Romance in/and the Medieval Mediterranean
This chapter expands the traditional classification of medieval French romance by proposing ‘Mediterranean’ as a thematic category alongside ‘Antique’ and ‘Breton’. In addition to their geographical setting, ‘Mediterranean’ romances feature themes such as sea voyages, merchants, pirates, mutable identities, and the changes of fortune occasioned by the hazards of maritime travel. Floire et Blancheflor, first attested in French c.1150 and subsequently translated into many languages, provides the focal point for a discussion of medieval romance that draws inspiration from Peregrine Horden and Nicholas Purcell’s 2000 study, The Corrupting Sea. The second part of the chapter tests the longue durée of the Mediterranean thematic by examining the Hellenistic romance Callirhoe. The close parallels between the two texts, corresponding to Mikhail Bakhtin’s description of the Greek novel of adventure, also allows an assessment of their divergences as reflections of the shift from a late antique to a high medieval context.