David M. Blades and Joseph M. Siracusa. A History of U.S. Nuclear Testing and Its Influence on Nuclear Thought, 1945–1963.

2015 ◽  
Vol 120 (3) ◽  
pp. 1063-1063
Author(s):  
David A. Burke
Keyword(s):  
2020 ◽  
Vol 6 (3) ◽  
pp. 293-312
Author(s):  
C. A. DeCoursey ◽  
Ewa B. Krawczyk

Marshallese youth face extraordinary challenges in creating an identity, due to their economy, isolated location – the Marshall Islands are located in the central Pacific Ocean and comprise of more than 1200 islands and islets – the history of US nuclear testing in the islands and climate change. Contemporary youth identity construction requires constant acts of acculturation, due to media and globalization. This study used content and transitivity analyses to explore how Marshallese youth understand their distinctive look. Content sub-unit frequencies indicated that the Marshallese community was the most significant factor in defining style, particularly cultural uniqueness, history, religion and generational differences. Collective pronouns indicated that acculturation anxieties stemmed from cultural differences and loss and were managed by asserting community affiliation. Personal style preferences reflected contextual and financial limitations. Process-type analysis constructed culture as the most vigorous actor and speaker, where youth roles included perception and cognition, with other islands’ views mediating between the two. Roles attributed to the media and the West included emoting and wanting, where China more closely resembled Marshallese youth, though the ubiquity of western content may render its agency somewhat invisible to Marshallese youth. Overall, Marshallese youth harmonize their individuality within attributed community and contextual factors. This is likely to be their preferred strategy when they emigrate to the United States, a highly individualistic country. Marshallese parents and second-generation Marshallese will require support, in their new context.


2021 ◽  
Vol 62 (4) ◽  
pp. 4.36-4.42
Author(s):  
David Green ◽  
Ross Heyburn ◽  
Jessica Keeble ◽  
Alexandra Nippress ◽  
Stuart Nippress ◽  
...  

Abstract David Green, Ross Heyburn, Jessica Keeble, Alexandra Nippress, Stuart Nippress, Sheila Peacock and John Young review the history of the UK's seismological monitoring of underground nuclear testing


Author(s):  
Sylvia Nickerson

In 1957, a small group of world-renown scientists gathered in Pugwash, Nova Scotia to discuss the growing threat of nuclear arms. Funded by industrialist Cyrus Eaton and spearheaded by philosopher Bertrand Russell and physicist Joseph Rotblat, this 1957 meeting founded an organization of scientists that believed they had a duty to speak out against escalating nuclear testing and what they saw as the irresponsible use of science. However, not every scientist felt that it was appropriate to take a public and political stand. This paper gives a brief history of the Pugwash movement and how its first meeting came to be held in Pugwash, Nova Scotia. The perspectives of involved scientists are examined, contrasting the attitudes of participants in the conference with the attitudes of scientists who declined a public role. This paper explores how scientists perceived their own responsibility to act, examining the willingness to use their cultural identity as scientists to lobby for a particular political position.


2017 ◽  
Vol 27 (2) ◽  
pp. 141-155
Author(s):  
Heidi Hart

Music has rarely been the subject of analysis in environmental art forms, from film to post-apocalyptic fiction. This article seeks to fill that gap and shows how music functions between word and image, using three case studies: The Crossroads Project, a lecture-performance series on climate crisis; Trinity, a short documentary video on the history of nuclear testing; and Lidia Yuknavitch’s The Book of Joan, a dystopian novel with music at its core. In all three examples, music does not work as atmospheric background but rather as an active mediator in its own right. Entering the spaces between text or spoken word and image with unexpected material presence, it can help to open the audience toward greater urgency or inquiry about climate disruption; it can accumulate intensity as viewers watch and hear data on nuclear testing; it can even incite violence within a narrative, both thematically and in the text itself, as Sybille Krämer has noted in her work on performativity. Though activist art can easily become baldly manipulative, music can “expose” its hearers (to use Stacy Alaimo’s and Jean-Luc Nancy’s term) to planetary threats in a way that fosters critical, not just sentimental or fearful, response.


1990 ◽  
Vol 47 (3) ◽  
pp. 572-587 ◽  
Author(s):  
John A. Robbins ◽  
Alena Mudroch ◽  
Barry G. Oliver

In 1985 cores were collected by diver from areas with fine-grained sediments in Lake St. Clair. Although the lake is shallow, rapidly flushed, and possesses only a thin layer of postglacial sediment (ca. 30 cm max.), 8% of the estimated, 137Cs loading from atmospheric nuclear testing in the mid-1960s and 13% of the potential standing crop of excess 210Pb were retained. A sediment column transport model including eddy diffusive mixing, advection and resuspension, acceptably described the vertical distribution of these radionuclides as well as stable lead and implied that such efficient retention may be of recent origin, occurring with the onset of net sedimentation about 100 yr ago. The model showed that, at selected sites, the history of lake loading by particle-associated contaminants can be reconstructed from sediment profiles. Horizontally averaged characteristics of the deposit indicate a surface mixed layer mass of 5 g∙cm−2 and tracer residence time of 3 yr in accord with residence times of surficial Hg, PCBs, and DDT. Trap-collected materials from two sites show markedly contrasting seasonal variations in,137Cs activity reflecting differing proportions of particles derived from inflow (ca 300 mBq∙g−1) and resuspension (< 30 mBq∙g−1).


2021 ◽  
Vol 20 (2) ◽  
pp. 240-250 ◽  
Author(s):  
Jacob Boswell

The Post-Quantal Garden is a work of speculative fiction based on J.G. Ballard’s short story “The Terminal Beach” first published in 1964. Set within Donna Haraway’s climate-changed Chthulucene, the work is intended as an elliptical rumination on the history of nuclear testing in the Pacific, bio-hacking, tropicality, and apocalyptic narrative. Moving between historical fact and speculative fiction, the story takes the form of a scholarly introduction to and contextualization of fictional passages from an imaginary journal supposedly found during the very real radiological clean-up of Enewetak Atoll. Enewetak, an atoll in the Marshall Islands group, was used by the US for nuclear testing and was the site of operation Ivy-Mike, the first fusion bomb test, and is the setting for Ballard’s Terminal Beach.      


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