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wisdom ◽  
2021 ◽  
Vol 20 (4) ◽  
pp. 42-50
Author(s):  
Yuliya BEKH ◽  
Lesya PANCHENKO ◽  
Olha BONDARENKO ◽  
Yevheniia YEMELIANENKO ◽  
Iryna SHAPOVALOVA

Computer and telecommunication technologies have led to the development of modern mass media and have made significant competition with the print edition (newspapers, magazines, and books), the dominance of telecracy, etc. The media have gone a significant path of development from a channel of information and entertainment to a political institution, significantly increasing their capabilities as an in- strument of influencing public consciousness. The study?s main purpose is to conduct a socio-philoso- phical analysis of mass media as a factor in the formation of public consciousness. In this article, the pro- cess of cognition of mass media and socio-philosophical analysis of its impact on society were used: gen- eral scientific methods; logical methods of theoretical analysis; technical analysis, clarification.


2021 ◽  
pp. 109-116
Author(s):  
Милана Гумкиевна Успаева ◽  
Ахмед Магомедович Гачаев

Современные исследования все чаще направлены как на получение новых знаний, так и на практическое применение, с акцентом на контекст и социальную значимость. В связи со стиранием границ между дисциплинами традиционных академических определений и критериев качества исследований уже недостаточно. Эффективные критерии их качества необходимы для управления финансированием, постоянным развитием и продвижением научных методов, проектов и программ, отсутствие таких критериев тормозит развитие исследований. Соответствующая оценка качества существенно влияет на поддержку и финансирование научных поисков, а также нацеливает исследователей и руководителей на выполнение высококачественных исследований и обучает их этому. Между тем подходы к оценке исследований до сих пор базируются прежде всего на обнародовании научных результатов (престиж публикации и печатного издания), цитатах и экспертной оценке. Хотя эти показатели качества исследований остаются актуальными, нужны дополнительные критерии для характеристики результатов исследований и долгосрочных социальных последствий. Среди многочисленных определений финансирования в децентрализацию высшего образования отечественными учеными приведем следующие: децентрализация касается предоставления общественных услуг населению, что, со своей стороны, требует решения вопросов распределения полномочий, собственности и финансовых ресурсов. Modern research is increasingly focused both on obtaining new knowledge and on practical application, with an emphasis on context and social significance. Due to the blurring of boundaries between disciplines, traditional academic definitions and research quality criteria are no longer sufficient. Effective quality criteria are necessary to manage funding, continuous development and promotion of scientific methods, projects and programs, the absence of such criteria hinders the development of research. Appropriate quality assessment significantly affects the support and financing of scientific research, and also targets researchers and managers to perform high-quality research and trains them to do so. Meanwhile, approaches to the evaluation of research are still based primarily on the publication of scientific results (the prestige of publication and print edition), citations and expert evaluation. Although these indicators of research quality remain relevant, additional criteria are needed to characterize research results and long-term social consequences. Among the numerous definitions of financing for the decentralization of higher education by domestic scientists, we will cite the following: decentralization concerns the provision of public services to the population, which, for its part, requires solving issues of the distribution of powers, property and financial resources.


2021 ◽  
Author(s):  
Adithya Pattabhiramaiah ◽  
Eric Overby ◽  
Lizhen Xu

Newspapers are increasingly reliant on subscription revenue as advertising spend shifts to online platforms. Many newspapers have implemented paywalls in an attempt to boost subscription revenue. We study whether and how paywalls can help newspapers boost subscription revenue by retaining existing subscribers. Most major newspapers offer free access to paywalled content to subscribers to the print edition, which may help the newspaper retain subscribers by making their subscriptions more valuable. We leverage variation in whether and when existing subscribers activated access to the paywall of a top 30 North American newspaper. Our identification strategy accounts for self-selection in subscribers’ decisions to activate paywall access. We find that a subscriber’s activation of digital access decreases the risk of her canceling her subscription by about 31% and increases her subscription revenue by 7%–12%. In other words, digital activation improves subscriber retention and the associated subscription revenue. This suggests a crosschannel spillover in which the online product (the paywalled website) increases customers’ valuation for the offline product (the printed newspaper). Our results have implications not only for the newspaper industry but also for firms in other industries that offer subscribers to one product free or subsidized access to a complementary product. This paper was accepted by Kartik Hosanagar, information systems.


