Documentarian

2021 ◽  
pp. 108-133
Author(s):  
Robert Volpicelli
Keyword(s):  
Great Depression ◽  
Gertrude Stein ◽  
The State ◽  
The Great Depression ◽  
The Us ◽  
The Media ◽  
The Many ◽  
Lecture Tour ◽  
The Way

Chapter 4 considers how the US lecture tour provided the expatriate author Gertrude Stein with a chance to reacquaint herself with her native country. The media blitz that accompanied Stein’s 1934–5 tour—she made regular stops for photo ops, book signings, and radio interviews—has prompted critics to examine the way Americans saw Stein as a 1930s celebrity. This chapter is more interested, though, in the way Stein saw America, examining in particular her role as a social documentarian during one of the lowest points in the Great Depression. It specifically analyzes the way she developed a public lecturing practice invested as much in documenting her audiences as it was in speaking to them. It then goes on to compare her lecture-tour memoir, Everybody’s Autobiography, to the state and regional guidebooks being produced at that time by the New Deal’s Work Progress Administration (WPA) to reveal how these two forms of 1930s documentary come together in their renewed belief in the American collective. Finally, the many points of overlap between Stein’s memoir and WPA documentaries become an occasion to question previous readings of the author’s late 1930s politics, which have typically portrayed Stein as a stalwart social conservative.

The Many Faces of Leftism

2018 ◽  
Author(s):  
Balázs Trencsényi ◽  
Michal Kopeček ◽  
Luka Lisjak Gabrijelčič ◽  
Maria Falina ◽  
Mónika Baár ◽  
...  
Keyword(s):  
Great Depression ◽  
Common Ground ◽  
Socialist Realism ◽  
Popular Front ◽  
The Political ◽  
Right Wing ◽  
Right Wing Authoritarianism ◽  
Bolshevik Revolution ◽  
The Great Depression ◽  
The Many

The success of the Bolshevik Revolution confirmed that economic backwardness was not necessarily an obstacle for socialism, as it triggered the radicalization of leftist movements in the region. Yet this also led to polarization of the left on questions of Soviet-Russian developments and possible cooperation with non-socialist parties, as well as agrarian and national questions. While in many countries social democracy entered the political mainstream in the 1920s, its position was undermined by the rise of right-wing authoritarianism. In turn, the Great Depression made the communist position more plausible, but the Stalinization of communist parties and the imposition of socialist realism alienated most intellectual supporters. Eventually, some radical leftists turned against the communist movement attacking its dogmatism and the Stalinist show trials. At the same time, the rise of Nazism forced leftist groups to seek a common ground, first in the form of “Popular Front” ideology, and, during the war, in the form of armed partisan movements.

scholarly journals Trauma and Sacrifice in Divided Communities: The Sacralisation of the Victims of Terrorism in Spain

Religions ◽  
2021 ◽  
Vol 12 (2) ◽  
pp. 104
Author(s):  
Eliana Alemán ◽  
José Pérez-Agote
Keyword(s):  
Human Life ◽  
Traumatic Events ◽  
The State ◽  
A Posteriori ◽  
Institutional Discourse ◽  
Divided Societies ◽  
The Us ◽  
Definition Of ◽  
Public Demonstrations ◽  
The Way

This work aims to show that the sacrificial status of the victims of acts of terrorism, such as the 2004 Madrid train bombings (“11-M”) and ETA (Basque Homeland and Liberty) attacks in Spain, is determined by how it is interpreted by the communities affected and the manner in which it is ritually elaborated a posteriori by society and institutionalised by the state. We also explore the way in which the sacralisation of the victim is used in socially and politically divided societies to establish the limits of the pure and the impure in defining the “Us”, which is a subject of dispute. To demonstrate this, we first describe two traumatic events of particular social and political significance (the case of Miguel Ángel Blanco and the 2004 Madrid train bombings). Secondly, we analyse different manifestations of the institutional discourse regarding victims in Spain, examining their representation in legislation, in public demonstrations by associations of victims of terrorism and in commemorative “performances” staged in Spain. We conclude that in societies such as Spain’s, where there exists a polarisation of the definition of the “Us”, the success of cultural and institutional performances oriented towards reparation of the terrorist trauma is precarious. Consequently, the validity of the post-sacrificial narrative centring on the sacred value of human life is ephemeral and thus fails to displace sacrificial narratives in which particularist definitions of the sacred Us predominate.

Transatlantic Modernism and the US Lecture Tour

2021 ◽  
Author(s):  
Robert Volpicelli
Keyword(s):  
Gertrude Stein ◽  
Unique Form ◽  
Broad Distribution ◽  
Self Presentation ◽  
Rabindranath Tagore ◽  
Critical Tradition ◽  
Physical Form ◽  
The Us ◽  
Different Types ◽  
Lecture Tour

Transatlantic Modernism and the US Lecture Tour examines how the US lecture tour served as a vital infrastructure for bringing regional audiences from all across America into direct contact with international modernists. In doing so, the book reroutes scholarly understandings of modernism away from the magazines and other mass media that have so far characterized its circulation and toward the unique form of cultural distribution that coalesced around public lecturing. More specifically, it highlights the role the lecture circuit played in the formation of transatlantic modernism by following a diverse group of international authors—Oscar Wilde, W. B. Yeats, Rabindranath Tagore, Gertrude Stein, and W. H. Auden—on their wide-ranging tours through the American landscape. By analyzing these tours, this study illuminates how this extremely physical form of literary circulation transformed authors into commodities to be sold in a variety of performance venues. Moreover, it shows how these writers responded to such broad distribution by stretching their own ideas about modernist authorship. In this way, Transatlantic Modernism and the US Lecture Tour adds to a critical tradition of revealing the popular dimensions of modernism by demonstrating how the tour’s social diversity forced modernists to take on new, more flexible forms of self-presentation that would allow them to appeal to many different types of audiences.

