This article examines Papyrus Millingen, an important but now-lost manuscript of The Teaching of Amenemhat. The papyrus survives today in a nineteenth century facsimile, which was last published in black and white photographs in 1963. This article presents new color photographs of the facsimile, along with hieroglyphic transcription and philological commentary, which discusses not only the text but also what the facsimile’s paratextual features suggest about the ancient and modern copying processes. P. Millingen’s version of Amenemhat is contextualized within the full corpus of surviving copies of the poem. The article proposes several possible social contexts for the manuscript’s production and usage and considers the impact of those contexts, along with broader cultural trends of the Eighteenth Dynasty, on the papyrus owner’s reception of Amenemhat.