Neo-historical East Berlin: architecture and urban design in the German Democratic Republic

2012 ◽  
Vol 27 (2) ◽  
pp. 340-344
Author(s):  
Iain Boyd Whyte
2000 ◽  
Vol 33 (2) ◽  
pp. 45-50 ◽  
Author(s):  
Eric Brothers

The rise of neo-Nazism in the capital of the former German Democratic Republic (GDR) was not inspired by a desire to recreate Hitler's Reich, but by youthful rebellion against the political and social culture of the GDR's Communist regime. This is detailed in Fuehrer-Ex: Memoirs of a Former Neo-Naxi by Ingo Hasselbach with Tom Reiss (Random House, New York, 1996). This movement, however, eventually worked towards returning Germany to its former 'glory' under the Third Reich under the guidance of 'professional' Nazis.


1974 ◽  
Vol 37 (2) ◽  
pp. 543-543
Author(s):  
Rita Pankhurst

I am indebted to Professor Dr. Ernst Hammerschmidt of Hamburg University for pointing out that the manuscripts Dillmann No. 19 and No. 42 mentioned on p. 30 and listed on p. 40 of my article on ‘The library of Emperor Tewodros II at Mäqdäla (Magdala)’, BSOAS, xxxvi, 1, 1973, are in the Staatsbibliothek der Stiftung Preussischer Kulturbesitz in West Berlin, Federal Republic of Germany, and not, as stated in the article, in the Deutsche Staatsbibliothek, East Berlin, German Democratic Republic.


Author(s):  
Joy H. Calico

When Austrian composer and committed Marxist Hanns Eisler was forced out of the United States in 1948, he returned to Vienna and hoped to settle there. Instead, a commission for Goethe’s bicentennial celebration the following year drew him to East Berlin and the SBZ (Soviet Occupation Zone), soon to be the German Democratic Republic (GDR, or East Germany), and set him on the path to be that country’s most prominent composer. This chapter examines the piece Eisler wrote for that commission, Rhapsodie für großes Orchester (Rhapsody for large orchestra) (1949), which set text from Goethe’s Faust II, as well as his libretto for a proposed opera entitled Johann Faustus. East German reception of these pieces reveals the centrality of Goethe’s Faust for national identity formation in the fledgling GDR.


1996 ◽  
Vol 23 ◽  
pp. 411-427 ◽  
Author(s):  
Ulrich van der Heyden

This paper highlights a rich source of history of the cultures of foreign peoples hitherto referred to little by academics—the archive and library of the Berlin Mission Society, now the Berliner Missionswerk. It will discuss the immense opportunities that the library and the archives offer for academic research. It is not intended to be a history of the Berlin Mission Society or its institutions but will rather suggest initial points of interest for further investigation. I shall also refer to the present state of research in both history and anthropology of foreign peoples based on an assessment of the materials available in the mission societies in the former German Democratic Republic. This paper then is less a contribution to theoretical problems than an attempt to draw the attention of historians, anthropologists and others to the resources of the Berlin Mission Society.In the street called Georgenkirchstrasse, No. 70, in East Berlin, opposite the fairy tale Fountain of Friedrichshain and the famous park, is the Berlin Mission House, built in 1873—the location of the Berlin Mission Society, founded in 1824. Until 1991 the latter was called the Ecumenical Missionary Centre/Berlin Mission Society (Ökumenisch-Missionarisches Zentrum/Berliner Missionsgesellschaft).As one of the largest missionary societies, its missionaries have worked since the mid-nineteenth century in South Africa and later in China and East Africa. In the long history of the Berlin Mission many printed and unpublished texts, as well as drawings, maps, and photographs were collected. The archives retain 270 meters of file. There are also the records of other missions, as well as the largest specialist library for missions and ecumenical movements (50,000 volumes and scholarly papers) in the former GDR.


2014 ◽  
Vol 47 (2) ◽  
pp. 334-374
Author(s):  
Eli Rubin

On April 11, 1977, near a small village northeast of Berlin called Marzahn, construction teams from the Volkseigener Betrieb (VEB) Tiefbau Berlin began digging the first foundation for what became the largest construction site and the largest prefabricated housing settlement (Plattenbausiedlung) not just in the German Democratic Republic (GDR), but in all of Europe (see Figure 1). An army of more than 6,000 workers arrived, and over the course of the next decade, built more than 200,000 apartments in Marzahn and the surrounding areas of the northeast edge of Berlin. These came to house more than 400,000 residents, who moved there from the older neighborhoods of East Berlin and from all over the GDR.


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