The compulsion to repeat: An introduction

2020 ◽  
Vol 101 (6) ◽  
pp. 1162-1171
Author(s):  
Howard B. Levine
Keyword(s):  
Author(s):  
Mavis Reimer ◽  
Deanna England ◽  
Melanie Dennis Unrau ◽  
Nyala Ali

Beginning of the article: There is a curious gap in the scholarship on texts for young people: while series fiction has been an important stream of publishing for children and adolescents at least since the last decades of the nineteenth century, the scholarship on these texts has not been central to the development of theories on and criticism of texts for young people. The focus of scholarship is much more likely to be on stand-alone, high-quality texts of literary fiction.


2019 ◽  
pp. 132-146
Author(s):  
Deryn Rees-Jones

This chapter raises important issues about Bishop’s aesthetic response to a double, but crucially different set of traumas during infancy (death of her father and ‘disappearance’ of her mother) and argues that repetition in Bishop’s writing signals specific anxieties about loss. The compulsion to repeat, Freud writes, takes ‘the place of the impulse to remember’. Christopher Bollas’ concept of the ‘unthought known’ is applied to consider Bishop’s negotiation with both what is known and yet cannot be spoken. Drawing closely on Bishop’s original drafts, this chapter offers a close analysis of the poem ‘Questions of Travel’ to think about its wider importance as the title of Bishop’s 1965 volume. In paying particular attention to the way in which the volume’s chronological development can be read in counterpoint to its final order on publication, I argue that in the volume Bishop finds an important aesthetic resolution to set against a biographical narrative.


Dark Matters ◽  
2018 ◽  
pp. 185-204
Author(s):  
Ira Brenner
Keyword(s):  

Literator ◽  
2013 ◽  
Vol 34 (1) ◽  
Author(s):  
P.L. Van Schalkwyk
Keyword(s):  

2018 ◽  
Vol 25 (1) ◽  
pp. 156-178
Author(s):  
Catherine Charrett

Why and how do political leaders and bureaucrats miss opportunities or make mistakes? This article explores the pressures to conform and to perform that direct securitising decisions and practices. It begins with the assertion that the European Union missed an opportunity to engage with Hamas after the movement’s participation and success in transparent and democratically legitimated elections, and instead promoted a politics of increased securitisation. The securitisation of Hamas worked against the European Union’s own stated aims of state-building and democratisation, and increased the resistance image of Hamas. This article investigates the rituals that shaped this decision, arguing that punitive and conforming dynamics implicated the knowing of the event. Performance studies and anthropology observe how rituals let participants know how to behave in a given situation, and they performatively constitute a social reality through the appearance of normalcy or harmony. Hamas was reproduced as threat through the European Union’s compulsion to repeat a policy of conditionality, which was performative of Hamas’s ability to respond diplomatically to its own securitisation. First, at a discursive level, rituals simplify or reduce the complexity of an event by allowing participants to respond to new issues through existing regimes of intelligibility. Second, at a practice level, rituals impose an imperative to perform within the workplace, which limits the possibility for dissent or for challenging hierarchy within the institution. This investigation relies on elite interviews with senior Hamas representatives conducted in Gaza, and interviews with European Union representatives who were involved in monitoring the elections and enacting a response to Hamas’s success.


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