The Aesthetic Account of Everyday Life in Organizations: A Report on Recent Developments in Organizational Research

2017 ◽  
Vol 47 (3) ◽  
pp. 178-191 ◽  
Author(s):  
Dan Eugen Ratiu
Author(s):  
Elaine Auyoung

This chapter recovers the aesthetic significance of a reader’s mediated relation to the objects and experiences represented in realist fiction. When George Eliot’s intrusive narrators in Adam Bede, The Mill on the Floss, and Middlemarch cue readers to form impressions that are as distinct as possible, they expose the indeterminacy that persists in the most concrete passages of literary description, alerting us to the limits of how much we can ever know about a fictional world. By drawing on the aesthetics of indeterminacy advanced by Edmund Burke, this chapter reveals that Eliot’s commitment to narratives of disillusionment exists in tension with a surprisingly Romantic aversion to finitude, and that literary realism enchants ordinary things by freeing them from the solidity and determinacy they possess in everyday life.


2021 ◽  
Vol 10 (5) ◽  
pp. 190-197
Author(s):  
Ingrid Wilson

This article explores the different types of hair loss that black women may experience more than other groups of patients. Properties of African hair and the impact of hair care practices are discussed, as well as factors affecting the presentation of other hair loss conditions. It is important for the aesthetic practitioner to be able to distinguish between the temporary forms of hair loss that they can help to treat and the permanent or scarring forms of hair loss, which need a prompt referral to a dermatologist with a specialist interest in hair. Prompt recognition and referral can help to delay the progression of hair loss. The symptoms and signs that patients and practitioners should be alerted to are explored, as well as the treatments that can help and where referrals may be necessary. Recent developments and gaps in knowledge are summarised.


2021 ◽  
Vol 66 (Special Issue) ◽  
pp. 144-144
Author(s):  
Raphaël Pfeiffer ◽  
◽  

"In a clinical context, the communication of genetic information is an event that can give rise to unexpected situations for health professionals. Several empirical studies have shown that, despite being presented with “good” presymptomatic test results, some patients develop negative feelings, depression, which can in extreme cases lead to suicide attempts. Here, genetic information takes full meaning when considered in a personal narrative. In this presentation, we would like to look at the specificities of this narrative experience in the light of works on the aesthetics of everyday life, with a particular focus on the works of John Dewey. For Dewey, the aesthetic experience is possible in all aspects of people’s daily lives, including clinical experience. In this case, “aesthetics” appears in the sensitive character of an experience rather than in a specific type of object. Through the examination of this thought, we will ask to what extent we can speak of an aesthetic experience when thinking of the communication of genetic information, and how this consideration can help ethical reasoning. We will begin by examining how the moment of the communication of genetic information to patients by the clinician can constitute a process of defamiliarization of everyday life. This will lead us to look at patients’ accounts of genetic information reception and to analyse how these appear to be more than mere testimonies about the experience of pathologies, but a means by which the patient is confronted with difficult experiences in order to reformulate them. "


Author(s):  
Simon Gikandi

This chapter presents two instances of how slave money shaped the moment of taste in both pragmatic and conceptual terms. It provides a substantive exploration of the cultural traffic between Britain and its colonial outposts in order to show how the experience of slavery was turned into an aesthetic object that was woven into the fabric of everyday life. It then seeks to connect slave money and the power and prestige of art by focusing on the aesthetic lives of William Beckford and Christopher Codrington, famous heirs to slave fortunes, who sought to remake their social standing through the patronage of art and the mastery of taste.


2002 ◽  
Vol 28 (3) ◽  
pp. 307-338 ◽  
Author(s):  
Neal M. Ashkanasy ◽  
Charmine E.J. Härtel ◽  
Catherine S. Daus

This article provides a review of recent developments in two topical areas of research in contemporary organizational behavior: diversity and emotions. In the section called “Diversity,” we trace the history of diversity research, explore the definitions and paradigms used in treatments of diversity, and signal new areas of interest. We conclude that organizational behavior in the 21st century is evolving to embrace a more eclectic and holistic view of humans at work. In the section called “Emotions,” we turn our attention to recent developments in the study of emotions in organizations. We identify four major topics: mood theory, emotional labor, affective events theory (AET), and emotional intelligence, and argue that developments in the four domains have significant implications for organizational research, and the progression of the study of organizational behavior. As with the study of diversity, the topic of emotions in the workplace is shaping up as one of the principal areas of development in management thought and practice for the next decade. Finally, we discuss in our conclusion how these two areas are being conceptually integrated, and the implications for management scholarship and research in the contemporary world.


