Amie Thomasson has developed a theory of fictional entities, according to
which they exist as contingent abstract objects. In her view, fictional
characters are cultural artifacts just as the works of fiction they feature
in. They are doubly dependent objects: for their becoming they depend on
creative intentional acts of their author, and for maintaining their
existence they depend on preservation of a copy of any fictional work they
appear in. Thomasson claims that her theory has the advantage of vindicating
the common beliefs about fictional entities embodied in the study, evaluation
and interpretation of literature. However, I argue that, under this theory of
fictional entities, no account of reference of fictional singular terms ?
neither the descriptive, nor the causal, nor Thomasson?s preferred hybrid
account ? can accommodate all the aspects of our literary practices.