¡Sí, Ella Puede! The Rhetorical Legacy of Dolores Huerta and the United Farm Workers.

2021 ◽  
Vol 44 (1) ◽  
pp. 121-122
Author(s):  
Raisa F. Alvarado
Author(s):  
Sharon Erickson Nepstad

This chapter examines some of the historical trends, events, individuals, and experiences that pushed Pope Leo XIII in 1891 to release Rerum Novarum, the first papal encyclical. It also summarizes the main themes of this encyclical, whose title is translated as “The Condition of Labor.” It further provides an overview of the second papal encyclical, Quadragesimo Anno (“After Forty Years,” also known as “The Reconstruction of the Social Order”), released in 1931 by Pope Pius XI. The chapter concludes with an exploration of how these teachings on labor were interpreted and put into practice by the Catholic Worker movement, led by Dorothy Day, and the United Farm Workers movement, led by César Chávez and Dolores Huerta.


Author(s):  
Chad Broughton

One Evening in May 1967, in the parched border city of Mission, Texas, Ed Krueger had worked into the early evening on a painting and was late to the demonstration at the railroad crossing. He arrived there at 8:45 p.m. with his wife, Tina; his 18-year-old son, David; and Doug Adair, a young journalist writing for the magazine El Malcriado: The Voice of the Farm Worker. Just a few union members and bystanders were at the crossing when they arrived. Krueger, 36, a lanky and clean-cut minister, had been working with Local 2 of the United Farm Workers Organizing Committee (UFW) and had expected to see thirty or forty striking farmworkers and activists protesting the “scab melons” passing by on the next train. But they weren’t there, and Krueger was worried. They parked 75 feet south of the railroad crossing, on the west side of Conway Street. Krueger and his wife grabbed some hamburgers and sodas and leaned on their bumper to eat with their son. Adair went to talk to a reporter on the north side of the crossing. Joining Krueger was Magdaleno Dimas, an itinerant 29-year-old farmworker. A Mexico-born U.S. citizen, Dimas had a dragon tattoo on his right arm, a rose on his left, and an edgy zeal for the strike. They were waiting for a freight train carrying tens of thousands of recently harvested cantaloupes and honeydews loaded into thirty or so refrigerated cars. The melons had just been cut at La Casita ranch in Rio Grande City, thirty miles west of Mission. After a switch down-valley in Harlingen, the ranch’s melons would head north to San Antonio. La Casita, owned by a California company, operated nearly year round and employed 300 to 500 laborers on 2,700 acres of melons, peppers, carrots, cabbage, celery, and lettuce. The southern boundary of its well-ordered fruit and vegetable fields was the snaking Rio Grande River. All that separated La Casita from Mexico was a short swim across the slow-moving, greenish river that irrigated its fields.


Author(s):  
Marcial González

Chicano/a literature may not excel in representing labor movements, but the literature itself has been influenced by, and is often a response to, various labor struggles. Of the labor movements that have had an impact on Chicano/a literature, the farmworkers movement has been the most significant. Even though Mexican American farmworkers throughout the 20th century played a significant role in building an agricultural empire in the United States, they have not been properly credited with this accomplishment, nor have they prospered equitably from the economic gains of agribusiness. Historically, Chicano/a farmworkers have been physically visible in the workplace but not socially recognized—needed for their labor, but not always wanted as participatory citizens. The farmworkers movement led by Cesar Chavez and the United Farm Workers Union (UFW) during the 1960s and early 1970s contributed to the emergence of the Chicano movement during those same years. The movement in turn served as a catalyst for the emergence of Chicano/a literature. The farmworker has been a central figure in Chicano/a literature since its inception, but representations of farmworkers in the literature have changed over time—from Tomás Rivera’s groundbreaking novel . . . y no se lo tragó la tierra in 1971 to Salvador Plascencia’s fantasy novel The People of Paper in 2005. One of the reasons for these changes has been the rise of neoliberalism, a politico-economic system that has debilitated, and in some cases destroyed, labor unions. Neoliberalism has also contributed to the deterioration of living and working conditions for the working class, especially for those at the bottom of the economic chain, such as farmworkers. Thus, contemporary Chicano/a farmworker literature tends to oscillate between nostalgia for a time when the farmworkers movement was powerful and cautious optimism that a strong movement can once again be built.


Author(s):  
Matt Garcia

In September 1962, the National Farm Workers Association (NFWA) held its first convention in Fresno, California, initiating a multiracial movement that would result in the creation of United Farm Workers (UFW) and the first contracts for farm workers in the state of California. Led by Cesar Chavez, the union contributed a number of innovations to the art of social protest, including the most successful consumer boycott in the history of the United States. Chavez welcomed contributions from numerous ethnic and racial groups, men and women, young and old. For a time, the UFW was the realization of Martin Luther King Jr.’s beloved community—people from different backgrounds coming together to create a socially just world. During the 1970s, Chavez struggled to maintain the momentum created by the boycott as the state of California became more involved in adjudicating labor disputes under the California Agricultural Labor Relations Act (ALRA). Although Chavez and the UFW ultimately failed to establish a permanent, national union, their successes and strategies continue to influence movements for farm worker justice today.


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