Like a Phoenix from the Ashes
Chapter 1 begins with a detailed historical account of rock radio station WLUP’s 1979 Disco Demolition Night promotion at Comiskey Stadium. The infamous event, at which baseball fans detonated a pile of disco records, was a flashpoint that presaged the codification of Chicago house music as a distinct set of cultural practices and sounds. Building on the work of urban cultural historians studying Chicago’s Black and brown cultural economies (Mumford, 1997; Heap, 2010; Green, 2007), this chapter historicizes the geographic and social frameworks that gave rise to house by showing how the demolition of musical artifacts surrogating queerness, blackness, and Latinidad sutured post-Great Migration histories of residential and economic segregation to new spaces for queer of color conviviality near Chicago’s central business district. Unlike previous accounts of the demolition (Cowie, 2010; Echols, 2010) that connect it to a national homophobic backlash against disco music, Do You Remember House? addresses the promotion as a phenomenon tied to Chicago’s particular histories of racial apartheid.