Untimely Performances
Chapter 2 focuses on three performances, the Argonauts’ paean to Apollo on Thynias, the Heliades’ lament, and Orpheus drowning out the song of the Sirens. Albeit in very different ways, each episode promotes various understandings of historical difference or distance, and an enhanced sense that relating to performances is always a temporally situated activity. Each invites readers to consider fundamental questions about poetry’s purposes and effects: particularly important are the complex forms of presence that poetry creates, empathy and affective response, and the limits and allure of mimesis.
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2020 ◽
Vol 4
(2)
◽
pp. 75-89