Introduction

Author(s):  
Jonathan Quong
Keyword(s):  

Chapter 1 provides an overview of the book’s main arguments and ideas, and situates the morality of defensive force in the wider literature. The chapter contains a discussion of the book’s scope and method. The chapter also sets out one of the main themes of the book; that we cannot understand the morality of defensive force until we ask and answer deeper questions about how the use of defensive force fits with a more general account of justice and moral rights. By closely studying the morality of defensive force, the chapter concludes, we also reach a deeper understanding of the way moral rights work, and their role in securing just relations between persons.

Author(s):  
Jetze Touber

Chapter 1 homes in on Spinoza as a Bible critic. Based on existing historiography, it parses the main relevant historical contexts in which Spinoza came to articulate his analysis of the Bible: the Sephardi community of Amsterdam, freethinking philosophers, and the Reformed Church. It concludes with a detailed examination of the Tractatus theologico-politicus, Spinoza’s major work of biblical criticism. Along the way I highlight themes for which Spinoza appealed to the biblical texts themselves: the textual unity of the Bible, and the biblical concepts of prophecy, divine election, and religious laws. The focus is on the biblical arguments for these propositions, and the philological choices that Spinoza made that enabled him to appeal to those specific biblical texts. This first chapter lays the foundation for the remainder of the book, which examines issues of biblical philology and interpretation discussed among the Dutch Reformed contemporaries of Spinoza.


Author(s):  
Rembert Lutjeharms
Keyword(s):  

Chapter 1 gives an overview of Kavikarṇapūra’s life and his works, and places both in the context of the Caitanya Vaiṣṇava tradition. Very little is known about Kavikarṇapūra’s life. He says little about himself in his works, nor do the hagiographies of Caitanya, as he was a child when Caitanya passed away. Nevertheless, beginning with his contemporary Kṛṣṇadāsa Kavirāja, Caitanya Vaiṣṇavas have recorded stories about Kavikarṇapūra, especially his encounters with Caitanya. This chapter considers these images of Kavikarṇapūra as well as the reception of his works to gain an understanding of his position in the Caitanya Vaiṣṇava tradition. This chapter does not aim to recover a ‘historical’ Kavikarṇapūra, but to examine the way the tradition viewed Kavikarṇapūra, his works, and his position in the Vaiṣṇava community of his time. The chapter also examines Kavikarṇapūra’s views of his contemporary Vaiṣṇava communities, to understand how he saw himself in this tradition.


Author(s):  
Rembert Lutjeharms

This chapter introduces the main themes of the book—Kavikarṇapūra, theology, Sanskrit poetry, and Sanskrit poetics—and provides an overview of each chapter. It briefly highlights the importance of the practice of poetry for the Caitanya Vaiṣṇava tradition, places Kavikarṇapūra in the (political) history of sixteenth‐century Bengal and Orissa as well as sketches his place in the early developments of the Caitanya Vaiṣṇava tradition (a topic more fully explored in Chapter 1). The chapter also reflects more generally on the nature of both his poetry and poetics, and highlights the way Kavikarṇapūra has so far been studied in modern scholarship.


Philosophy ◽  
1972 ◽  
Vol 47 (180) ◽  
pp. 95-112 ◽  
Author(s):  
Anthony O'Hear

In this article, we will consider how far we might be said to be active in forming our beliefs; in particular, we will ask to what extent we can be said to be free in believing what we want to believe. It is clear that we ought to believe only what is really so, at least in so far as it lies in our power to determine this, but reflection shows that, regrettably, we do not confine our beliefs to what we have evidence for, nor do we always believe in accordance with the evidence we do have. So it is natural to conclude that non-intellectual factors may be at work here; such, at least, was the view of Descartes, who attributed error to the influence of our will in leading us to assent to judgments which go beyond the evidence presented by our infallible intellect. This view has some initial plausibility when we think of cases in which emotional considerations lead people to take up and genuinely believe things they have no evidence for, but it is not a view which has received much support from modern philosophers. So, in Part 1 we will look at criticisms levelled against Descartes' view by J. L. Evans, and in Part 2 we will see how far Descartes can be defended. Our conclusions here will lead us to give in Part 3 a general account of the influence of the will in beliefs. We will suggest that we are always responsible for our explicit beliefs, even though it is not true that we can simply believe what we like. Thus we will reject the idea that a man can consciously know something, and at the same time, by will power, believe the opposite. Belief is not then totally free, but we will argue that people do sometimes form beliefs which go against what they should and could believe, and that this can in a way be put down to the influence of the will. Finally we will consider some of the ways in which it is possible to influence our beliefs by willed acts over a long period of time, though this is not the way that we clami that the will might be said to play a part in every judgment that we make.


