“This Isn’t Some TV Show, Okay?”

Cinematic TV ◽  
2021 ◽  
pp. 154-195
Author(s):  
Rashna Wadia Richards
Keyword(s):  
Cultural Authority ◽  
White People ◽  
Art Cinema ◽  
Web Series ◽  
Common Parlance ◽  
Tv Show

Chapter 4 seems like an ostensible contradiction of all that has come before it, as it zooms in on parody. In common parlance, parody is regarded narrowly as a sendup or a spoof. But this chapter repurposes the concept as a displacement paradigm, rethinking parody as a deceptive double that furtively displaces the authority of the original. Playing on eminent existing terrain and interrogating cinematic tradition make parody particularly effective for an analysis of Dear White People (Netflix, 2017–present), a web series that demonstrates how parody works to undermine the cultural authority and assumed whiteness of mainstream American as well as European art cinema.

scholarly journals Analisis Teknik Pengambilan Gambar pada Serial Web Mengakhiri Cinta Dalam 3 Episode Karya Yandy Laurens

Respati ◽  
2019 ◽  
Vol 14 (1) ◽  
Author(s):  
Bernadhed Bernadhed ◽  
Ahmad Farid Mansur ◽  
Raffi Indra Mulya ◽  
Resnafian Khrisna Adjie ◽  
Yoga Fitri Setyawan
Keyword(s):  
Soap Opera ◽  
Shooting Technique ◽  
Visual Storytelling ◽  
Short Series ◽  
Web Series ◽  
The World ◽  
Tv Show

INTISARIDrama sudah menjadi salah satu genre yang diminati oleh para penonton film di dunia, tak terkecuali Indonesia. Kiprah drama tak hanya terjadi di perfilman saja, namun sudah merambah media media lain seperti sinetron, dan serial pendek. Antusiasme akan genre ini tidak hanya berhenti di siaran televisi dan bioskop saja, tetapi juga di berbagai Web TV di Internet seperti YouTube, Iflix, dan Netflix. Antusiasme ini dimanfaatkan oleh pembuat film untuk menarik perhatian pasar drama di Indonesia dengan menciptakan serial pendek di internet. Serial pendek di Internet ini biasa disebut Serial web. Tujuan dari paper ini adalah untuk mengetahui dan menganalisa teknik pengambilan gambar dalam serial web, yang berfungsi sebagai pemaparan dan penekanan informasi kepada penonton dengan aspek visual storytelling.Kata kunci: Serial Web, Teknik Kamera, Drama, Sinematografi, Yandy Laurens ABSTRACTDrama has been on of the most popular genre by film audience in the world, even in Indonesia itself. Drama does not only exist in film, but already spreading on other medias like soap opera on TV, and short series. The enthusiasm for this genre does not stop only in TV show and movies, but also in many Web TVs in internet such as YouTube, Iflix, and Netflix. This enthusiasm being used by film makers to attract drama audiences in Indonesia by creating a short serials on internet. The short serials in internet also known as web series. The goal of this paper is to know and analyze web series shooting technique, which functions as exposure and emphasis on information to the audiences with visual storytelling aspect.Keywords: Web Series, Camera Technique, Drama, Cinematography, Yandy Laurens

Racial Prejudice Predicts Less Desire to Learn About White Privilege

2017 ◽  
Vol 48 (5) ◽  
pp. 310-319 ◽  
Author(s):  
John G. Conway ◽  
Nikolette P. Lipsey ◽  
Gabrielle Pogge ◽  
Kate A. Ratliff
Keyword(s):  
White Privilege ◽  
Racial Prejudice ◽  
Affective Responses ◽  
White People ◽  
Total N ◽  
Desire To Change

Abstract. White people often experience unpleasant emotions in response to learning about White privilege ( Phillips & Lowery, 2015 ; Pinterits, Poteat, & Spanierman, 2009 ). Two studies (total N = 1,310) examined how race attitudes relate to White people’s desires to avoid or learn information about White privilege. White participants completed measures of their race attitudes, desire to change White privilege, and their desire to avoid learning information about White privilege. Study 1 showed that participants who preferred their racial in-group reported less desire to change White privilege and greater desire to avoid learning information about White privilege. Inconsistent with expectations, Study 2 showed that participants who anticipated negative affective responses to learning about White privilege reported greater desire to change White privilege.

Manga Shakespeare and Cervantes: Trash or Reclamation?

2017 ◽  
Vol 14 (2-3) ◽  
pp. 155-167
Author(s):  
Penny Brown
Keyword(s):  
Popular Culture ◽  
Cultural Authority ◽  
Multimodal Texts ◽  
Page Layout ◽  
Don Quijote ◽  
Size And Shape ◽  
Word And Image ◽  
La Mancha ◽  
Visual Skills

This paper considers the merit of manga versions of Shakespeare's Hamlet and Cervantes' Don Quijote de la Mancha which employ the impressionistic techniques of the Japanese comic format to create new, dynamic texts. Such multimodal texts demand different verbal and visual skills to decode the synergy between word and image and elements like the page layout, the size and shape of images and speech balloons and the style of lettering. Far from debasing the cultural authority of the originals by blurring the boundaries between high and popular culture, these versions can be seen as an act of salvage of the original texts from the perceived difficulties of challenging language and content, reinvigorating them with a vibrant immediacy. By making demands on the imagination and intellect in exciting ways, they may also salvage the act of reading itself by encouraging a young or reluctant readership, as well as the already enthusiastic, to explore new ways of engaging with a text.

Morphological Freedom and Medicine: Constructing the Posthuman Body

2018 ◽  
Author(s):  
Luna Dolezal
Keyword(s):  
Common Sense ◽  
Cosmetic Surgery ◽  
The Body ◽  
Popular Imagination ◽  
Gender Reassignment ◽  
Common Parlance ◽  
And Gender ◽  
Body Practices ◽  
Health Function ◽  
At Will

The notion that the body can be changed at will in order to meet the desires and designs of its ‘owner’ is one that has captured the popular imagination and underpins contemporary medical practices such as cosmetic surgery and gender reassignment. In fact, describing the body as ‘malleable’ or ‘plastic’ has entered common parlance and dictates common-sense ideas of how we understand the human body in late-capitalist consumer societies in the wake of commercial biotechnologies that work to modify the body aesthetically and otherwise. If we are not satisfied with some aspect of our physicality – in terms of health, function or aesthetics – we can engage with a whole variety of self-care body practices – fashion, diet, exercise, cosmetics, medicine, surgery, laser – in order to ‘correct’, reshape or restyle the body. In addition, as technology has advanced and elective cosmetic surgery has unapologetically entered the mainstream, the notion of the malleable body has become intrinsically linked to the practices and discourses of biomedicine and, furthermore, has become a significant means to assert and affirm identity.

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