scholarly journals Revisiting the Bujang Valley: A Southeast Asian entrepôt complex on the maritime trade route

2017 ◽  
Vol 28 (2) ◽  
pp. 355-389
Author(s):  
STEPHEN A. MURPHY
Keyword(s):  
World War Ii ◽  
West Coast ◽  
River System ◽  
Southeast Asian ◽  
Malay Peninsula ◽  
World War ◽  
The West ◽  
South And Southeast Asia ◽  
British Colonial ◽  
Trade Route

AbstractIn the early 1830s and 1840s, a British colonial official by the name of Colonel James Low uncovered evidence for an early culture with Indic traits in a river system known as the Bujang Valley. On the west coast of the Thai-Malay peninsula, the Bujang Valley is today located in the Malaysian state of Kedah. However, it wasn't until just before World War II that excavations took place, conducted by H. G. Quaritch Wales and his wife Dorothy. Their discoveries and subsequent publications led to the first real attempts to explain the origins and extent of this civilisation and its place within the larger South and Southeast Asian world. In the intervening years between Quaritch Wales's excavations and the present day, considerably more research has taken place within the Bujang Valley, though this has not been without controversy. Recently claims and counter-claims regarding the antiquity of Hinduism and Buddhism at the site have arisen in some quarters within Malaysia. It therefore seems pertinent that this material be re-evaluated in light of new scholarship and discoveries as well as the prevailing paradigms of interactions between South and Southeast Asia. This paper presents an updated reading of this material and argues that the Bujang Valley should be seen as a cosmopolitan trading port with substantive evidence for the presence of Hinduism and Buddhism.

Henry Cowell and the West Coast Dance Scene

Artful Noise ◽  
2020 ◽  
pp. 42-63
Author(s):  
Thomas Siwe
Keyword(s):  
World War Ii ◽  
World War I ◽  
West Coast ◽  
Modern Dance ◽  
The United States ◽  
Arnold Schoenberg ◽  
World War ◽  
The West ◽  
Twelve Tone ◽  
Henry Cowell

Modern dance and music for percussion are linked through the works of musicians who studied with the iconoclastic composer Henry Cowell. This chapter highlights the work of numerous artists who were involved in the dance and music scene along the West Coast of the United States during the 1930s and 1940s. Cowell’s early publishing venture New Music helped launch the careers of composers Johanna Beyer, William Russell, Lou Harrison, John Cage, and others. The latter two composers, Harrison and Cage, also studied with the Austrian American composer Arnold Schoenberg whose use of the twelve-tone technique became central to the music of the twentieth century. The chapter ends with a summary of percussion music’s development from the decades before World War I to the compositional hiatus caused by World War II.

The West Coast Shock Facility

1966 ◽  
Vol 3 (03) ◽  
pp. 353-363
Author(s):  
Sal Giannoccolo
Keyword(s):  
World War Ii ◽  
West Coast ◽  
Test Facility ◽  
World War ◽  
Major Area ◽  
The West ◽  
Dynamic Design ◽  
Shock Test ◽  
Testing Procedures ◽  
Ship Resistance

Ship resistance to shock has been a major area of research since World War II. To study this problem a shock test facility was established on the West coast by the Bureau of Ships. This paper outlines the functions and operations of this test facility as well as describing test equipment utilized in testing procedures. A brief critique of dynamic design methods currently in use by the U. S. Navy is also presented.

scholarly journals After Liberal Hegemony: The Advent of a Multiplex World Order

2017 ◽  
Vol 31 (3) ◽  
pp. 271-285 ◽  
Author(s):  
Amitav Acharya
Keyword(s):  
World War Ii ◽  
Culturally Diverse ◽  
World Order ◽  
First Century ◽  
World War ◽  
Donald Trump ◽  
The West ◽  
Major Powers ◽  
China And India ◽  
International Stability

