‘Setting down experiments of the sciences’

2021 ◽  
pp. 91-124
Author(s):  
Alastair Compston

Chapter 2: ‘Setting down experiments of the sciences: printing and the works of Thomas Willis’ starts with a brief account of Willis as a reader, identifying c.100 authors, ancient and contemporary, whom he cites in the treatises. Within a general account of the book trade in the mid-seventeenth century, the tensions relating to censorship and licensing for potential authors are described. Willis’s first books were produced by individuals closely associated with publications of the Royal Society. It is explained that after the fire of London, publication moved to Oxford under the influence of his brother-in-law, Samuel Fell. The chapter provides brief biographies of thirty-four members of the book trade involved in publishing Willis’s books in England. This is followed by a similar approach to description of the book trade in continental Europe where editions of Thomas Willis’s books were published by twenty-three individuals working in the Netherlands, France, Switzerland, and Italy. {149 words}

2014 ◽  
Vol 39 (1) ◽  
Author(s):  
Jan Kurowiak

AbstractAs a work of propaganda, graphics Austroseraphicum Coelum Paulus Pontius should create a new reality, make appearances. The main impression while seeing the graphics is the admiration for the power of Habsburgs, which interacts with the power of the Mother of God. She, in turn, refers the viewer to God, as well as Franciscans placed on the graphic, they become a symbol of the Church. This is a starting point for further interpretation of the drawing. By the presence of certain characters, allegories, symbols, we can see references to a particular political situation in the Netherlands - the war with the northern provinces of Spain. The message of the graphic is: the Spanish Habsburgs, commissioned by the mission of God, they are able to fight all of the enemies, especially Protestants, with the help of Immaculate and the Franciscans. The main aim of the graphic is to convince the viewer that this will happen and to create in his mind a vision of the new reality. But Spain was in the seventeenth century nothing but a shadow of former itself (in the time of Philip IV the general condition of Spain get worse). That was the reason why they wanted to hold the belief that the empire continues unwavering. The form of this work (graphics), also allowed to export them around the world, and the ambiguity of the symbolic system, its contents relate to different contexts, and as a result, the Habsburgs, not only Spanish, they could promote their strength everywhere. Therefore it was used very well as a single work of propaganda, as well as a part of a broader campaign


2021 ◽  
Vol 57 ◽  
pp. 163-184
Author(s):  
Elise Watson

The institutional Catholic Church in seventeenth-century Amsterdam relied on the work of inspired women who lived under an informal religious rule and called themselves ‘spiritual daughters’. Once the States of Holland banned all public exercise of Catholicism, spiritual daughters leveraged the ambiguity of their religious status to pursue unique roles in their communities as catechists, booksellers and enthusiastic consumers of print. However, their lack of a formal order caused consternation among their Catholic confessors. It also disturbed Reformed authorities in their communities, who branded them ‘Jesuitesses’. Whilst many scholars have documented this tension between inspired daughter and institutional critique, it has yet to be contextualized fully within the literary culture of the Dutch Republic. This article suggests that due to the de-institutionalized status of the spiritual daughters and the discursive print culture that surrounded them, public criticism replaced direct censure by Catholic and Reformed authorities as the primary impediment to their inspired work.


1895 ◽  
Vol 57 (340-346) ◽  
pp. 35-59

The Report of the Auditors of the Treasurer’s Accounts, on the part of the Society, was presented as follows :— “The total receipts on the General Account during the past year, including balances carried from the preceding year (£999 7 s . 11 d .) and the proceeds of the sale of stock, amount to £10,025 2 s . 10 d ., and the total receipts on account of Trust Funds, including balances from the preceding year and cash received for bonds drawn, amounted to £6,065 8 s . 2 d . The total expenditure for the same period amounted to £7,227 11 s . 10 d . on the General Account, and £4,086 6 s . 11 d . on account of Trust Funds, leaving a balance on the General Account of £2,780 7 s . 1 d . at the bankers’, which includes £500 Challenger Account, £1,700 Catalogue Account, and £247 8 s . 6 d . Water Research Account, and a balance of £17 3 s . 11 d . in the hands of the Treasurer; leaving also a balance at the bankers' on account of Trust Funds of £1,979 1 s . 3 d .


Author(s):  
M. Esquirou de Parieu

The history of the United Provinces, and of Holland especially, from the close of the Spanish rule down to the establishment of the modern monarchy of the Netherlands, is distinguished for its manifestation of a permanent struggle between different opposite principles. Liberty and authority, municipal principle and state principle, republic and monarchy, the spirit of federal isolation and that of centralization, appear to give battle to each other upon a territory itself with difficulty defended from the waves of the ocean by the watchful industry of its inhabitants.


2022 ◽  
Vol 128 (5) ◽  
pp. 167-198
Author(s):  
Katarzyna Pękacka-Falkowska

The article discusses the hitherto unknown correspondence between the Danzig (present-day Gdańsk) botanist Jacob Breyne, his son Johann Philipp Breyne, and James Petiver in the last decade of the seventeenth century. Their correspondence documents contacts between one of the most important naturalists of the Polish-Lithuanian Commonwealth in the second half of the seventeenth century and members of the Royal Society. The content of the letters reveals how books, naturalia and various artefacts circulated between Western and East-Central Europe. It also reveals the principles of reciprocity and friendship followed by those who conducted inquiries into natural history.


2021 ◽  
Vol 28 (1) ◽  
pp. 41-61
Author(s):  
Monika Glimskär ◽  
Helena Backman

Abstract The De Geer family established themselves in Sweden as iron industrialists during the early seventeenth century, but they maintained close contact with the Netherlands. The family built up a prestigious library at Leufstabruk, in northern Uppland. The objects in the Leufsta Music Collection contained a significant amount of music in the form of printed sheet music and manuscripts, which were most likely gathered during the long lifetime of baron Charles De Geer (1720-1778). Compared to the works he collected in his youth in the Netherlands, the printed scores linked to Charles De Geer’s later period in Sweden show a change of taste in both repertoire and collecting behavior. This article deals with the bindings of the sheet music in the Leufsta collection, which give us clues of both De Geer’s acquisition and his approach to his music scores from their purchase to binding, labelling, cataloguing and practical use.


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