Afterword

Author(s):  
E. Douglas Bomberger

Examining the aftermath of 1917, this section traces the impact of the year’s events on future US musical directions. Recording technology advances made the spread of jazz possible, led to heightened fidelity of sound reproduction in classical music, and eventually altered the entire culture of live performance. Classical music did not disappear, but the advent of jazz presaged the coming dominance of popular music. World War I’s aftermath spawned a culture war between rural and urban Americans, and gains made by African American servicemen encountered a backlash of racial violence and discrimination in the 1920s. The negative stereotypes of the war years hastened German American assimilation. World War II saw different cultural and musical responses, and American classical composers benefited from World War II patriotism in ways their predecessors had not. Finally, the ability of “The Star-Spangled Banner” to unite and divide Americans is an ongoing legacy of World War I.

1978 ◽  
Vol 16 (3) ◽  
pp. 495-507 ◽  
Author(s):  
Lewis J. Greenstein

It is widely believed that old soldiers are a problem. At least since the beginning of this century, western governments have been concerned with the issue of ‘helping’ veterans to readjust to civilian life upon their return from campaigning. It is assumed that these men would, if left to their own devices, find it difficult or impossible to ‘pick up from where they had left off’, and might, therefore, become a subversive element in the general population. Hence, one of the largest bureaucracies in the United States is the Veterans Administration which is charged with fitting ex-soldiers back into society. To a certain extent the concerns over whether they would be satisfied after their demobilisation have proved to be justified. The dislocations experienced by returned American servicemen after World War II were illustrated by popular films like ‘The Best Years of Our Lives’. More recently, the American press paid considerable attention to the rôle of the black veterans of Vietnam in the violence which destroyed much of Newark, Detroit, and Watts in the late 1960s.


Author(s):  
Peter Starke

The world wars were important ‘pacemakers’ of welfare state development in Germany—first and foremost via special wartime or post-war benefit regimes. Veterans’ pensions and reinsertion after World War I and compensation of various war victims after World War II massively increased social spending for decades. Whenever war did have a significant impact on the core welfare state programmes (i.e. the big social insurance schemes), it was through indirect and long-term rather than direct, short-term dynamics. Labour mobilization via the involvement of trade unions and the significant expansion of wartime social assistance and social services during World War I, for example, paved the way for the expansion of the welfare state in the Weimar Republic (such as unemployment insurance in 1927). Social policy during World War II targeted benefits towards soldiers’ families and ethnic German victims, but it was far from the ‘dictatorship of favours’ Götz Aly describes.


Author(s):  
Michele K. Troy

This chapter examines the impact of World War II on Albatross Press. On September 1, 1939, Germany invaded Poland. Two days later, Britain and France declared war against Germany. The onset of aggressions had immediate consequences for Albatross. With British, French, and German allegiances, the firm found itself in an unenviable position on both sides of the war. John Holroyd-Reece and other Albatross leaders were suddenly not just on opposite sides of national lines, but at cross-purposes. In World War I, Holroyd-Reece had fought for the British, and Kurt Enoch and Max Christian Wegner for the Germans; now Holroyd-Reece and Enoch stood on the same side, facing Wegner on the other. This chapter discusses the experiences and challenges faced by Albatross and its leaders as they tried to continue running their business amid the war.


2005 ◽  
Vol 47 (1) ◽  
pp. 226-227
Author(s):  
Maura Hametz

Using anthropological, historical, and political science approaches, Pamela Ballinger demonstrates how memory shapes Istrian understandings of Italian identity. World War II and the events of 1945, specifically the creation of the Free Territory of Trieste and the division of the upper Adriatic territory into Allied and Yugoslav administered zones, form the backdrop for the study that concentrates on the crystallization of collective memory for Istrian esuli (exiles who settled in Trieste) and rimasti (those who remained in Yugoslavia). Grounded in the literature re-evaluating the impact of the Cold War, her work skillfully weaves a narrative that uncovers competing visions as well as common tropes in Istrian visions of ‘Italianness’ constructed in the climate of state formation and dissolution since World War I. Ballinger's major contribution is her analysis of the “multi-directionality” of identity formation (p. 45) that has implications far beyond the Istrian case.


Author(s):  
Sara Torregrosa-Hetland ◽  
Oriol Sabaté

Abstract This paper studies the impact of inflation on income taxes in Sweden, the UK, and the United States during the world wars. As tax reforms were rising top marginal rates and reducing exemption thresholds, extraordinary levels of inflation eroded the real value of exemptions, brackets, and deductions. The micro-simulation of actual and alternative scenarios shows that inflation made the tax less progressive, particularly in Sweden during World War I and the UK during World War II. Nevertheless, its redistributive effect increased due to the related growth in tax revenue. Inflation contributed to transform a “class tax’’ into a “mass tax”.


Author(s):  
David J. Bodenhamer

Armed conflict poses an imminent threat to the nation’s existence, but so does suspension of the nation’s fundamental laws. The framers wrestled with how to grant government the power to defend the nation without providing it the means to threaten liberty. The question it raises—does war suspend the Constitution or does the Constitution control the conduct of the war—has rarely been absent from American history. ‘Security’ describes the impact of the Civil War, World War I, World War II, the Cold War, the Vietnam War, as well as the recent ‘war on terror’ on the nation’s laws, the executive presidential power, and the roles of the Supreme Court and Congress.


Author(s):  
C. Claire Thomson

This chapter traces the early history of state-sponsored informational filmmaking in Denmark, emphasising its organisation as a ‘cooperative’ of organisations and government agencies. After an account of the establishment and early development of the agency Dansk Kulturfilm in the 1930s, the chapter considers two of its earliest productions, both process films documenting the manufacture of bricks and meat products. The broader context of documentary in Denmark is fleshed out with an account of the production and reception of Poul Henningsen’s seminal film Danmark (1935), and the international context is accounted for with an overview of the development of state-supported filmmaking in the UK, Italy and Germany. Developments in the funding and output of Dansk Kulturfilm up to World War II are outlined, followed by an account of the impact of the German Occupation of Denmark on domestic informational film. The establishment of the Danish Government Film Committee or Ministeriernes Filmudvalg kick-started aprofessionalisation of state-sponsored filmmaking, and two wartime public information films are briefly analysed as examples of its early output. The chapter concludes with an account of the relations between the Danish Resistance and an emerging generation of documentarists.


Cinema’s Military Industrial Complex examines how the American military has used cinema and related visual, sonic, and mobile technologies to further its varied aims. The essays in this book address the way cinema was put to work for purposes of training, orientation, record keeping, internal and external communication, propaganda, research and development, tactical analysis, surveillance, physical and mental health, recreation, and morale. The contributors examine the technologies and types of films that were produced and used in collaboration among the military, film industry, and technology manufacturers. The essays also explore the goals of the American state, which deployed the military and its unique modes of filmmaking, film exhibition, and film viewing to various ends. Together, the essays reveal the military’s deep investment in cinema, which began around World War I, expanded during World War II, continued during the Cold War (including wars in Korea and Vietnam), and still continues in the ongoing War on Terror.


Sign in / Sign up

Export Citation Format

Share Document