Review of Philosophy, Psychiatry and Neuroscience: Three Approaches to the Mind: A Synthetic Analysis of the Varieties of Human Experience.

1991 ◽  
Vol 36 (12) ◽  
pp. 1114-1114
Author(s):  
No authorship indicated
Keyword(s):  
Philosophy ◽  
1984 ◽  
Vol 59 (227) ◽  
pp. 79-97 ◽  
Author(s):  
A.J. Mandt

Philosophical traditions often bear the seeds of their own destruction.Their seminal insights are achieved in part by ignoring or distorting certain aspects of human experience. Insights and mistakes grow from the same roots. In transitional periods, this dialectic leads to strange reversals in allegiance and to unexpected and even unnoticed shifts in philosophical doctrine. Classical empiricism presents an example of this when one shifts attention from its treatment of epistemological questions to problems of humanaction, or to the relation of knowledge and action. The empiricist analysisof knowledge in terms of the succession and conjoining of ideas and impressions in the mind leaves the mind itself a passive spectator that undergoes its contents. On this view, the human subject lacks any distinctive spontaneity or power of initiative. The mind's internal processes are conceived ofon analogy with Newtonian mechanics and are distinguished by their law-likeregularity. The subject is not, and cannot conceive itself as being, a kindof agency. Historically, the consequences of this are evident in Berkeley's difficulties regarding ‘active spirit’, of which we have ‘notions’ but not perceptions, and in the often remarked upon disparities between Parts I and III of Hume's Treatise.


2013 ◽  
Vol 18 (4-5) ◽  
pp. 405-434 ◽  
Author(s):  
Guido Giglioni

Francis Bacon’s elusive notion of experience can be better understood when we relate it to his views on matter, motion, appetite and intellect, and bring to the fore its broader philosophical implications. Bacon’s theory of knowledge is embedded in a programme of disciplinary redefinition, outlined in the Advancement of Learning and De augmentis scientiarum. Among all disciplines, prima philosophia (and not metaphysica) plays a key foundational role, based on the idea of both a physical parallelism between the human intellect and nature (psycho-physical parallelism) and a theological parallelism between nature and God (physico-theological parallelism). Failure to assess Bacon’s distinctive position concerning the way in which the mind mirrors both the natural and the divine world, that is to say, the meaning of “reality,” has resulted in notoriously jejune discussions on Baconian empiricism, monotonously driven by epistemological concerns. As a result, the standard view on Bacon’s empiricism is as epistemologically comforting as it is imaginary, an “idol” in a genuinely Baconian sense. In this article, Bacon’s notion of experience will be discussed by examining those steps that he considered to be the crucial initial stages in the formation of human experience, stages described as a process of experiential literacy (experientia literata) or, in emblematic terms, as a hunting expedition led by the mythological figure of Pan (venatio Panis). I argue that a well-rounded analysis of Bacon’s experientia literata needs to take into account the complementary notion of the “spelling-book of nature” (abecedarium naturae), that is, the original code of the primordial motions of matter. By getting acquainted with the first rudiments of experience through its spelling-book (on both an individual and a cosmological level), one learns to read the book of nature and, most of all, to write new pages in it.



Author(s):  
Albert R. Jonsen

The problem that I will discuss in this essay is marvellously illustrated in the title given to me by the editors. The word “interface” is itself part of the jargon of technology, the technospeak needed by those who develop, use, and discuss functions, things, and relationships that had not existed previously in the human world. They must make up new words to describe new realities (and, unfortunately, allow new and ugly words to obscure old ones). An “interface” presumably describes the way in which one electronic system contacts another so that the first energizes the second. In the old world of human experience, an “interface” is impossible. The face of one human being is visible to another; two faces, smiling or frowning at each other, communicate. The mind behind one face can interpret the movements of another. Never does one human face interpenetrate or merge with another.


2007 ◽  
Vol 191 (6) ◽  
pp. 567-570
Author(s):  
Allan Beveridge

In the novel Hard Times, Charles Dickens gives his views on education. His character Mr Gradgrind believes in ‘facts’ and is suspicious of the imagination. All we need to know about the world, he maintains, can be reduced to simple facts. Dickens shows that such a philosophy leads to the impoverishment of the mind and to the weakening of ethical reasoning. Today it seems that the descendants of Mr Gradgrind are still in charge. The main psychiatric library where I work has been closed. It is argued that we can obtain all the ‘facts’ we need from the internet. The notion that books might have more to offer than prosaic detail, that they reflect the rich diversity of human experience, seems alien to the modern-day Gradgrinds.


