–possess this and you can remake the city to serve your interests. A new project called ‘Imagined San Francisco’ is motivated by a desire to expand upon this approach, treating visual material not only to illustrate outcomes, but also to interrogate historical processes, and using maps, plans, drawings, and photographs not only to show what did happen, but also what might have happened. By enabling users to layer a series of historical urban plans–with a special emphasis on unrealized plans–‘Imagined San Francisco’ presents the city not only as a series of material changes, but also as a contingent process and a battleground for political power.

The Age of Autonomy

2018 ◽  
Author(s):  
Stefan Winter
Keyword(s):  
Eighteenth Century ◽  
Paradigm Shift ◽  
Large Scale ◽  
Social Disparities ◽  
Local Autonomy ◽  
Economic Context ◽  
Southern Turkey ◽  
Leadership Structure ◽  
Landed Gentry ◽  
Tribal Leadership

This chapter follows the rise to power of the Shamsins, the Bayt al-Shillif, and associated ʻAlawi families as Ottoman tax concessionaries. It shows that their position of local autonomy, rather than having evolved out of some domestic or “tribal” leadership structure, resulted from a paradigm shift in Ottoman provincial administration as well as from a very favorable economic context, in particular the development of commercial tobacco farming in the northern highlands around Latakia. If the eighteenth century witnessed the emergence of a veritable Ottoman–ʻAlawi landed gentry, it also saw increasing social disparities lead to large-scale emigration away from the highlands toward the coastal and inland plains as well as toward the Hatay district of what is today southern Turkey.

First grammar books in the Habsburg Monarchy: individual initiative and regulatory interference by the state (1760s–1770s)

2020 ◽  
Vol 2019 (2 (11)) ◽  
pp. 137-157
Author(s):  
Olga V. Khavanova ◽  
Keyword(s):  
Eighteenth Century ◽  
State Policy ◽  
Large Scale ◽  
Language Use ◽  
Linguistic Diversity ◽  
Mother Tongue ◽  
German Language ◽  
Habsburg Monarchy ◽  
Private Initiative ◽  
The One

The second half of the eighteenth century in the lands under the sceptre of the House of Austria was a period of development of a language policy addressing the ethno-linguistic diversity of the monarchy’s subjects. On the one hand, the sphere of use of the German language was becoming wider, embracing more and more segments of administration, education, and culture. On the other hand, the authorities were perfectly aware of the fact that communication in the languages and vernaculars of the nationalities living in the Austrian Monarchy was one of the principal instruments of spreading decrees and announcements from the central and local authorities to the less-educated strata of the population. Consequently, a large-scale reform of primary education was launched, aimed at making the whole population literate, regardless of social status, nationality (mother tongue), or confession. In parallel with the centrally coordinated state policy of education and language-use, subjects-both language experts and amateur polyglots-joined the process of writing grammar books, which were intended to ease communication between the different nationalities of the Habsburg lands. This article considers some examples of such editions with primary attention given to the correlation between private initiative and governmental policies, mechanisms of verifying the textbooks to be published, their content, and their potential readers. This paper demonstrates that for grammar-book authors, it was very important to be integrated into the patronage networks at the court and in administrative bodies and stresses that the Vienna court controlled the process of selection and financing of grammar books to be published depending on their quality and ability to satisfy the aims and goals of state policy.

Drezno w relacjach polskich osiemnastowiecznych peregrynantów. Rekonesans .

2020 ◽  
Vol 36 ◽  
pp. 26-43
Author(s):  
Marcin Pliszka
Keyword(s):  
Eighteenth Century ◽  
Social Life ◽  
The City ◽  
The Way

The article analyses descriptions, memories, and notes on Dresden found in eighteenth-century accounts of Polish travellers. The overarching research objective is to capture the specificity of the way of presenting the city. The ways that Dresden is described are determined by genological diversity of texts, different ways of narration, the use of rhetorical repertoire, and the time of their creation. There are two dominant ways of presenting the city: the first one foregrounds the architectural and historical values, the second one revolves around social life and various kinds of games (redoubts, performances).

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