Designing Interfaces for Musical Algorithms

Author(s):  
Jamie Bullock

This chapter presents a range of approaches to the design of interfaces for the creation of and interaction with musical algorithms. The first part of the chapter grounds the discussion in an overview of salient design and development methods, drawing on the fields of usability, user experience, user-centred design, activity-centred design, and the psychological concept of ‘flow’. This culminates in the exposition of a new conceptual framework, music-centred design, which brings together these methods within the context of musical activity. The second part of the chapter presents a series of design case studies, each focusing on a distinct approach to interfaces for musical algorithms, and critically situates these in terms of design philosophy and implementation. A concluding argument is made for the centrality of design in the development of interfaces for algorithmic music.

2013 ◽  
Vol 21 (4) ◽  
pp. 465-469 ◽  
Author(s):  
Iván Zoltán Dénes

This introduction gives a brief account of the conceptual framework and the topics of the case studies, especially the connection between the psychological concept of trauma applied in the social sciences and the characteristics of the historical analysis of traumatic events or processes, the link between the patterns of consolidation and the regimes of memory, and the context of the chosen case studies of this focus.


2021 ◽  
Vol 1 ◽  
pp. 1627-1636
Author(s):  
Aurora Berni ◽  
Yuri Borgianni

AbstractThe concept of User Experience (UX) dates back to the 1990s, but a shared definition of UX is not available. As design integrates UX, different interpretations thereof can complicate the possibility to build upon previous literature and develop the field autonomously. Indeed, by analysing the literature, UX emerges as a cauldron of related and closely linked concepts. However, it is possible to find recurring attributes that emerge from those definitions, which are ascribable to two foci: the fundamental elements of the interaction (user, system, context) and typologies of experience (ergonomic, cognitive, and emotional). Those are used to build a framework. We have preliminarily investigated how UX is dealt with in design by mapping a sample of UX-related experimental articles published in design journals. We classified UX case studies based on the framework to individuate the UXs that emerge most frequently and the most studied ones in the design field. The two-focus framework allows the mapping of experiments involving UX in design, without highlighting specific favorable combinations. However, comprehensive studies dealing with all elements and UX typologies have not been found.


Author(s):  
Erik M. W. Kolb ◽  
Jonathan Hey ◽  
Hans-Ju¨rgen Sebastian ◽  
Alice M. Agogino

Metaphors have successfully been used by new product development and design teams to help frame the design situation and communicate new products to stakeholders. Yet, the process of finding a compelling metaphor often turns upon stumbling upon it or a flash of insight from a team member. We present Meta4acle: a Metaphor Exploration Tool for design that suggests possible metaphors to make the process more one of ‘seeking out’ than ‘stumbling upon’ an effective metaphor. The tool takes data about the project in the form of a title, domain and key associations required of the metaphor and returns suggestions from a database of possible metaphor sources. We built a Meta4acle prototype and evaluated it with positive results for three existing design case studies. We present plans for its full implementation and evaluation.


2018 ◽  
Vol 10 (9) ◽  
pp. 3161 ◽  
Author(s):  
Pilar Portillo-Tarragona ◽  
Sabina Scarpellini ◽  
Jose Moneva ◽  
Jesus Valero-Gil ◽  
Alfonso Aranda-Usón

Interest from academics, policy–makers and practitioners in eco-innovation has increased as it enables the optimization of the use of natural resources improving competitiveness and it provides a conceptual framework for corporate sustainability. In this context, this paper provides an in-depth analysis and a wide classification of the specific indicators for the integrated measurement of eco-innovation projects in business from a resource-based view (RBV). The specific metrics were tested to measure the economic-financial and environmental resources and capabilities applied by five Spanish firms to eco-innovation projects, selected as case studies.


Spatium ◽  
2014 ◽  
pp. 14-21 ◽  
Author(s):  
İmre Eren

Cities are trying to adapt to the rapidly changing global trends by regenerating themselves. Approaches and practices of this regeneration are different in several countries. In big Turkish cities, particularly in the past decade, urban regeneration practices, processes and consequences have sparked several debates. The ?new? gained or converted spaces in the city are also significant in terms of their impacts on urban identity. In this context, this study aims to identify the impacts of urban regeneration, which occurred in historical city centres, on urban identity in the case of Turkey. The study determines general framework of urban regeneration and then defines a conceptual framework of urban identity. It focuses on urban regeneration projects in the case of Turkey. Then, the topic is explored through two case studies which are selected from Turkey, Istanbul and Bursa. The findings of the study indicate that there are several problematic aspects of urban regeneration. The findings also show that urban identity was ignored in urban regeneration projects, which caused significant breaks in the context of physical, cultural, historical and semantic continuity.


2017 ◽  
Vol 25 ◽  
pp. 84
Author(s):  
Lisa Amdur ◽  
Irit Mero-Jaffe

The study examined the interrelations between policymakers’ intentions for test-based accountability policy, and school agents’ perceptions and actions with regard to this policy. Mixed-methods were used and encompassed 24 policymakers, 80 school principals, 168 teachers and case studies of four schools. New institutional theory, including the concept of “environmental shift” (Powell & Di Maggio, 1991) and the metaphor of “coupling” (Weick, 1976), served as the conceptual framework. Findings indicate that the interrelations between intentions, perceptions and actions are mainly tightly coupled. These are discussed by invoking three types of institutional isomorphism (DiMaggio & Powell, 1983): coercive, mimetic and normative. 


2021 ◽  
Author(s):  
◽  
Samantha Erickstad

<p>This research explores the significance of the stair as a spatial and symbolic architectural experience. The stepped form integrated with architecture. The stair is an integral feature of architecture which has the potential to be specifically designed to enhance space and create particular experiences. A stair is not only a functional object, but a medium for design. Metaphorical staircases are absent in contemporary architecture as a loss of meaning has resulted in monotonous designs devoid of figurative or poetic significance. The staircase has been a fundamental component of architecture since Neolithic times, however has recently been neglected. The stepped form has represented many themes including hierarchy, transcendence, or authority. In contrast, the contemporary staircase has embraced pragmatics. Safety restrictions, efficiency, and budget constraints, result in disregard for aesthetics and meaning. Film provides a behavioural setting in which to analyse how people move, behave, interact, and experience staircases. A range of films will be analysed to identify techniques for meaningful stair design. The influence of surreal qualities will also be determined to enhance an experience. Surreal imagery offers the opportunity to create dreamlike space, activating the subconscious. The metaphoric connotations of staircases will be explored through six research categories; the stair as Symbolic, Illusive, Transitional, Kinetic, Psychological, and Iconic. Design case studies will then investigate the intersection of the staircase as architecture, filmic representation, and surreal experience. The stepped building Casa Malaparte in Italy acts as a reference model for the successful integration of these concepts. With influence of these themes, the staircase can once again become widely acknowledged as architecture.</p>


Sign in / Sign up

Export Citation Format

Share Document