2015 ◽  
Vol 25 (3) ◽  
pp. 287-318 ◽  
Author(s):  
Miguel Alzola

ABSTRACT:The language of virtue is gaining wider appreciation in the philosophical, psychological, and management literatures. Ethicists and social scientists aim to integrate normative and empirical approaches into a new “science of virtue.” But, I submit, they are talking past each other; they hold radically different notions of what a virtue is. In this paper, I shall examine two conflicting conceptions of virtue, what I call the reductive and the non-reductive accounts of virtue. I shall critically study them and argue that the non-reductive view is the best philosophical account of virtue and the only one that can account for the way we talk about virtue in business and in everyday life. We can only understand what it means to act virtuously through the examination of the attitudes, beliefs, desires, and inclinations of the virtuous agent. I shall illustrate the differences between the reductive and non-reductive accounts by considering the virtue of gratitude.


2015 ◽  
Vol 7 (2) ◽  
pp. 9-26
Author(s):  
Arnold Berleant

The aesthetic analysis of everyday life has developed an important body of work whose significance extends beyond the academy. Because of its ubiquity in experience, aesthetic sensibility has many manifestations, both overt and concealed. This paper examines some largely hidden ways in which taste and aesthetic judgment, which are manifested in sense experience, have been subtly appropriated and exploited. I identify and describe such procedures as the cooptation (or appropriation) of aesthetic sensibility, a phenomenon that has consequences damaging to health, to society, and to environment. These practices are a form of negative aesthetics that distorts and manipulates sensible experience in the interest of mass marketing and political control. Such practices have great ethical significance and carry social and political implications that suggest another role for aesthetics, a critical one: aesthetics as an instrument of emancipation in social analysis and political criticism.


Anthropology ◽  
2019 ◽  
Author(s):  
Colin Hoag

The term "bureaucracy" refers broadly to administration and official procedure in states, corporations, and other complex organizations. However, the term has a much more complicated set of connotations related to delays and overwrought procedural protocols, emanating from critiques of socialism, the state, and modernity. The figure of the bureaucrat stands at the center of discourse about bureaucracy: at once listless and nefarious, the bureaucrat embodies the inscrutability and absurdity of modern institutional power: impersonal, ubiquitous, and charged with executing law and regulation dispassionately. Bureaucracy represents an ideal of state-enforced equality before the law that is in endless deferral. Anthropologists are well placed to sort through these contradictions and how they manifest in the everyday life of clients, bureaucrats, and others who engage with bureaucracy. The study of bureaucracy has a shallow scholarly history in the discipline of anthropology relative to sociology and political science. For much of the 20th century, bureaucracy was seen as strictly a “Western” phenomenon and therefore outside the purview of anthropologists, who tended to focus on “non-Western” phenomena in other parts of the world. This disciplinary territoriality began to shift in the mid-1990s, and anthropologists increasingly turned an eye toward the everyday life of organizations, including the documents, protocols, and forms of sociality that configure it. This shift was a result of several intellectual currents, notably anthropologists’ interest in understanding how the lives of the subaltern peoples they study are shaped by political institutions and projects. These include the state—a crucial site for the development of the anthropology of bureaucracy—but also humanitarian aid organizations and environmental conservation programs. As anthropologists began asking questions about bureaucrats as ethnographic subjects rather than merely executors of official policy, a greater sensibility for the signs and affective qualities of bureaucratic life opened up new insights into the diversity of positions within bureaucratic institutions, as well as the many kinds of bureaucratic work subsumed under the category of “bureaucracy.” Anthropologists of bureaucracy today train their focus on research funding committees, meetings in corporate board rooms, the aesthetic form of paperwork stamped by civil servants at municipal planning offices, the protocols of environmental impact assessments, interactions between asylum applicants and immigration officials, and beyond.


Author(s):  
Yuriko Saito

Art is the most effective vehicle for unearthing and highlighting the aesthetic potentials of the everyday life that generally do not garner attention because of their ubiquitous presence and ordinary familiarity. Recent art projects, termed ‘sky art’ for the purpose of discussion in this chapter, illuminate the aesthetics of the sky and celestial phenomena. This chapter analyzes several examples of ‘sky art’ by utilizing the notion of ‘emptiness,’ deriving an inspiration from the identical Chinese character used for both ‘sky’ and ‘emptiness,’ as well as the Buddhist notion of ‘emptiness.’ Despite the connotation of ‘emptiness’ that is devoid of any content or substance, different ways in which sky art facilitates the act of ‘emptying’ enrich the aesthetic experience of the sky and sky art. Sky art thus illustrates how art helps turn the otherwise ordinary into the extraordinary and facilitates its aesthetic appreciation.


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