MICHAEL TORKE (b. 1961)House and Home (2012)
This chapter assesses Michael Torke’s House and Home (2012). This sparkling tour de force is guaranteed to brighten up any recital. Torke is a master of post-minimalism and his work is consistently enjoyable, full of flair and verve. The entertainingly emphatic text is taken from Shakespeare’s Henry IV, Part II: Mistress Quickly’s angry diatribe at Falstaff’s uncontrollable appetite. Performers will be aware that passages of repetitive machine-like rhythms, especially in a tonal idiom, have great audience appeal, but can be much harder to bring off than more expansive, obviously virtuosic music. There is a real danger of going off the rails in the cumulative excitement generated. Assiduous preparation is essential in order to produce the desired result of unflustered elan. Moreover, placing consonants in exact rhythm warrants careful attention, and breathing must be strictly in tempo—the slightest hesitancy will be noticeable.