scholarly journals Reconstructing the Informal and Invisible: Interactions Between Journalists and Political Sources in Two Countries

2021 ◽  
pp. 1-21
Author(s):  
Milda Malling
Keyword(s):  
2020 ◽  
Vol 9 (1) ◽  
pp. 26-45
Author(s):  
Sarah J. Adams

Despite their peripheral position in the Atlantic slave trade, authors of the late eighteenth-century German states composed a number of dramas that addressed imperialism and slavery. As Sigrid G. Köhler has argued (2018), these authors aimed to exert political leverage by grounding their plays in the international abolitionist debate. This article explores how a body of intellectual texts resonated in August von Kotzebue's bourgeois melodrama Die Negersklaven (1796). In a sentimental preface, he mentions diverse philosophical, historical and political sources that contributed to the dramatic plot and guaranteed his veracity. Looking specifically at the famous Histoire des deux Indes (1770) by Denis Diderot and Guillaume-Thomas F. Raynal, I will examine the ways in which Kotzebue adapted highbrow abolitionist discourses to the stage in order to convery an anti-slavery ideology to the white European middle classes. Kotzebue seems to ground abolitionism in the bourgeois realm by moulding political texts into specific generic templates such as an elaborate mise-en-scène, the separation and reunion of lost lovers, a fraternal conflict, and the representation of suffering victims and a compassionate white hero.


Res Publica ◽  
1970 ◽  
Vol 23 (1) ◽  
pp. 9-22
Author(s):  
Herman Balthazar

The theses of the preponderating impact of the political parties in Belgian polities in the «interbellum» stems from definite political sources in that period. It has to be critically analysed. For the political parties, although the most observerd decision-makers, are in many respect not the sole nor the most prominent ones.


2004 ◽  
Vol 66 ◽  
pp. 118-135 ◽  
Author(s):  
Victor Silverman

This article examines evaluates the strength of the Labor-Environmentalist alliance of the late twentieth century. It traces the evolution of trade unionists' thinking about nature and the human relationship to the environment by examining intellectual and political sources of labor involvement in United Nations' environmental policy making from the 1950s through the 1980s. The article explores the reasons trade union organizations, notably the International Confederation of Free Trade Unions, the International Trade Secretariats (Global Union Federations) and the European Trade Union Confederation, participated in a variety of international conferences and institutions such as the 1972 Stockholm Conference on the Environment, the 1992 Rio Earth Summit and the 2002 Johannesburg World Summit on Sustainable Development. It finds that environmentally conscious trade unionists developed their own version of environmentalism and sustainable development based on a reworking of basic trade union principles, a reworking that emphasized solidarity with nature and made central the protection of the health and safety of workers, communities, and environments.


Author(s):  
Michael Hicks ◽  
Christian Asplund

This chapter recounts yet more milestones and developments in Wolff's musical career, as well as the changes within his household which in turn enacted further changes into his opus. As Wolff settled into life at Dartmouth, he once again found himself diverging politically from the paths set by Cage and Cardew. But beyond the social consciousness of his performance collective, Wolff turned to a new technique: the veiled embedding of old worker's songs and political tunes in the fabric of his counterpoint. In addition, Wolff would also create another landmark piece in his career: Wobbly Music, which was his first choral work. It established his canon of musico-political sources: the worker's music championed by folk revivalists of the 1950s and 1960s, and exploited a technique that had long fascinated him: hocket.


2001 ◽  
Vol 44 (3) ◽  
pp. 651-675 ◽  
Author(s):  
MICHAEL ZELL

This article explores the lengthy and convoluted history of a Jacobean project to set the idle poor to work making ‘new draperies’. Although the projector, Walter Morrell, convinced the Cecils, King James, and the privy council of the social and fiscal benefits of his scheme, he failed to persuade the Hertfordshire gentry. This case study in the formulation of crown economic policy, and in ‘Stuart paternalism’, draws upon Morrell's own detailed, unpublished treatise, as well as conventional political sources, and shows how the combination of ‘commonwealth’ rhetoric and progressive economic thinking could sway crown policy-making. It also demonstrates once again the limits of conciliar authority in early Stuart England. In the face of sustained provincial non-compliance, the privy council had neither the machinery nor the stomach to force the Hertfordshire elite to implement government policy and give meaningful support to a government-backed projector. And despite their inability to deal with growing rural unemployment, the Hertfordshire magistrates were unwilling to experiment with rural industry as a solution.


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