2021 ◽  
Vol 37 (2) ◽  
pp. 257-271
Author(s):  
Ambang Priyonggo ◽  
◽  
Hamedi Mohd Adnan ◽  

This research is aimed at examining how the culture of immediacy is implemented in a newspaper undergoing digital transformation. This paper is written based on the case of Harian Kompas, the most influential newspaper in Indonesia, that just officially launched its paywall-based digital site, kompas.id as an alternative platform. Within this context, the daily implemented the digital-first strategy to put the priority of rapid digital news production prior to its slow-pace print edition. Through ethnography fieldwork in the daily’s newsroom, relying on in-depth interviews and participant observations, the study highlights a notion that the culture of immediacy is not easy to implement. The challenge rests on the fact that it is not only contradictory to the common rhythm of rigid newspaper work-flow and deadline among reporters and editors, but further it is considered harmful to the daily’s prescribed core value of comprehensive journalism originated from its editorial philosophy as well as journalism credo of being credible. It is within the constant negotiations among all the newsroom’s actors, the culture of immediacy remains to be a contesting value that should be carried out by the daily as a way to excrete the old habit of print deadline while the digital-first transformation is still taking shape. Keywords: Immediacy, digital-first, digital journalism, news production, digital transformation.


2021 ◽  
Author(s):  
Lauren Watson

Introduction: The digitization of women’s fashion magazines is an on-going development in recent years. The rise of fashion bloggers and online-only fashion publications on the internet have forced major print publications to develop and expand their companion websites. Over the last decade, sales of print fashion magazines have steadily declined, while costs of printing have steadily risen. As a result, major publications have looked towards the cheaper alternative of developing websites in order to deliver digital content to their readers and further establish a strong presence online. By utilizing such digital platforms, women’s fashion publications have found a way to reach large audiences with generally free and easily accessible content that is produced with a high frequency. With a secondary medium of digital fashion magazines complimenting their original print publications, discrepancies in content between print and digital platforms emerge. Several factors play a part in the discrepancy between print and digital content. One of the primary factors, suggested by researcher Ytre-Anne is the way in which older audiences prefer physical print editions of magazines over newer digital alternatives (Ytre-Anne 2011). This factor may cause print fashion magazines to specifically cater towards an older demographic in order to maintain or increase sales. Furthermore, as the development of the internet and the rise of fashion blogs in the late 1990s into the new millennium worked to target younger audiences who were familiar with technological advancements, it may be argued that a younger readership may be the target of online publications (Magee 2012, Turner 2009). Similarly, other studies have shown that younger audiences prefer fashion products to be featured on, or endorsed by celebrities, pointing towards the idea that a younger audience prefers content with celebrity news or features. Other factors that might indicate discrepancies in content are product price ranges, with lower priced ready-to-wear fashion featured more frequently online. Alongside such differences in content, several technical features can also cause differences in content. As the internet allows for instant updates on the latest news and fashion, magazine websites are now outputting content on a daily basis as opposed to their print counterparts who typically produce editions on a monthly basis. This phenomenon can ultimately lead to differences in content between the print and online versions of a fashion magazine. My Major Research Project will seek to identify key developments and patterns that might derive from discrepancies in content between women’s fashion magazines’ print editions and their corresponding websites. Using a primarily qualitative approach, my research study will include a content analysis of four North American women’s fashion magazines and a series of interviews with corresponding fashion editors. The content analysis will look for several characteristics present in each fashion magazine’s print edition and its corresponding website, including product pricing, demographic target, as well as celebrity references. The content analysis will further work to compare data between each fashion magazine’s print edition and its corresponding website. In order to further my evidence I will conduct interviews with fashion magazine editors to gain a professional perspective on the subject. The interview portion of this research study will work to provide professional opinion on the subject of content and demographic discrepancies between print fashion magazines and their corresponding websites. Overall, I am interested in the topic of content discrepancies between published print fashion magazines versus their corresponding websites. My aim is not to argue for or against one medium, but instead to look at the implications that might result from content discrepancies between the two mediums. Finally, I hypothesize two primary results: (1) that there are discrepancy patterns in content between a fashion magazine’s print edition and its website, and (2) these discrepancies suggest a difference in demographics, in which online formats target a younger audience and print versions aim to appeal to an older demographic. These findings will work to illuminate key patterns in the fashion publishing industry in terms of content and demographic discrepancies found between online and print versions. As little research has been conducted in this area, it will act as a starting point for future research to explore these patterns more in depth. As digital fashion journalism is still a topic under development, this study will contribute towards a larger goal of conceptualizing digital journalism more broadly. Similarly, the results of this study aim to provide insight and analysis into the current trends in fashion journalism, further assisting fashion editors and journalists in the industry. The overall goal of my research project will seek to establish that within the field of fashion publication in the year 2015, age is an important factor in patterns of print versus online fashion journalism.


