Mendelssohn and the Erards
One of the musicians who benefited from the Erard pianos made in London was Felix Mendelssohn (1809–47). Mendelssohn became close friends with Pierre and Céleste Erard, and may have been one of the few people familiar with Pierre’s homosexuality. Mendelssohn was not an immediate convert to Erard pianos, but developed a more favourable opinion of them on his 1829 tour of the British Isles and especially during his trips to Paris and London in 1832. In 1832, Pierre gave a gift of a grand piano to Mendelssohn and this piano had an important influence on Mendelssohn’s compositions and concert activity. A precious trace of Mendelssohn’s genius was carefully preserved by the Erard family in the form of an autograph manuscript of Mendelssohn’s Andante in A major, published as the fourth piece in the first volume of Lieder ohne Worte, op. 19b [MWV U 73].