A Story
This chapter sets the scene for the rest of the book. After a brief summary of the Polyphemus episode from the Odyssey, Aguirre and Buxton go on to classify Odysseus’ monstrous opponent as an ‘ogre’. They stress that their argument will go well beyond the scope of the Odyssey narrative, since it will also dwell at length on the Polyphemus and Galatea relationship, as well as on the role of the Cyclopes as metalworkers and builders. The authors then highlight three aspects of their own approach to the topic. First, context: they will situate each literary or artistic representation within its cultural context, since only in that way can the meanings of any cultural item be appropriately decoded. Second, themes. The whole of Part I of the book, dealing with antiquity, is organized by theme, so that with each successive chapter a reader will be able to build up an increasingly complex picture of the impact of any given text or image. Third, representativeness. The authors do not aim at exhaustiveness in their treatment, above all in relation to the postclassical reception of Cyclopean myths. Rather, they aim to include what we consider to be the most significant later reworkings of this constellation of myths.