2021 ◽  
Author(s):  
Lauren Watson

Introduction: The digitization of women’s fashion magazines is an on-going development in recent years. The rise of fashion bloggers and online-only fashion publications on the internet have forced major print publications to develop and expand their companion websites. Over the last decade, sales of print fashion magazines have steadily declined, while costs of printing have steadily risen. As a result, major publications have looked towards the cheaper alternative of developing websites in order to deliver digital content to their readers and further establish a strong presence online. By utilizing such digital platforms, women’s fashion publications have found a way to reach large audiences with generally free and easily accessible content that is produced with a high frequency. With a secondary medium of digital fashion magazines complimenting their original print publications, discrepancies in content between print and digital platforms emerge. Several factors play a part in the discrepancy between print and digital content. One of the primary factors, suggested by researcher Ytre-Anne is the way in which older audiences prefer physical print editions of magazines over newer digital alternatives (Ytre-Anne 2011). This factor may cause print fashion magazines to specifically cater towards an older demographic in order to maintain or increase sales. Furthermore, as the development of the internet and the rise of fashion blogs in the late 1990s into the new millennium worked to target younger audiences who were familiar with technological advancements, it may be argued that a younger readership may be the target of online publications (Magee 2012, Turner 2009). Similarly, other studies have shown that younger audiences prefer fashion products to be featured on, or endorsed by celebrities, pointing towards the idea that a younger audience prefers content with celebrity news or features. Other factors that might indicate discrepancies in content are product price ranges, with lower priced ready-to-wear fashion featured more frequently online. Alongside such differences in content, several technical features can also cause differences in content. As the internet allows for instant updates on the latest news and fashion, magazine websites are now outputting content on a daily basis as opposed to their print counterparts who typically produce editions on a monthly basis. This phenomenon can ultimately lead to differences in content between the print and online versions of a fashion magazine. My Major Research Project will seek to identify key developments and patterns that might derive from discrepancies in content between women’s fashion magazines’ print editions and their corresponding websites. Using a primarily qualitative approach, my research study will include a content analysis of four North American women’s fashion magazines and a series of interviews with corresponding fashion editors. The content analysis will look for several characteristics present in each fashion magazine’s print edition and its corresponding website, including product pricing, demographic target, as well as celebrity references. The content analysis will further work to compare data between each fashion magazine’s print edition and its corresponding website. In order to further my evidence I will conduct interviews with fashion magazine editors to gain a professional perspective on the subject. The interview portion of this research study will work to provide professional opinion on the subject of content and demographic discrepancies between print fashion magazines and their corresponding websites. Overall, I am interested in the topic of content discrepancies between published print fashion magazines versus their corresponding websites. My aim is not to argue for or against one medium, but instead to look at the implications that might result from content discrepancies between the two mediums. Finally, I hypothesize two primary results: (1) that there are discrepancy patterns in content between a fashion magazine’s print edition and its website, and (2) these discrepancies suggest a difference in demographics, in which online formats target a younger audience and print versions aim to appeal to an older demographic. These findings will work to illuminate key patterns in the fashion publishing industry in terms of content and demographic discrepancies found between online and print versions. As little research has been conducted in this area, it will act as a starting point for future research to explore these patterns more in depth. As digital fashion journalism is still a topic under development, this study will contribute towards a larger goal of conceptualizing digital journalism more broadly. Similarly, the results of this study aim to provide insight and analysis into the current trends in fashion journalism, further assisting fashion editors and journalists in the industry. The overall goal of my research project will seek to establish that within the field of fashion publication in the year 2015, age is an important factor in patterns of print versus online fashion journalism.


