New production models: A strategic view

2002 ◽  
Vol 40 (18) ◽  
pp. 4721-4741 ◽  
Author(s):  
A. De Toni ◽  
S. Tonchia
Keyword(s):  
New Production ◽  
Production Models

scholarly journals Economies of Scale and Network Economies in Industry 4.0. Theoretical Analysis and Future Directions of Research

2018 ◽  
Author(s):  
Giacomo Büchi ◽  
Monica Cugno ◽  
Rebecca Castagnoli
Keyword(s):  
Mass Production ◽  
Industry 4.0 ◽  
Economies Of Scale ◽  
Industrial Revolution ◽  
New Production ◽  
Future Directions ◽  
Enabling Technologies ◽  
Production Models ◽  
Cost Differentials

This paper analyses the role of cost differentials in the fourth industrial revolution. It uses a literature review in order to identify origins, definitions, enabling technologies and changes in company productivity. Research results show how certain Industry 4.0 enabling technologies help obtain better economic results in mass production and others that support new production models in mass production: mass customization and mass personalization. This paper is of a theoretical nature and identifies certain reflections concerning Industry 4.0’s role in managerial literature by providing interesting lines to be developed in future directions of research.

scholarly journals At the intersection of commons and market: Negotiations of value in open-sourced cultural production

2016 ◽  
Vol 20 (1) ◽  
pp. 14-30 ◽  
Author(s):  
Julia Velkova ◽  
Peter Jakobsson
Keyword(s):  
Political Economy ◽  
Cultural Production ◽  
Public Funding ◽  
3D Graphics ◽  
New Production ◽  
Existing Structures ◽  
Production Models ◽  
Moral Economies ◽  
The Commons ◽  
Cultural Commons

This article explores the way in which producers of digital cultural commons use new production models based on openness and sharing to interact with and adapt to existing structures such as the capitalist market and the economies of public cultural funding. Through an ethnographic exploration of two cases of open-source animation film production – Gooseberry and Morevna, formed around the 3D graphics Blender and the 2D graphics Synfig communities – we explore how sharing and production of commons generates values and relationships which trigger the movement of producers, software and films between different fields of cultural production and different moral economies – those of the capitalist market, the institutions of public funding and the commons. Our theoretical approach expands the concept of ‘moral economies’ from critical political economy with ‘regimes of value’ from anthropological work on value production, which, we argue, is useful to overcome dichotomous representations of exploitation or romanticization of the commons.

scholarly journals Youth Theatre and Community Empowerment in Ghana

2021 ◽  
Vol 9 (2021-1) ◽  
pp. 122-149
Author(s):  
Promise Nyatepeh Nyatuame ◽  
Akosua Abdallah
Keyword(s):  
Work Experience ◽  
Formal Education ◽  
Community Empowerment ◽  
National Commission ◽  
New Production ◽  
Contemporary Theatre ◽  
Production Models ◽  
Youth Theatre

As contemporary theatre and new production models are now being evaluated with more regard to community empowerment, the importance of proper tools for evaluation of the process has increased. The article explored the community youth theatre practices of the Community Youth Cultural Centre (CYCC) of the National Commission on Culture (NCC) in Ghana. We examined the role of the youth theatre at CYCC in the light of community empowerment. Using the qualitative case study design, six artists with a minimum of five years and a maximum of thirty years of work experience with the CYCC were interviewed. Performance activities and documents of the CYCC were also observed and analysed. The findings revealed four themes: Objectives of the centre; Youth theatre practices; Abibigoro/puppetry theatre models; and non-formal and cultural education. It was found that staff and artists at the CYCC employed diverse theatrical modes to facilitate community empowerment processes. The study recommends that cultural and creative centres in Ghana should harness the potentials of the community youth theatre, develop community-specific and context-driven performance models to support artistic- aesthetic-cultural and non-formal education processes to enhance our collective strive for community empowerment in Ghana.

