The American Claimant

2020 ◽  
pp. 1-15
Author(s):  
Sarah Meer
Keyword(s):  
Nathaniel Hawthorne ◽  
Good Fortune ◽  
Confidence Man

The introduction outlines the idea of the American claimant, an American heir to a British estate, and traces it back to medieval lost-heir romances such as Havelok. In lost-heir romances, a hero is stolen or banished before he or she can inherit riches or power. She or he is thought to be dead, but by good fortune is saved. Often, she then works as a servant; certainly, her life is humble and obscure. But she thrives, and eventually returns, to be restored to her rightful position. The introduction also discusses real cases—James Annesley, the Tichborne Claimant, and those Nathaniel Hawthorne records in Our Old Home. It suggests a relationship with the figure of the confidence man, and discusses underlying preoccupations, including gentlemen and servants, and dress and undress.

Beware the Confidence Man

2006 ◽  
Vol 36 (6) ◽  
pp. 12-13
Author(s):  
JOSEPH S. EASTERN
Keyword(s):  
Confidence Man

“An Unquestionable Source?”

2013 ◽  
Vol 68 (2) ◽  
pp. 145-179
Author(s):  
John Cyril Barton
Keyword(s):  
South America ◽  
Source Material ◽  
Travel Narrative ◽  
Old World ◽  
Spanish Inquisition ◽  
Moby Dick ◽  
Confidence Man ◽  
Benito Cereno ◽  
The Town ◽  
Parallel Action

This essay is the first to examine Melville’s “The Town-Ho’s Story” (Chapter 54 of Moby-Dick [1851]) in relation to W. B. Stevenson’s then-popular-but-now-forgotten British travel narrative, Twenty Years’ Residence in South America (1825). Drawing from suggestive circumstances and parallel action unfolding in each, I make a case for the English sailor’s encounter with the Spanish Inquisition in Lima as important source material for the Limanian setting that frames Melville’s tale. In bringing to light a new source for Moby-Dick, I argue that Melville refracts Stevenson’s actual encounter with the Inquisition in Lima to produce a symbolic, mock confrontation with Old-World authority represented in the inquisitorial Dons and the overall context of the story. Thus, the purpose of the essay is twofold: first, to recover an elusive source for understanding the allusive framework of “The Town-Ho’s Story,” a setting that has perplexed some of Melville’s best critics; and second, to illuminate Melville’s use of Lima and the Inquisition as tropes crucial for understanding a larger symbolic confrontation between the modern citizen (or subject) and despotic authority that plays out not only in Moby-Dick but also in other works such as Mardi (1849), White-Jacket (1850), “Benito Cereno” (1855), Clarel (1876), and The Confidence-Man (1857), wherein the last of which the author wrote on the frontispiece of a personal copy, “Dedicated to Victims of Auto da Fe.”

Envy and Social Comparison

2018 ◽  
Author(s):  
Niels van de Ven ◽  
Marcel Zeelenberg
Keyword(s):  
Social Comparison ◽  
Social Comparisons ◽  
Past Work ◽  
Good Fortune ◽  
Malicious Envy ◽  
The Social ◽  
Upward Social Comparison

Upward social comparison can give rise to the emotion of envy: the pain caused by the good fortune of others. We explain what envy is, and what the possible function of envy is to an organism experiencing it. We provide an overview of past work on envy, the distinction between two subtypes (benign and malicious envy), possible antecedents of envy, possible consequences of envy, and the responses to being envied by others. In each of these areas there are clear links to research on social comparison, and research on envy has greatly benefitted from insights from the social comparison literature. Given the surge in research on envy in the last decade, we hope that the findings on envy can also inspire those investigating social comparisons.

A new approach to the logic of discovery

2007 ◽  
Vol 50 (1) ◽  
pp. 7-27
Author(s):  
Gerald Massey
Keyword(s):  
Modal Logic ◽  
Scientific Discovery ◽  
Traditional View ◽  
New Approach ◽  
Logic Of Discovery ◽  
Good Fortune ◽  
High Incidence ◽  
History Of ◽  
Deep Sense

Contending that the quest for a logic of scientific discovery was prematurely abandoned, the author lays down eight phenomena that such a logic or theory must explain: the banality of scientific discovery; the trainability of scientists; the high incidence of simultaneous discoveries; the ubiquity of relative novices; the fact of scientific genius; the barrenness of isolated workers; the incommensurability of concepts of successive theories; and the quasi-incorporation of old concepts, objects, and methods in successor theories, The author then presents a new theory or logic of discovery according to which discoveries are the termini of "tweak paths" generated when scientists "tinker" with the laws, concepts, methods, and instruments of a given theory. Tinkering and tweaking are illustrated by examples from many-valued and modal logic and from Darwinian biology. Through the history of planetary discovery, the accidental role played by luck or good fortune in some discoveries is explored, but the author emphasizes that in a deep sense serendipity is an in eliminable feature of all scientific discovery because scientists never know m advance whether their tweaks will lead to dead ends or to positive developments. The author's new theory of scientific discovery is shown to account for all eight explananda, ft also reveals science to be a more egalitarian enterprise than the traditional view of scientific discovery as ultimately inexplicable depicts it.

Fortuna

2018 ◽  
Author(s):  
Daniele Miano
Keyword(s):  
Middle Ages ◽  
Historical Development ◽  
Conceptual Analysis ◽  
Dominant Role ◽  
Age Groups ◽  
New Approach ◽  
Good Fortune ◽  
Gender And Age ◽  
New Meanings ◽  
And Gender

This book focuses on the Latin goddess Fortuna, one of the better known deities in ancient Italy. The earliest forms of her worship can be traced back to archaic Latium, and she was still a widely recognized allegorical figure during the Middle Ages and the Renaissance. The main reason for her longevity is that she was a conceptual deity, and had strong associations with chance and good fortune. When they were interacting with the goddess, communities, individuals, and gender and age groups were inevitably also interacting with the concept. These relations were not neutral: they allowed people to renegotiate the concept, enriching it with new meanings and challenging established ones. The geographical and chronological scope of this book is Italy from the archaic age to the late Republic. In this period Italy was a fragmented, multicultural and multilinguistic environment, characterized by a wide circulation of people, customs, and ideas, in which Rome played an increasingly dominant role. All available sources on Fortuna have been used: literary, epigraphic, and archaeological. The study of the goddess based on conceptual analysis will serve to construct a radically new picture of the historical development of this deity in the context of the cultural interactions taking place in ancient Italy. The book also aims at experimenting with a new approach to polytheism, based on the connection between gods and goddesses and concepts.

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