Chaplin’s Modern Times and the Great Depression: The Reception of the Film in the US, France and Britain

2016 ◽  
Author(s):  
Melvyn Stokes
Keyword(s):  
Great Depression ◽  
Political Identities ◽  
Modern Times ◽  
The Great Depression ◽  
The Us ◽  
Hard Times ◽  
Hollywood Movies

Chaplin’s Modern Times confronted the effects of the Great Depression in a way unique for its socio-economic realism at the time of its mid-1930s making. In examining reception of the movie in the US, UK and France, this essay debunks notions that Hollywood movies were part of some uni-directional current of ‘Americanisation.’ It suggests instead that the differing national receptions reflected local circumstances and their own social, cultural and political identities and preoccupations. A complex transnational text, Hard Times was made by a Hollywood-based Englishman influenced by ideas developed on his world tour of 1931-32. Chaplin’s ‘Little Tramp,’ making what would prove his last film appearance, could therefore be interpreted with differing national contexts as a victim of industrialisation and the Great Depression, an inadvertent radical, a defender of order, or the ultimate survivor.

Our Daily Bread: ‘Cooperation’, ‘Independence’ and Politics in Mid-1930s Cinema

2016 ◽  
Author(s):  
Brian Neve
Keyword(s):  
United States ◽  
Great Depression ◽  
The United States ◽  
The State ◽  
The Great Depression ◽  
Box Office ◽  
Production History ◽  
History Of ◽  
Cooperative Activity ◽  
The Relationship

This chapter revisits and explores the production history of director King Vidor’s independently made movie, Our Daily Bread (1934), its ideological and aesthetic motifs, and its exhibition and reception in the United States and beyond, not least its apparent failure at the box office. It further considers the relationship between the film and contemporary advocacy of cooperative activity as a response to the Great Depression, notably by the California Cooperative League, Franklin D. Roosevelt’s New Deal, and Upton Sinclair’s End Poverty in California campaign for the state governorship. It also assesses the movie in relation to Vidor’s own cooperative vision through its emphasis on individuals and community as a solution to the Great Depression and the significant absence of the state in this agency.

The Elusive Harmony between Government and Market Roles

2020 ◽  
pp. 179-200
Author(s):  
Vito Tanzi
Keyword(s):  
Great Depression ◽  
The State ◽  
Market Failures ◽  
New Paradigm ◽  
The Great Recession ◽  
The Great Depression ◽  
Role Of The State ◽  
New Harmony ◽  
The 1960S

At any moment in time there ought to be some harmony between the intervention of the state that the market requires (to correct its market failures), and that citizens demand (to promote equity and a desirable income distribution) and the actual government intervention. This chapter argues that such harmony may have existed in the years when laissez faire was in place and was broadly accepted by those who had political power. The harmony became less and less evident in the later decades of the nineteenth century and during the Great Depression. There seemed to have been greater harmony in the 1960s. That harmony went down in the late 1970s and in the 1980s. It might have been partly restored in the 1990s, with a different conception of the role of the state, with less state and more market, at least in some countries. The harmony broke down again with the Great Recession in 2008–10, There is now, once again, a search for a new paradigm that would indicate the existence of a new harmony.

scholarly journals Understanding rating addiction: US courts and the origins of rating agencies' regulatory license (1900–1940)

2013 ◽  
Vol 20 (3) ◽  
pp. 237-257 ◽  
Author(s):  
Marc Flandreau ◽  
Joanna Kinga Sławatyniec
Keyword(s):  
Great Depression ◽  
Conflicts Of Interest ◽  
Financial System ◽  
Subprime Crisis ◽  
Rating Agencies ◽  
The Great Depression ◽  
The Us

This article challenges the ‘regulatory license’ view that reliance by regulators on the output of rating agencies in the 1930s ‘caused’ the agencies to become a central part of the fabric of the US financial system. We argue that long before the 1930s, courts began using ratings as financial-community-produced norms of prudence. This created ‘a legal license’ problem, very analogous to the ‘regulatory license’ problem, and gave rise to conflicts of interest not unlike those that have been discussed in the context of the subprime crisis. Rating agencies may have had substantial responsibility for the Great Depression of the 1930s.

The media and Iraq: a blood bath for and gross dehumanization of Iraqis

2007 ◽  
Vol 89 (868) ◽  
pp. 879-891
Author(s):  
Daoud Kuttab
Keyword(s):  
Authoritarian Rule ◽  
Arab Media ◽  
The Us ◽  
Saddam Hussein ◽  
War In Iraq ◽  
Human Cost ◽  
The Media ◽  
Human Side ◽  
The Way

AbstractThe war in Iraq has been accompanied by the highest ever number of casualties among members of the Iraqi and foreign press. While the end of the Saddam Hussein regime has reopened the way for vibrant media activity, the absence of security for members of the media has had a high human cost. The US-led war on Iraq, which was aimed at liberating its people from authoritarian rule, has not seen any serious attempt by the Western or even Arab media to focus on the human side of Iraq. Iraqi civilian death tolls are treated as nothing more than statistics.

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