2022 ◽  
Author(s):  
Kidder Smith

In the thirteenth century Dogen brought Zen to Japan. His tradition flourishes there still today and now has taken root across the world. Abruptly Dogen presents some of his pith writings—startling, shifting, funny, spilling out in every direction. They come from all seventy-five chapters of his masterwork, the Eye of Real Dharma (Shōbōgenzō 正法眼藏), and roam through mountains, magic, everyday life, meditation, the nature of mind, and how the Buddha is always speaking from inside our heads. An excerpt from chapter 1, “A Case of Here We Are”: Human wisdom is like a moon roosting in water. No stain on the moon, nor does the water rip. However wide and grand the light, it still finds lodging in a puddle. The full moon, the spilling sky, all roosting in a single dewdrop on a single blade of grass. A man of wisdom is uncut, the way a moon doesn’t pierce water. Wisdom in a man is unobstructed, the way the sky’s full moon is unobstructed in a dewdrop. No doubt about it, the drop’s as deep as the moon is high. How long does this go on? How deep is the water, how high the moon?


Vegas Brews ◽  
2019 ◽  
pp. 37-66
Author(s):  
Michael Ian Borer

Chapter 1 shows how the specific context of Las Vegas has stunted the growth of the local craft beer scene. The way that context is understood in this case is primarily through the city’s reputation and dominant imagery. The way that people outside of Las Vegas think about Las Vegas affects how people live inside of it. The city’s reputational constraints are exposed through a diagnosis of a condition that affects the way Las Vegas is often (mis)interpreted. I call this the Las Vegas Syndrome. Yet while this dis-ease is most evident on and emanating from the Strip, the Strip plays dual roles as foe and friend to craft beer drinkers.


2021 ◽  

Abstract This book is the culmination of a collaborative effort to develop an updated volume providing (i) sound analyses of current trends and developments in the tertiary agricultural education (TAE) sector and (ii) direction and focus for future initiatives to strengthen the sector in Africa. Part I (chapter 1) begins with an introduction on agriculture and education within the context of global and continental development goals. Part II (chapters 2-5) presents the sectoral and institutional context underlying TAE. Part III (chapters 6-16) focuses on the pathways of transforming TAE in Africa. Part IV (chapter 17) discusses the way forward for implementing the transformation.


Author(s):  
Joan Marie Johnson

Chapter 1 examines how suffragists recruited wealthy women to the woman suffrage movement, who these donors were, and why they decided to give their money—and sometimes their time—to fight for political equality. This chapter argues that focusing on their feminism highlights a strand of suffragism that called for gender equality rather than emphasized maternalism, the belief that women as mothers (or potential mothers) had the right and the duty to vote in order to protect children and clean up government. Having experienced both the power of money and its limitations influenced the way women linked economic independence and political equality, which they believed were necessary whether one earned wages in a factory, was a professional with a college degree, or inherited a large fortune. Susan B. Anthony had understood that their donations were necessary, and Alva Belmont and Katharine McCormick gave donations essential to winning the right to vote for women.


2020 ◽  
pp. 73-108
Author(s):  
Patrick Colm Hogan

The second chapter of Style in Narrative illustrates and extends the general theory developed in chapter 1. Specifically, it addresses the level of story structure and the scope of an authorial canon. In connection with this, it considers William Shakespeare’s complex relation to genre, examining the way in which he thoroughly integrates genres, rather than simply adding storylines with different genre affiliations. The presence of such integration in Shakespeare’s works has frequently been noted, but critics have rarely sought to explain it in detail. In order to explore the topic more thoroughly, the chapter focuses on two plays, Romeo and Juliet and Hamlet. To clarify what is specifically Shakespearean in these works, Hogan examines the former in relation to Shakespeare’s sources for the play and the latter in relation to a precursor revenge drama, Thomas Kyd’s Spanish Tragedy.


Author(s):  
Christopher Morton

Chapter 1 sets out the main arguments and contexts of the book. It begins with a discussion of why using the photographic archive to explore the fieldwork on which Evans-Pritchard’s celebrated writings was based is so transformative. It discusses the relationship between anthropology and colonialism in the 1920s and 1930s, and Evans-Pritchard’s equivocal positioning within this as someone directly funded by the colonial administration and yet having a critical relationship to it. It explores the way in which Evans-Pritchard sought to move anthropology away from the natural sciences and towards history and the humanities. It compares his fieldwork photography to other anthropologists of the period and challenges the assumption that anthropology in the period was not a visual endeavour.


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