Natural and cultural heritage interaction: aspects of plant diversity in three East Peloponnesian castles (Greece) and conservation evaluation

Author(s):  
Maria Panitsa ◽  
Panayiotis Trigas ◽  
Dimitrios Kontakos ◽  
Anna-Thalassini Valli ◽  
Gregoris Iatrou
2018 ◽  
Vol 10 (7) ◽  
pp. 11895
Author(s):  
Mayur D. Nandikar ◽  
Priyanka T. Giranje ◽  
Durga C. Jadhav

The forts on hilltops of the Sahyadri (northern Western Ghats) have seen a turbulent historical past and are famous for their architectural style and cultural heritage.  Besides this, these hilltops are home to an incredible plant diversity.  One of the highest hilltop forts (ca. 1,403m) the Torna, has been explored since 2012 for floral assessment.  The study documented ca. 399 plant species of which about 28% are endemic to the Western Ghats and 16 monotypic species were recorded.  A brief account of the immense floristic diversity and new findings from Torna fort are summarized in the present article.  


1997 ◽  
pp. 33-36
Author(s):  
Anatoliy Moskovchuk

Ukraine is the motherland of not only Ukrainians but also of many national minorities with different cultures and traditions. Ukraine is a Christian country in general, with non-Christian and non-Christian religions and confessional currents, along with traditional churches - Orthodox, Catholic, Protestant - rooted and actively developing non-traditional Ukrainian culture and spirituality. In Ukraine there is a complex process of spiritual revival, especially in the intellectual environment. Many are written and talk about the preservation of cultural heritage. Everywhere, monuments of architecture, art, which testify to the generally recognized historical contribution of Christianity to the development of spirituality and morality of the Ukrainian people, are restored. In our eyes, there are changes in social and religious relations.


2018 ◽  
Vol 1 (1) ◽  
Author(s):  
Inggrit Fernandes

Batik artwork is one of the treasures of the nation's cultural heritage. Batik artwork is currently experiencing rapid growth. The amount of interest and market demand for this art resulted batik artwork became one of the commodities in the country and abroad. Thus, if the batik artwork is not protected then the future can be assured of a new conflict arises in the realm of intellectual property law. Act No. 28 of 2014 on Copyright has accommodated artwork batik as one of the creations that are protected by law. So that this work of art than as a cultural heritage also have economic value for its creator. Then how the legal protection of the batik artwork yaang not registered? Does this also can be protected? While in the registration of intellectual property rights is a necessity so that it has the force of law to the work produced


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