While the West woke up to the threat to the liberal international order when Donald Trump was elected U.S. president, its decline was apparent even at the height of the Obama-Clinton era. What follows the end of the U.S.-dominated world order is not a return to multipolarity as many pundits assume. The twenty-first-century world—politically and culturally diverse but economically and institutionally interlinked—is vastly different from the multipolar world that existed prior to World War II. China and India are major powers now; and globalization will not end, but will take on a new form, driven more by the East than the West and more by South-South linkages than North-North ones. The system of global governance will fragment, with new actors and institutions chipping away at the old UN-based system. Liberal values and institutions will not disappear, but will have to coexist and enmesh with the ideas and institutions of others, especially those initiated by China. This “multiplex world” carries both risks and opportunities for managing international stability. Instead of bemoaning the passing of the old liberal order, the West should accept the new realities and search for new ways to ensure peace and stability in partnership with the rising powers.

Choice in the West

1953 ◽  
Vol 5 (2) ◽  
pp. 133-167
Author(s):  
S. Bernard
Keyword(s):  
United States ◽  
World War Ii ◽  
Soviet Union ◽  
The United States ◽  
The Political ◽  
World War ◽  
The West ◽  
Political Situation ◽  
The Soviet Union ◽  
Working Out

The advent of a new administration in the United States and the passage of seven years since the end of World War II make it appropriate to review the political situation which has developed in Europe during that period and to ask what choices now are open to the West in its relations with the Soviet Union.The end of World War II found Europe torn between conflicting conceptions of international politics and of the goals that its members should seek. The democratic powers, led by the United States, viewed the world in traditional, Western, terms. The major problem, as they saw it, was one of working out a moral and legal order to which all powers could subscribe, and in which they would live. Quite independently of the environment, they assumed that one political order was both more practicable and more desirable than some other, and that their policies should be directed toward its attainment.

“The Triumph of the West”: American Education and the Narrative of Decolonization, 1930–1965

2018 ◽  
Vol 58 (4) ◽  
pp. 567-594 ◽  
Author(s):  
Stephen Jackson
Keyword(s):  
World War Ii ◽  
World History ◽  
American Education ◽  
World War ◽  
The West ◽  
Global Engagement ◽  
The Us ◽  
Good Government ◽  
Western Values ◽  
European Colonialism

This article examines representations of imperialism, anti-colonial nationalism, and decolonization in US textbooks for American and World History courses between 1930 and 1965. Broadly speaking, 1930s and early 1940s texts lauded imperialism and associated European colonialism with American imperialist activities. Authors extolled the benefits for colonial peoples, including literacy, good government, and peace, and anti-colonial nationalists were caricatured as irrational and ungrateful. US global engagement during and after World War II gradually changed the narrative, particularly following Philippine independence in 1946, as texts subsequently portrayed the US as an enlightened decolonizer. Postwar textbooks tended to argue that nationalism was a product of Western ideas and that anti-colonial nationalism was a triumph for Western civilization. While constructing this narrative of the spread of Western values, textbook authors largely marginalized colonial actors, promoted unflattering and stereotyped views of Africans and Asians, and de-emphasized the extreme violence inherent in the decolonization process.

scholarly journals Made in Yugoslavia: Studies in Popular Music

2021 ◽  
Vol 57 (1) ◽  
pp. 271-282
Author(s):  
Laura Emmery
Keyword(s):  
World War Ii ◽  
Popular Music ◽  
Eastern Europe ◽  
New Wave ◽  
World War ◽  
The West ◽  
The Balkans ◽  
History Of ◽  
Comprehensive Discussion ◽  
Made In

Made in Yugoslavia: Studies in Popular Music (edited by Danijela Špirić Beard and Ljerka Rasmussen) is a fascinating study of how popular music developed in post-World War II Yugoslavia, eventually reaching both unsurpassable popularity in the Balkans and Eastern Europe, and critical acclaim in the West. Through the comprehensive discussion of all popular music trends in Yugoslavia − commercial pop (zabavna-pop), rock, punk, new wave, disco, folk (narodna), and neofolk (novokomponovana) − across all six socialist Yugoslav republics, the reader is given the engrossing socio-cultural and political history of the country, providing the audience with a much-needed and riveting context for understanding the formation and the eventual demise of Tito’s Yugoslavia.