2021 ◽  
Vol 112 (1) ◽  
pp. 10-23
Author(s):  
Dario Del Puppo

Abstract This article considers the importance of material philological features of the early manuscripts of Dante’s Vita nova for the work’s critical reception. Over the centuries, editors (most notably Giovanni Boccaccio) have recast textual meaning in the work mainly by marginalizing the poet’s glosses and by reformatting the poems. Attention to the material features of the earliest extant manuscript of the Vita nova (MS Martelli 12) with respect to later copies, however, prompts us to consider the creative interplay between Dante’s prosimetrum and the material features of the manuscript. To interpret a text critically is to acknowledge and to examine also how a manuscript or print edition orients textual interpretation. The editorial history of the Vita nova teaches us about the cultural processes and discourses of literary culture and about Italian literary history.


2021 ◽  
Vol 59 (5) ◽  
pp. 71-72

AbstractThe BNF is jointly published by the Royal Pharmaceutical Society and BMJ. BNF is published in print twice a year and interim updates are issued and published monthly in the digital versions. The following summary provides a brief description of some of the key changes that have been made to BNF content since the last print edition (BNF 80) was published.


2021 ◽  
Vol 82 (2) ◽  
pp. 87
Author(s):  
Janine A. Kuntz ◽  
Jeannette E. Pierce

The editorial board of the ACRL Academic Library Trends and Statistics Survey is pleased to announce response rates have improved over the past five years with 51.6% of U.S. libraries responding in 2019 compared to 48.2% in 2015. Thank you to all libraries that contributed fiscal year 2019 data as well as prior years. Increased participation leads to a more comprehensive understanding of what is happening in academic libraries and generates more robust data for benchmarking and impact analysis. Survey participants receive complimentary access to the summary data via the ACRLMetrics platform. Those who wish to dive deeper into the data can subscribe to ACRLMetrics, an online tool providing access to all ACRL survey data from 1998 to present. Additionally, a print edition of the 2019 data is also available for purchase through the ALA Store. This article highlights some of the key findings from the 2019 survey with respect to the principles in the Standards for Libraries in Higher Education to illustrate how the data can be used by institutions to demonstrate impact and influence. ACRLMetrics also offers a rich body of data for researchers investigating trends across the profession.


2020 ◽  
Vol 65 (2) ◽  
pp. 71-81
Author(s):  
Nicolae Dascălu

"Abstract A research on the rise and decline of the Romanian Orthodox religious media in the last 30 years cannot ignore the paradigm shifts caused by the emergence of new information and communication technologies and the global Internet network. The theological and spiritual contents do not instantly adapt to technological innovations and, therefore, the printing press remains a space for reflection in religious communication, between the opportunities and risks of rapid change. The transition of religious publications from print editions to online editions is necessary. However, by virtue of spiritual discernment, it requires a balance between tradition and renewal. This balance is kept due to three elements: the respect for the heritage of the printed sacred culture, the pastoral care for the older generations and the awareness of the responsibility for the unaltered transmission of the spiritual content of faith to the generation of digital natives. Keywords: Internet, newspapers, online edition, print edition, religious media"


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