The Old Has Been Dying and the New Is Yet to Be Born: A Short Note on the History of the Employee

Labor History ◽  
2007 ◽  
Vol 48 (2) ◽  
pp. 195-208
Author(s):  
Jean-Christian Vinel
Keyword(s):  
Author(s):  
S. Pace

Pending the publication, in a paper now in preparation, of an account of the Holothuria of the Plymouth district, and an attempt at a revision of the European species of that group, it has appeared advisable to publish the following short note, with the view of removing one of the most prolific of those sources of error with which the literary history of the Holothuria has come to be burdened.


2016 ◽  
Vol 53 (1) ◽  
pp. 3-7
Author(s):  
Robert Zaborowski ◽  
Piotr Daszkiewicz

Abstract The article presents the etymology and Greek roots of two terms in modern acarology. The origin of acarological nomenclature is analysed in the context of Homer’s Odyssey and Aristotle’s Parts of Animals and History of Animals. The Greek concept of the smallest animals “acari” as indivisible has been influencing European culture for centuries. The article shows the influence of the Greek tradition on zoology in the 18th century, at the time of birth of modern acarology. The works of French naturalists, the founders of this science, are analysed in this context.


2011 ◽  
Vol 43 (4) ◽  
pp. 725-727 ◽  
Author(s):  
Hosam Aboul-Ela

Near the beginning of his classic work of historiography, The History of the Maghrib: An Interpretive Essay, Moroccan thinker Abdallah Laroui inserts a footnote about a study of the region by a Harvard-based American author who refers to North Africa as “no idea producing area,” a statement that Laroui thoroughly dismantles in a couple of sentences. In this short note at the start of a book written forty years ago, Laroui pinpoints the central problem in U.S.-based studies of the Arab region. The historically contested nature of knowledge production in the field cannot be ignored in any attempt to address the question of critical theory's influence on Arabic literature in the American academy.


Diogenes ◽  
1999 ◽  
Vol 47 (186) ◽  
pp. 28-29
Author(s):  
Luciano Canfora ◽  
Jean Burrell
Keyword(s):  

2009 ◽  
Vol 72 (3) ◽  
pp. 457-461 ◽  
Author(s):  
Oya Algan ◽  
M. Namık Yalçın ◽  
Mehmet Özdoğan ◽  
İsak Yılmaz ◽  
Erol Sarı ◽  
...  

AbstractThe sedimentary sequence discovered at archaeological excavations in ancient Theodosius Harbour at İstanbul contains the records of sea level, environmental changes and the cultural history of the region. The cobbles at the base of the sequence include archaeological remnants of Neolithic culture that settled in the area between 8.4 and 7.3 14C ka BP, and are located at 6 m below the present sea level. The sediments representing a coastal environment indicate that the area was used as a harbour from AD 4th to at least the 11th century and were filled by the sediments derived from Lykos Stream after 11th century.


2019 ◽  
pp. 55-63
Author(s):  
Andrew Hinde ◽  
Paul Tomblin

This short note discusses possible ideas for future research using parish register data and ways in which local and amateur historians might contribute to a new research agenda. In this, it is an attempt to resurrect and strengthen the links between amateur and professional historians that were integral to the work of the Cambridge Group for the History of Population and Social Structure in the 1960s and 1970s, and which led to the foundation of the journal Local Population Studies. The ideas discussed here are not fully formed, and should be seen as a contribution to a research agenda which is likely to be fluid, open-ended and responsive to initiatives from local and family historians.


This chapter examines some of the tools that enable a visual approach to translating data, beginning with a comparison of the use of a computer versus pencil in visual communication. A short note follows, discussing the evolution of imaging with the use of computing: the history of computers and then some examples of graphic display and early computer-generated art works. This is followed by a discussion of the basic ways of graphical display of data and strategies for visual problem solving in the context of art and design. Thoughts on visual translation of data include an introduction to computer simulation. Examples of computer simulation and evolutionary computing conclude the chapter.


Iraq ◽  
2004 ◽  
Vol 66 ◽  
pp. 207-220 ◽  
Author(s):  
Karen Polinger Foster

Though for over two millennia much has been written and said about the Hanging Gardens, they remain elusive. Neither the extensive excavations at the city of Babylon nor the abundant contemporaneous cuneiform records have yielded convincing evidence for these gardens and their associated structures. Herodotus says not a word about them. Instead, we have the descriptions of five later writers, who were themselves quoted and paraphrased by others and whose accounts of the gardens are often opaque, contradictory, and technologically baffling at best.Briefly and in approximate chronological order, the principal sources are as follows: first, the Babyloniaca of Berossus, written about 280 BC, which does not survive save in quotations and condensations from it in other sources, among them two works by the first-century AD Josephus, who twice quotes the short note about the gardens; second, the listing in “On the Seven Wonders”, a text preserved solely in a ninth-century Byzantine codex whose Hellenistic source, often doubted, may be Philo of Byzantium, Alexandrian author of engineering treatises about 250 BC; third, a long description by Diodorus Siculus in the mid-first century BC, which he apparently based on the undoubtedly second-hand accounts in the now lost History of Alexander by Cleitarchus of Alexandria and on the fanciful description of Babylon by Ctesias, a Greek physician at the Persian court around 400 BC; fourth, a passage in Strabo's Geography of the early first century AD, which he may have based on a lost text of Onesicritus, a contemporary of Alexander the Great; and fifth, a passage in the mid-first century AD History of Alexander written by Quintus Curtius Rufus, probably also based on Cleitarchus and Ctesias.


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