Cities with Class?

2000 ◽  
Vol 24 (1) ◽  
pp. 257-305
Author(s):  
Eric Fure-Slocum
Keyword(s):  
World War Ii ◽  
Lake Michigan ◽  
Small Town ◽  
Fiscal Policies ◽  
World War ◽  
The West ◽  
Post World War Ii ◽  
Big City ◽  
Great City ◽  
The City

Nicknaming his city “Dear Old Lady Thrift,”Milwaukee Journalwriter Richard Davis chastised city leaders for failing to build a “great city.” His unflattering portrait pictured post–World War II Milwaukee as a “plump and smiling city . … [sitting] in complacent shabbiness on the west shore of Lake Michigan like a wealthy old lady in black alpaca taking her ease on the beach.” He continued, “All her slips are showing, but she doesn’t mind a bit” (Davis 1947: 189, 191). Reprinted in theMilwaukee Journaltwo weeks before voters went to the polls to decide if the city would reverse its debt-free policy to finance postwar development, Davis’s depiction warned that Milwaukee was a chaotic andin efficient metropolis in danger of falling behind(“Not So Fair Is America’s Fair City”Milwaukee Journal[hereafterMJ], 16 March 1947). Her thriftiness bordered on stinginess, her complacency slipped into indolence, and her neglected femininity bespoke disorder. City leaders’ frugality, rooted in a tradition of cautious municipal fiscal policies, big city problems mismatched with small town attitudes, and public “indifference,” Davis contended, threatened the postwar city.

How Brooklyn Became Cool

Naked City ◽  
2010 ◽  
Author(s):  
Sharon Zukin
Keyword(s):  
World War Ii ◽  
Graduate Students ◽  
Subway Station ◽  
World War ◽  
The West ◽  
Predominantly Black ◽  
Men And Women ◽  
Industrial Buildings ◽  
Sugar Refinery ◽  
Wide Awake

It’s one o’clock in the morning on a warm October night, and the streets of northern Brooklyn are eerily deserted. The hulks of warehouses and the chimney of the old Domino sugar refinery stand guard along the waterfront, while grim industrial buildings hunker down in the shadow of the Brooklyn-Queens Expressway. Steel gates hide the windows of small plastics and metalworking shops. Nearby tenements are silent and dark. You’re wide awake, though, driving through the darkness on Kent Avenue, bumping over warped asphalt and steering around potholes. You’re circling Williamsburg, looking for the neighborhood that made Brooklyn cool. First you pass the Northside, the original center of Brooklyn’s hipster culture, a cluster of art galleries, cafés, bars, and boutiques around the subway station at North Seventh Street and Bedford Avenue. Then you pass the Southside, where French bistros and Japanese hair salons have recently joined yeshivas and bodegas, and artists and graduate students are a noticeable presence on the streets. Ahead of you stretch neighborhoods that have been predominantly black since after World War II but are now rapidly gentrifying and becoming socially and ethnically more diverse—that is, richer and whiter: Bedford-Stuyvesant, Fort Greene, Clinton Hill. The old Brooklyn Navy Yard sits vast and uninhabited just one block to the west. A few blocks beyond that, brownstone townhouses sell for a million dollars and up. Navigating solo through this dark landscape, you don’t see any sign of life. But when you turn onto the wider roadway of Flushing Avenue, you meet up with men and women walking in couples and groups of four. They are Hasidic Jews, women with heads covered in wigs and scarves, skirts below their knees, and black-hatted men wearing long black overcoats. Sabbath began at sundown. Because driving is prohibited then, any believers who are out on the street at this hour must find their way home on foot. After you pass the Hasidim, you find a few more people walking on the street; these men are wearing tight jeans and the women are in short skirts.

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