2021 ◽  
Author(s):  
◽  
Karan August

<p>Phenomenology offers a conceptual framework that connects and strengthens the architect' s intuitive understanding of the human experience of space with the theorist's more critical approach. Phenomenology is an ideal vehicle for architectural theorists to avoid the friction between first-hand or subjective experience and generalised or abstracted accounts of experience. In this thesis I extract an account of the human experience of space that is implicit in the Philosopher Maurice Merleau-Pontys work. I consider how this understanding has been employed in architectural scholarship and practice. In particular, I argue that the human body renders the richness of space through deliberate engagement with the indeterminate and independent possibilities of the world. In other words, as the body intentionally engages with the world, it synthesises objects that create determinate spatial situations. I account for Merleau-Ponty's depiction of the body' s non-rule governed, non-reflective, normative directiveness towards spaces and elements, and label it the thinking body. Furthermore I examine how the philosophical theory of Merleau-Ponty is represented in the explicitly theoretical works of Juhani Pallasmaa. In turn I then consider how the thinking body is physically and conceptually realised in the buildings of Carlo Scarpa. Finally I find that Juhani Pallasmaa's description of the phenomenological experience of space is incompatible with Merleau-Ponty's. The strategic importance of these different accounts emerges when projecting their implications for designed space. Pallasmaa' s account points towards an architecture that prioritises sensory experiences synthesised by the mind. The design focus of Merleau-Ponty's philosophy leads to spatial practices in line with Carlo Scarpa, that are sympathetic to the causal qualities of an intentional bodily engagement with spatial situations. In accord with Merleau-Ponty I argue that human body is our medium for the world and as such creates the spatial situation we engage with from a formless manifold of possibilities.</p>


1986 ◽  
Vol 20 ◽  
pp. 73-89 ◽  
Author(s):  
John Cottingham

The Sixth Meditation deals, as its title proclaims, with ‘the existence of material things, and the real distinction between the mind and body of man’. In this paper, I want to start by examining Descartes' argument for the existence of material things—for the existence of an ‘external’, physical world around us. Next, in section two, I shall use this argument concerning the external world to bring out an important general point about the ‘dialectical’ way in which Descartes presents his reasoning in the Meditations. This will lead me on to the third section of the paper, which will analyse the concept of ‘nature’ and the role it plays in Descartes' reasoning, particularly in the Sixth Meditation. And this in turn will bring me to the fourth and final part of the paper, which will focus on what is by general consensus the most fascinating part of the Sixth Meditation—Descartes' account of the relation between mind and body. What I shall try to do in this final section is to highlight a curious tension between Descartes' recognition of the facts of human experience on the one hand, and on the other hand his doctrine that we are essentially incorporeal or non-physical substances.


2021 ◽  
Author(s):  
◽  
Karan August

<p>Phenomenology offers a conceptual framework that connects and strengthens the architect' s intuitive understanding of the human experience of space with the theorist's more critical approach. Phenomenology is an ideal vehicle for architectural theorists to avoid the friction between first-hand or subjective experience and generalised or abstracted accounts of experience. In this thesis I extract an account of the human experience of space that is implicit in the Philosopher Maurice Merleau-Pontys work. I consider how this understanding has been employed in architectural scholarship and practice. In particular, I argue that the human body renders the richness of space through deliberate engagement with the indeterminate and independent possibilities of the world. In other words, as the body intentionally engages with the world, it synthesises objects that create determinate spatial situations. I account for Merleau-Ponty's depiction of the body' s non-rule governed, non-reflective, normative directiveness towards spaces and elements, and label it the thinking body. Furthermore I examine how the philosophical theory of Merleau-Ponty is represented in the explicitly theoretical works of Juhani Pallasmaa. In turn I then consider how the thinking body is physically and conceptually realised in the buildings of Carlo Scarpa. Finally I find that Juhani Pallasmaa's description of the phenomenological experience of space is incompatible with Merleau-Ponty's. The strategic importance of these different accounts emerges when projecting their implications for designed space. Pallasmaa' s account points towards an architecture that prioritises sensory experiences synthesised by the mind. The design focus of Merleau-Ponty's philosophy leads to spatial practices in line with Carlo Scarpa, that are sympathetic to the causal qualities of an intentional bodily engagement with spatial situations. In accord with Merleau-Ponty I argue that human body is our medium for the world and as such creates the spatial situation we engage with from a formless manifold of possibilities.</p>


1986 ◽  
Vol 20 ◽  
pp. 73-89
Author(s):  
John Cottingham

The Sixth Meditation deals, as its title proclaims, with ‘the existence of material things, and the real distinction between the mind and body of man’. In this paper, I want to start by examining Descartes' argument for the existence of material things—for the existence of an ‘external’, physical world around us. Next, in section two, I shall use this argument concerning the external world to bring out an important general point about the ‘dialectical’ way in which Descartes presents his reasoning in the Meditations. This will lead me on to the third section of the paper, which will analyse the concept of ‘nature’ and the role it plays in Descartes' reasoning, particularly in the Sixth Meditation. And this in turn will bring me to the fourth and final part of the paper, which will focus on what is by general consensus the most fascinating part of the Sixth Meditation—Descartes' account of the relation between mind and body. What I shall try to do in this final section is to highlight a curious tension between Descartes' recognition of the facts of human experience on the one hand, and on the other hand his doctrine that we are essentially incorporeal or non-physical substances.


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