John Cassavetes

Author(s):  
James O'Brien

John Cassavetes (b. 1929–d. 1989) was an American actor and filmmaker who wrote, directed, and acted in a catalogue of independent films he made over a forty-year career. Cassavetes directed twelve films—thirteen if one considers Shadows (1958) and Shadows (1959) as distinct works. With a close group of actors and crew, his works often featured Gena Rowlands (b. 1930), Seymour Cassel (b. 1935), Peter Falk (b. 1927–d. 2011), and Ben Gazzara (b. 1930–d. 2012). Despite early praise of Shadows (1958) by writers such as Jonas Mekas, reviewers were often unfavorable, uninterested, and/or unkind to the majority of Cassavetes’s films. Cassavetes won no major awards in the United States, though Rowlands, his chief collaborator and his wife, was nominated for an Academy Award twice, for her performances in his films A Woman Under the Influence (1974) and Gloria (1980). Cassavetes did receive a steady run of accolades near the end of his life. At that point, scholars and critics began to consider his works more expansively in terms of their aesthetics—including oft-cited characteristics of a certain brand of realism, naturalism, and echoes of cinéma vérité. The last three films of his career included two made within the studio system—Gloria (1980) and Big Trouble (1986). Released between these, Love Streams (1984), Cassavetes’s last independent film, was also well received in the United States, and it won first place in the Berlin Film Festival. He died in 1989 of cirrhosis of the liver. For the most part, scholarly writings about the films of John Cassavetes did not appear until the 1980s and 1990s. They have been in large part spearheaded and expanded upon by a small number of authors. Prominent among those writers is Ray Carney. This article began under Carney’s advisorship, and his early input (2011–2012) helped shape its scale and scope. It is not a comprehensive listing and annotation of the writings, but it represents a selection highlighting major trends and directions of response and examination.

Author(s):  
Richard F. Kuisel

This chapter details the rise of anti-Americanism in France, in particular French socialist minister of culture Jack Lang's attack against American popular culture. Lang began by refusing to attend the American film festival at Deauville in September 1981; several months later he gave a notorious address denouncing American cultural imperialism at a UNESCO conference in Mexico City; and then he tried to organize a global “crusade” to combat cultural imports from the United States. Lang was a flamboyant young politician whose movie-star good looks, iconic pink jacket, dramatic initiatives, and hyperactive ways won him both admiration and ridicule. He presided over the Ministry of Culture from 1981 to 1986 and again from 1988 to 1993.


1973 ◽  
Vol 123 (575) ◽  
pp. 471-474 ◽  
Author(s):  
M. Valentine

In the United States of America, many centres are now running automated data programmes in the psychiatric field (Kline and Laska, 1968; Ulett and Sletten, 1971). In Britain, such developments have been much more restricted; prominent examples however are the North-East Scotland psychiatric register, and the Maudsley Hospital—Institute of Psychiatry check-list, together with the Camberwell register. As a clinical itemization, the ‘Present Psychiatric State’ (Wing et al., 1967) presents a comprehensive listing of over 400 symptoms, the evaluation being confined to the previous four weeks of the patient's experience. This is a valuable research tool, but for routine clinical history requirements it would be both too detailed and, by definition, too limited in scope.


Author(s):  
Martin P. Botha

INTRODUCTIONThe name, Manie van Rensburg, is virtually unknown in Europe and the United States of America. Recently, some of his work was screened at a South African film festival in Amsterdam at the Kriterion cinema and I had the honour to present a lecture there on 7 October 1995 regarding Van Rensburg and his presence in the cinema. His film work was also highlighted in a small retrospective during October 1996 at the Vrije Universiteit Brussel. IT WAS NOT THE FIRST TIME a Van Rensburg film was screened outside the borders of South Africa. During the 1980s Van Rensburg received an International Film Festival of New York award for his historical TV drama series, Heroes, and a Merit Award from the London Film Festival was given to him for his filmed play, The Native who Caused all the Trouble. His mammoth production, The Fourth...


