The Oxford Handbook of Shakespeare and Dance

2019 ◽  
Keyword(s):  
Seventeenth Century ◽  
William Shakespeare ◽  
Early Modern ◽  
Reference Point ◽  
The Body ◽  
Single Source ◽  
Dance Studies ◽  
Disciplinary Field ◽  
The Relationship ◽  
Integral Feature

The Oxford Handbook of Shakespeare and Dance is the first collection of essays to examine the relationship between William Shakespeare and dance. Despite recent academic interest in movement, materiality, and the body—and the growth of dance studies as a disciplinary field—Shakespeare’s employment of dance as both a theatrical device and thematic reference point remains under-studied. The reimagining of his writing as dance works is also neglected as a subject for research. Alan Brissenden’s 1981 Shakespeare and the Dance remains the seminal text for those interested in early modern dancing and its appearances within Shakespearean drama, but this new volume provides a single source of reference for dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement.

Body and Soul

2017 ◽  
Author(s):  
Margaret Ezell
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
The Body ◽  
English Civil War ◽  
Individual Identity ◽  
Focal Points ◽  
Fertile Ground ◽  
Body And Soul ◽  
Classical Philosophy ◽  
The Relationship

During the late sixteenth and early seventeenth centuries, the soul, its nature, and its relationship with the body became focal points for religious, medical, political, and ethical debates, and the choice of vocabulary itself had profound implications in how human and divine nature were represented in early modern English writings. The perceived complexities of the relationship between the body and the soul as delineated in competing schools of classical philosophy provided English writers a fertile ground for analysing the human experience in general and the nature of individual identity. Debates over what happens to the body and the soul at death and at resurrection permeate the writings of the period. During the English Civil War years they were markers of both political and religious affiliations, and this chapter demonstrates how the medical turn in the late seventeenth century focused increasing attention on the separation of soul and mind.

Love's Wounds

2017 ◽  
Author(s):  
Cynthia N. Nazarian
Keyword(s):  
Seventeenth Century ◽  
William Shakespeare ◽  
Early Modern ◽  
Edmund Spenser ◽  
Love Poetry ◽  
Francesco Petrarca ◽  
Literary Forms ◽  
Agrippa D'aubigne ◽  
French And English ◽  
The Relationship

This book takes an in-depth look at the widespread language of violence and abjection in early modern European love poetry. Beginning in fourteenth-century Italy, the book shows how Petrarch established a pattern of inequality between suffering poet and exalted Beloved rooted in political parrhēsia. Sixteenth-and early seventeenth-century French and English poets reshaped Petrarch's model into an idiom of extravagant brutality coded to their own historical circumstances. The book argues that these poets exaggerated the posture of the downtrodden lover, adapting the rhetoric of powerless desire to forge a new “countersovereignty” from within the heart of vulnerability—a potentially revolutionary position through which to challenge cultural, religious, and political authority. Creating a secular equivalent to the martyr, early modern sonneteers crafted a voice that was both critical and unstoppable because it suffered. The book tracks the development of the counter-sovereign voice from Francesco Petrarca to Maurice Scève, Joachim du Bellay, Théodore-Agrippa d'Aubigné, Edmund Spenser, and William Shakespeare. Through interdisciplinary and transnational analyses, the text reads early modern sonnets as sites of contestation and collaboration and rewrites the relationship between early modern literary forms.

Afterword

2018 ◽  
Author(s):  
Victoria Brownlee
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Early Modern England ◽  
Popular Entertainment ◽  
Departure Point ◽  
The Bible ◽  
The Relationship

The recent upturn in biblically based films in Anglophone cinema is the departure point for this Afterword reflecting on the Bible’s impact on popular entertainment and literature in early modern England. Providing a survey of the book’s themes, and drawing together the central arguments, the discussion reminds that literary writers not only read and used the Bible in different ways to different ends, but also imbibed and scrutinized dominant interpretative principles and practices in their work. With this in mind, the Afterword outlines the need for further research into the relationship between biblical readings and literary writings in sixteenth- and seventeenth-century Europe.