Inter-firm power relations and working conditions under new production models

2021 ◽  
pp. 103530462098270
Author(s):  
María J Paz ◽  
Mario Rísquez ◽  
María E Ruiz-Gálvez
Keyword(s):  
Working Conditions ◽  
Automotive Industry ◽  
Power Relations ◽  
Power Relationships ◽  
New Production ◽  
Jel Codes ◽  
Production Models ◽  
Firm Power ◽  
Fragmentation Of Production

In investigating recent changes to the automotive industry production process, such as modularisation, our work emphasises the process of fragmentation of production as a configuring element of inter-firm power relationships, and as an explanatory element in working conditions. From a theoretical framework focused on power relations, we analyse by way of a selected case study how the capabilities of companies and their network positions, together with the agency of labour, shape the power relations that influence the evolution of working conditions. The study does indeed find relevant changes to inter-firm relationships, for example, within networks of assemblers and suppliers, but without a consequent re-balancing of power. This finding serves to explain differences in the evolution of working conditions between distinct companies, these conditions being fully functional to a strategy for profitability and thus difficult to reverse. JEL Codes: J31, L14, L62

scholarly journals Globalizzazione: e la popolazione?

2021 ◽  
Author(s):  
Maria Silvana Salvini
Keyword(s):  
Energy Consumption ◽  
International Relations ◽  
Demographic Transition ◽  
Historical Perspective ◽  
New Production ◽  
Technological Revolution ◽  
Production Models ◽  
Economic Weight ◽  
Almost All ◽  
Scarcity Of Resources

Globalization is a huge topic and here we have chosen to describe only a few pieces of a complex mosaic. Its description has a historical perspective and ranges from economic to medical, from social to demographic issues. It aims to reconstruct a background picture that places demographics in the scenario of international relations. It is possible to distinguish some themes: 1. The population is aging and enriching itself. Convergence often collides with delayed demographic transition. 2. The economic weight and political power are shifting towards Asia. 3. The technological revolution affects almost all aspects of society. 4. The increase in energy consumption and new production models make it difficult to manage the scarcity of resources. 5. Interdependence between countries does not go hand in hand with strengthening global governance.

scholarly journals Die italienischen Gewerkschaften - eine Bestandsaufnahme von den 70er Jahren bis heute

1995 ◽  
Vol 25 (98) ◽  
pp. 97-110
Author(s):  
Vittorio Rieser
Keyword(s):  
Trade Union ◽  
Trade Unions ◽  
The State ◽  
The Other ◽  
New Production ◽  
Production Models ◽  
Human Labour ◽  
The One ◽  
Austerity Policy

After the deconstruction of the Italian trade unions which took place in the eighties due to a political anti-trade-unions offensive by the state and enterprises, a careful renaissance of trade union politics has started since the early nineties. This revival is owing to the new production models, on the one hand, which are rediscovering the role of human labour and are therefore opting for a stronger cooperation; on the other hand it is an expression of the opposition against a repetition of the state's austerity policy which fosters the unity of the trade unions.

Discussion on “New production techniques—engines”

1962 ◽  
Vol 41 (9) ◽  
pp. 545
Author(s):  
Mountford ◽  
H.G. Gregory ◽  
D.M. Anthony ◽  
D.A. Fairnie ◽  
E.B. Carter ◽  
...  
Keyword(s):  
New Production ◽  
Production Techniques

Pluriversal Brazil

2020 ◽  
Vol 74 (2) ◽  
pp. 67-76
Author(s):  
Natalia Brizuela ◽  
Tatiana Monassa
Keyword(s):  
Production Models ◽  
Brazilian Cinema ◽  
Early Late

This conversation with directors Patricia Ferreira Pará Yxapy, André Novais Oliveira, Filipe Matzembacher, Marcio Rolon, and Julia Katharine took place over email exchanges and recorded phone conversations in the weeks between late June and early late August of 2020. In lieu of a real conversation, in person or online, all of the interviewees were sent the same set of questions, upon which they were invited to reflect. The directors were chosen because of the independent production models they work with, and because their voices, here placed side by side, portrays the sense of heterogeneity and pluriversality that today makes up Brazilian cinema.

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