2019 ◽  
Vol 73 (1) ◽  
pp. 64-67
Author(s):  
Paul Julian Smith

FQ Columnist Paul Julian Smith explores the latest trends in Mexican cinema, which encompasses such divergent genres as the rom-com and horror. Illustrating the former is the office comedy Mirreyes vs. Godinez (dir. Chava Cartas, 2019), which pits the spoiled offspring of the leisured class against the workers at their family company, a class conflict that predictably resolves through romantic alliances. In stark contrast is Belzebuth (dir. Emilio Portes, 2017), a disturbing film about the Satanic murder of children set in the tense and traumatic territory of Mexico's border with the United States. Finally, Smith looks at two productions—one an independent film, the other a televised sit-com—that use narratives about house shares to explore the theme of national reconciliation.


2021 ◽  
Vol 9 (1) ◽  
pp. 200-245
Author(s):  
John Thomas McGuire

As Carl Jung and Joseph Campbell note, archetypes, or general ideas of human types, strongly influence societies, particularly the heroic archetype. Since the 1890s mainstream cinema has facilitated the heroic archetype for worldwide audiences. This article argues that Paul Muni (1895-1967), Edward G. Robinson (1893-1973), and John Garfield (1913-1952) became the first important Jewish-American film actors to help develop the ambiguous heroic archetype in the United States’ studio system from 1929 through 1948 in two ways: Muni’s and Robinson’s critical performances in the 1930s and 1940s, particularly in gangster and film noir films, and Garfield’s films from 1946 through 1948.


2017 ◽  
Vol 4 (1) ◽  
pp. 1-10
Author(s):  
Arinta Agustina

Penelitian ini bertujuan untuk memahami strategi pemasaran film independen. Sebagai studi kasus dipilih pemasaran film produksi Fourcolors Yogyakarta. Perkembangan  film independen  di  Indonesia, khususnya di Yogyakarta tidak terlepas dari pergerakan dan perkembangan komunitas-komunitas film dan sekolah-sekolah film. Fourcolors yang kali pertama berangkat sebagai sebuah komunitas film independen, lewat film “Siti” karya sutradara Edi Cahyono mencoba memberikan warna baru dalam peta perfilman independen di tanah air. Sebagai sebuah film yang tumbuh dari berbagai festival, baik nasional maupun internasional, film “Siti” akhirnya mampu menembus pasar film mainstream lewat prestasinya sebagai pemenang Festival Film Indonesia. Hal ini menjadi sebuah kejutan dan mematahkan sekian banyak mitos bahwa film independen sulit untuk menembus pasar mainstream. Ketepatan memilih jalur distribusi melalui festival memiliki peran yang cukup penting dalam menentukan target penonton dan kualitas yang akan dicapai. Reviewing the Market of Indie Film through the Film of “SITI” by Edi Cahyono. This study aims to understand the strategy of  independent film marketing. The marketing of film production of Fourcolors Yogyakarta is chosen as a case study of this study. The development of independent films in Indonesia, especially in Yogyakarta is inseparable from the movement and development of film communities and film schools. Fourcolors that firstly sets out as an independent film community, through the film of "Siti" by director Edi Cahyono tries to give new colors in the map of independent film in this country. As a film that grows from various festivals, both nationally and internationally, the film of "Siti" is finally able to break through the mainstream film market through its achievements as the winner of the Indonesian Film Festival. It comes to a surprise and breaks the myths that the independent films are difficult to penetrate the mainstream market. The accuracy of choosing the distribution channels through the festival has a significant role in determining the target audiences and the quality to be achieved.


2018 ◽  
pp. 30-31
Author(s):  
Philip G. Altbach

Editor’s note: IHE no longer publishes short book summaries, but rather provides a more comprehensive listing of new books that will be of interest to a higher education audience. We welcome suggestions from readers for books on higher education published especially outside of the United States and United Kingdom. This list was compiled by Edward Choi, graduate assistant at the Center.


Sign in / Sign up

Export Citation Format

Share Document