Stancetaking in seventeenth-century prefaces on obstetrics

2014 ◽  
Vol 15 (1) ◽  
pp. 1-35 ◽  
Author(s):  
Francisco Alonso Almeida ◽  
Margarita Mele-Marrero
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Power Relationship ◽  
Epistemic Stance ◽  
Authorial Identity ◽  
Early Modern English ◽  
The Relationship

This paper deals with authorial stance in prefatory material of Early Modern English manuals on women’s diseases. Publications on this field from between 1612 and 1699 constitute our corpus of study. Original digitalised texts have been analysed manually to identify and detect structures concerning authorial identity and stance, according to the model developed by Marín-Arrese (2009). This model for the identification of effective and epistemic stance strategies enables us to describe both the relationship between the authors and their texts and, more specifically, the power relationship between the writers and their audience. One of the most important conclusions of this study concerns the strategic use of stance markers to enhance the quality of these books and make them appropriate for a wide variety of readers.

Cultures of collecting

2021 ◽  
pp. 138-164
Author(s):  
David Pearson
Keyword(s):  
Eighteenth Century ◽  
Seventeenth Century ◽  
Early Modern ◽  
Medieval Manuscripts ◽  
Printed Books ◽  
Book Collecting ◽  
The Right ◽  
The Relationship ◽  
Material Evidence

Studies of private libraries and their owners invariably talk about ‘book collecting’—is this the right terminology? After summarizing our broadly held understanding of the evolution of bibliophile collecting from the eighteenth century onwards, this chapter considers the extent to which similar behaviours can be detected (or not) in the seventeenth, drawing on the material evidence of bookbindings, wording in wills, and other sources. Do we find subject-based collecting, of the kind we are familiar with today, as a characteristic of early modern book owners? Some distinctions are recognized in ways in which medieval manuscripts (as opposed to printed books) were brought together at this time. The relationship between libraries and museums, and contemporary attitudes to them, is explored. The concluding argument is that ‘collecting’ is a careless word to use in the seventeenth-century context; just as we should talk about users rather than readers, we should use ‘owners’ rather than ‘collectors’ as the default term, unless there is evidence to the contrary.

European Maritime Violence and Territorial States in Early Modern Asia, 1600-1650

Itinerario ◽  
2009 ◽  
Vol 33 (3) ◽  
pp. 72-94 ◽  
Author(s):  
Adam Clulow
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Open Ocean ◽  
Port Cities ◽  
Dominant Position ◽  
Frequent Use ◽  
Commercial Networks ◽  
Territorial States ◽  
The Relationship ◽  
Open Port

The European overseas enterprises that began to push into Asian waters in the sixteenth and seventeenth centuries were maritime organisations geared towards commerce and seaborne warfare. As such, they looked very different from the powerful territorial states like Mughal India that traditionally dominated early modern Asia, and they were able to create a new kind of empire consisting of a network of fortified ports and trading centres connected by long sea routes. The construction of these empires was initially driven and subsequently sustained by maritime technology. To borrow Carlo Cipolla's words, guns, sails, and empire were always bound tightly together in this period. European vessels held a significant advantage over local shipping; neither the wealthiest groups of merchants nor the most formidable Asian states were in a position to field maritime forces that could challenge them on the open ocean. In virtually every encounter at sea, ships from Europe were able to inflict overwhelming defeats on the fleets assembled to oppose them. Since it represented their most significant advantage, Europeans made frequent use of maritime violence: against competing merchant groups (in order to disrupt commercial networks and to gain a dominant position), and against Asian states (to pry open port cities and improve trading conditions). This article explores the role played by maritime violence in the relationship between European overseas enterprises and two powerful territorial states, Mughal India (1526-1757) and Tokugawa Japan (1600-1868), in the first half of the seventeenth century.

Divine Punishment or Disease? Medieval and Early Modern Approaches to the 1518 Strasbourg Dancing Plague

2017 ◽  
Vol 35 (2) ◽  
pp. 149-164
Author(s):  
Lynneth J. Miller
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
The Body ◽  
Modern Period ◽  
Divine Judgment ◽  
Divine Punishment ◽  
The Relationship ◽  
Insight Into

Using writings from observers of the 1518 Strasbourg dancing plague, this article explores the various understandings of dancing mania, disease, and divine judgment applied to the dancing plague's interpretation and treatment. It argues that the 1518 Strasbourg dancing plague reflects new currents of thought, but remains closely linked to medieval philosophies; it was an event trapped between medieval and modern ideologies and treated according to two very different systems of belief. Understanding the ways in which observers comprehended the dancing plague provides insight into the ways in which, during the early modern period, new perceptions of the relationship between humanity and the divine developed and older conceptions of the body and disease began to change, while at the same time, ideologies surrounding dance and its relationship to sinful behavior remained consistent.

