Edna O’Brien and the Politics of Belatedness
This chapter explores the politics and poetics of Irish female belatedness in Edna O’Brien’s work, career, and critical reception, examining in particular her representation of Irish female maturation, her place in Irish literary history, and her frequent use of intertextuality. It explains that, although O’Brien is in many ways a literary pioneer, not least in being the first postcolonial female writer of rural Irish Catholic background to achieve international prominence, in other ways her work and career are emblematic of a kind of belatedness. Her first novel was among the last to be banned in Ireland, she writes about female subjects struggling to be included in the Irish social and symbolic orders, and her work has been criticized for being derivative of earlier writers, particular James Joyce. Only in recent years, as Irish society has itself radically changed, has O’Brien come, belatedly, to be seen as a major author.