Consuming the consumers

2011 ◽  
Vol 26 (2) ◽  
pp. 247-275 ◽  
Author(s):  
Mie Hiramoto

Previous sociolinguistic research concerning the use of Hawai‘i Creole (HC) in public discourse has posited a link between a negative public image and subsequent discouragement of its use by government and media (e.g. Romaine 1999; Sato 1989, 1991, 1994), except in some limited venues. This paper reports on the emerging trend of HC use in media discourse, presenting data from local television advertisements and discussing the role of language therein. Despite the fact that HC has traditionally been a stigmatized variety in public discourse, its employment in television advertisements is currently on the rise, riding a wave of positive sentiment for Hawai‘i’s local culture. The use of HC in the commercials is strategic and carefully controlled; while heavy Pidgin (basilectal HC) is still avoided as possibly detrimental to brand image, the right touch of HC is a favored tactic among these advertisement producers. HC is one of a number of criteria for implicit membership for the Hawai‘i residents on which advertisers may draw in an attempt to fabricate a synthetic membership with the audience.

2020 ◽  
Author(s):  
Sina Summers

This thesis inquiry investigates how algorithms operate generally to affect the dissemination of news information to audiences. This research aimed to find what the implications of AI used in these ways are for traditional roles played by media news in public life – such as informing the public in the public’s interests and enabling informed public discourse. This research asks also to what extent the use and effect of AI algorithms are transparent to audiences and how this level of understanding by audiences (or lack of understanding) affects the informing role of media.


Journalism ◽  
2019 ◽  
pp. 146488491987985 ◽  
Author(s):  
Satveer Kaur-Gill ◽  
Asha Rathina Pandi ◽  
Mohan Jyoti Dutta

Foreign domestic workers from industrializing economies migrate to Singapore to feed its labor market, meeting the growing need for performing feminized labor. Although foreign domestic workers have been an integral part of Singaporean households since the 1970s, the presence of foreign domestic workers in contemporary public discourse remains eclipsed. However, the civil society landscape has witnessed increasing articulations and mobilization of civil society actors on the rights of foreign domestic workers, framing the problems experienced by foreign domestic workers in the language of rights. Given the role of mainstream media as a developmental structure in carrying out the information dissemination function of the state in predominantly economic terms that serve the pragmatic ideology of the state, how are foreign domestic workers constructed in mainstream media discourse? What do we learn from these constructions about the interplays of feminized labor, media discourse, civil society, and the state? The article examines the kinds of media frames present in the discussion and portrayal of foreign domestic workers using a mixed-methods approach.


2020 ◽  
Author(s):  
Sina Summers

This thesis inquiry investigates how algorithms operate generally to affect the dissemination of news information to audiences. This research aimed to find what the implications of AI used in these ways are for traditional roles played by media news in public life – such as informing the public in the public’s interests and enabling informed public discourse. This research asks also to what extent the use and effect of AI algorithms are transparent to audiences and how this level of understanding by audiences (or lack of understanding) affects the informing role of media.


2017 ◽  
Vol 7 (2) ◽  
pp. 114
Author(s):  
Sara Jul Jacobsen ◽  
Kristina Weibel ◽  
Tina Gudrun Jensen

This article discusses the Danish media setting and framing of Muslims and Islam exploring the role of the Danish media in the construction of the public discourse on Muslims in Denmark. The article is based on the main findings of a two-month monitoring of four Danish newspapers between mid-October and mid-December 2011. In the study we find, that a relatively large share of the items concerning Muslims and Islam are negatively framed and restricted to certain topics such as religious extremism, sharia and terror, and that the reporting is rather one-sided and exclusive of minority voices hereby contributing to a stereotypical and distorted presentation of Muslims and Islam. Therefore we argue, that the Danish media discourse contributes to the construction of a negative public discourse on Muslims and Islam, and at the same time serve to legitimize and normalize subtle racist and discriminatory attitudes towards Muslims.


2005 ◽  
Vol 22 (2) ◽  
pp. 194-213 ◽  
Author(s):  
Francis L. F. Lee

This article examines the role of the news media in the production of media sports spectacle through representation of soccer fandom and articulation of the meanings of sports events. The article analyzes the visits of two European soccer teams (Liverpool FC and Real Madrid) to Hong Kong in the summer of 2003. Newspaper discourses are found to generate a picture of generalized fandom and normalized fanaticism towards these events. At the same time, the media articulated the meanings of the events within the context of both global and local processes. The overall result is that public discourse embraced the commercialization of sports, and the media helped to transform the preseason “friendlies” into hugely successful spectacles. These results are understood within the theoretical framework of the society of the spectacle proffered by Debord (1995), though the analysis also points to the limitations of Debord’s framework.


Author(s):  
Vike Martina Plock

This chapter analyzes the role of fashion as a discursive force in Rosamond Lehmann’s 1932 coming-of-age novel Invitation to the Waltz. Reading the novel alongside such fashion magazines as Vogue, it demonstrates Lehmann’s awareness that 1920s fashion, in spite of its carefully stylized public image as harbinger of originality, emphasized the importance of following preconceived (dress) patterns in the successful construction of modern feminine types. Invitation to the Waltz, it argues, opposes the production of patterned types and celebrates difference and disobedience in its stead. At the same time, the novel’s formal appearance is nonetheless dependent on the very same tenets it criticizes. On closer scrutiny, it is seen to reveal its resemblance to Virginia Woolf’s To the Lighthouse (1927). A tension between imitation and originality determines sartorial fashion choices. This chapter shows that female authorship in the inter-war period was subjected to the same market forces that controlled and sustained the organization of the fashion industry.


2015 ◽  
Vol 32 (1) ◽  
pp. 75-94
Author(s):  
Gubara Said Hassan ◽  
Jabal M. Buaben

The role of Islamic intellectuals is not confined to elaborating on the religious ideology of Islam. Equally important is their role in setting this religious ideology against other ideologies, sharpening and clarifying their differences, and thereby developing and intensifying one’s commitment to Islam as a distinct, divinely based ideology. Islam, as both a religion and an ideology, simultaneously mobilizes and transforms, legitimizes and preserves. It can be an instrument of power, a source and a guarantee of its legitimacy, as well as a tool to be used in the political struggle among social classes. Islam can also present a challenge to authority whenever the religious movement questions the existing social order during times of crisis and raises a rival power, as the current situation in Sudan vividly demonstrates. Throughout his political career, Hassan al-Turabi has resorted to religious symbolism in his public discourse and/or Islamic rhetoric, which could often be inflammatory and heavily reliant upon the Qur’an. This is, in fact, the embodiment of the Islamic quest for an ideal alternative. Our paper focuses on this charismatic and pragmatic religio-political leader of Sudan and the key concepts of his religious discourse: faith (īmān), renewal (tajdīd), and ijtihād(rational, independent, and legal reasoning).


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