scholarly journals The Impact of the Netherlandish Landscape Tradition on Poetry and Painting in Early Modern England*

2013 ◽  
Vol 66 (3) ◽  
pp. 866-903 ◽  
Author(s):  
Sara Trevisan
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Rare Case ◽  
Early Modern England ◽  
Historical Knowledge ◽  
Complex Product ◽  
Problematic Relationship ◽  
History Of ◽  
The Impact ◽  
The Relationship

AbstractThe relationship between poetry and painting has been one of the most debated issues in the history of criticism. The present article explores this problematic relationship in the context of sixteenth- and seventeenth-century England, taking into account theories of rhetoric, visual perception, and art. It analyzes a rare case in which a specific school of painting directly inspired poetry: in particular, the ways in which the Netherlandish landscape tradition influenced natural descriptions in the poem Poly-Olbion (1612, 1622) by Michael Drayton (1563–1631). Drayton — under the influence of the artistic principles of landscape depiction as explained in Henry Peacham’s art manuals, as well as of direct observation of Dutch and Flemish landscape prints and paintings — successfully managed to render pictorial landscapes into poetry. Through practical examples, this essay will thoroughly demonstrate that rhetoric is capable of emulating pictorial styles in a way that presupposes specialized art-historical knowledge, and that pictorialism can be the complex product as much of poetry and rhetoric as of painting and art-theoretical vocabulary.

ARISTOTELIANISM, DESCARTES, AND HOBBES

2007 ◽  
Vol 50 (2) ◽  
pp. 449-464 ◽  
Author(s):  
MICHAEL EDWARDS
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Recent Work ◽  
Natural Philosophy ◽  
History Of ◽  
Relationship Of ◽  
The Relationship

The historiography of early modern Aristotelian philosophy and its relationship with its seventeenth-century critics, such as Hobbes and Descartes, has expanded in recent years. This article explores the dynamics of this project, focusing on a tendency to complicate and divide up the category of Aristotelianism into multiple ‘Aristotelianisms’, and the significance of this move for attempts to write a contextual history of the relationship of Hobbes and Descartes to their Aristotelian contemporaries and predecessors. In particular, it considers recent work on Cartesian and Hobbesian natural philosophy, and the ways in which historians have related the different forms of early modern Aristotelianism to the projects of the novatores.

Intersections Between the Architect’s Cubit, the Science of Surveying, and Social Practices in CaʿFer Efendi’s Seventeenth-Century Book on Ottoman Architecture

2019 ◽  
Vol 36 (1) ◽  
pp. 131-177
Author(s):  
Gül Kale
Keyword(s):  
Seventeenth Century ◽  
Early Modern ◽  
Ad Hoc ◽  
Social Practices ◽  
Ethical Concerns ◽  
Ottoman Architecture ◽  
Scientific Context ◽  
Mathematical Sciences ◽  
Architect’S Cubit ◽  
The Relationship

Abstract In 1614 Caʿfer Efendi devoted four chapters of his book on architecture to the science of surveying. Caʿfer’s text is the only extant comprehensive book written by a scholar on the relation between architecture and various forms of knowledge. His sections on surveying have attracted little scholarly attention since they were often viewed as ad hoc chapters in a biography of the chief architect Mehmed Agha. An investigation into the intersection between architecture, as represented by the architect’s cubit, the science of surveying, and jurisprudence sheds significant light on how scholars assessed the legitimacy of early modern Ottoman architecture. In this article, I examine the relationship between architectural practices, mathematical knowledge, and social practices by focusing on Caʿfer Efendi’s elaborations on the architect’s cubit, units of measure, and mensuration of areas. These links need to be understood through the cultural and scientific context in which architects and scholars collaborated. I also explore Caʿfer Efendi’s identity, which gave him the tools to discuss such intrinsic connections. When read along with court decrees, and in conjunction with the use of mathematical sciences for civic affairs, this investigation reveals how Ottoman architecture was embedded in the scientific discourses, social practices, and ethical concerns of the early seventeenth century.

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