The platformization of China’s film distribution in a pandemic era

2022 ◽  
pp. 1-20
Author(s):  
Wendy Su
Keyword(s):  
Film Distribution

NUMERICAL INVESTIGATION OF FILM DISTRIBUTION IN HORIZONTAL-TUBE FALLING FILM EVAPORATOR

2011 ◽  
Vol 19 (03) ◽  
pp. 177-183 ◽  
Author(s):  
JIN-BO CHEN ◽  
QING-GANG QIU
Keyword(s):  
Numerical Simulation ◽  
Fluid Flow ◽  
Film Thickness ◽  
Liquid Film ◽  
Numerical Investigation ◽  
Horizontal Tube ◽  
Flow Density ◽  
Falling Film ◽  
Film Distribution ◽  
Simulation Results

The technique of horizontal-tube falling film has been used in the cooling and heating industries such as refrigeration systems, heating systems and ocean thermal energy conversion systems. The comprehensive performance of evaporator is directly affected by the film distribution characteristics outside tubes. In this paper, numerical investigation was performed to predict the film characteristics outside the tubes in horizontal-tube falling film evaporator. The effects of liquid flow rate, tube diameter and the circular degree of tube on the film thickness were presented. The numerical simulation results were compared with that of the empirical equations for calculating the falling film thickness, and agreements between them were reasonable. Numerical simulation results show that, at the fixed fluid flow density, the liquid film is thicker on the upper and lower tube and the thinnest liquid film appears at angle of about 120°. The results also indicate that, when the fluid flow density decreases to a certain value, the local dryout spot on the surface of the tube would occur. In addition, the film thickness decreases with the increases of the tube diameter at the fixed fluid flow density.

Film Distribution*-->

1943 ◽  
Vol 41 (9) ◽  
pp. 251-254
Author(s):  
James D. Finn
Keyword(s):  
Film Distribution

Introduction

Extreme Asia ◽  
2015 ◽  
pp. 1-21
Author(s):  
Daniel Martin
Keyword(s):  
Hong Kong ◽  
United Kingdom ◽  
Far East ◽  
Critical Reception ◽  
Film Distribution ◽  
The United Kingdom ◽  
Distribution Company ◽  
History Of ◽  
The Uk ◽  
Comprehensive History

This book is a study of the Asia Extreme brand, a DVD and theatrical release label created by British film distribution company Metro-Tartan/Tartan Films. Specifically, this book offers a comprehensive history of the marketing and critical reception of this series of films from Japan, South Korea, Thailand and Hong Kong, focusing on releases in the United Kingdom between 2000 and 2005. The strategies and marketing campaigns used by Tartan Films to promote these films to a wide British audience will be examined, as will the critical and journalistic reception of the films. The following analysis seeks to account for the rise in visibility of this cycle of Japanese horror, Hong Kong action and Korean cult film in the UK, and to chart the changing contexts of their reception. In the process, this research identifies the cinematic debates, assumptions and prejudices that inform the British critical reception of ‘cult’ cinema from the Far East....

“A Treacherous Tightrope”

2018 ◽  
Author(s):  
Alice Lovejoy
Keyword(s):  
The United States ◽  
American Cinema ◽  
Film Distribution ◽  
Feature Films ◽  
Psychological Warfare ◽  
Close Relationship ◽  
Central Case ◽  
The Cold War ◽  
Diplomatic Relationship

This chapter, by Alice Lovejoy, chronicles the United States Office of War Information’s plans to distribute forty Hollywood feature films in liberated Europe under the auspices of the Supreme Headquarters Allied Expeditionary Force’s Psychological Warfare Division (PWD-SHAEF). From the comparative perspectives of OWI and the Allied countries for which the films were destined (Belgium, the Netherlands, Norway, and Czechoslovakia, its central case study), it examines the economic, ideological, and pragmatic questions that intersected in these films’ selection and distribution, focusing on the tensions caused by OWI’s close relationship with the American film industry. The chapter argues that the case study of these forty films highlights Europe’s fraught political, cultural, and diplomatic relationship with American cinema on the cusp of the Cold War, as well as the complex logics underpinning film distribution in this period.

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