‘Two men, so dissimilar’: Class, Marriage and Masculinity in George Moore’s Albert Nobbs (1918) and Simone Benmussa’s The Singular Life of Albert Nobbs (1977)

Author(s):  
Rachel Carroll

This chapter examines a critically overlooked literary fiction by an Irish writer whose legacy has tended to be overshadowed by the modernist generation which succeeded him. George Moore’s Albert Nobbs depicts the lives of not one but two female-bodied men working in a Dublin hotel in the 1860s. It provides an alternative origin for a literary history of transgender representation, with an emphasis on lived experience and social reality rather than the historical fantasy of Virginia Woolf’s Orlando, published ten years later. This chapter aims to articulate the ‘transgender capacity’ (David Getsy, 2014) of Moore’s novella, exploring the insights it offers into the social and economic functions of gender. Simone Benmussa’s 1977 stage adaptation, The Singular Life of Albert Nobbs, has been canonised as a classic of feminist theatre; reflection on its critical reception reveals the ways in which transgender motifs have been interpreted in Second Wave feminist contexts.

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


Fluminensia ◽  
2020 ◽  
Vol 32 (2) ◽  
pp. 117-136
Author(s):  
Krystyna Pieniążek-Marković

The aim of the article is to discuss how elements of food narratives meals and kitchen tools used for cooking are used in order to consolidate and shape the Croatian cultural memory, especially in the context of its Mediterranean heritage.For this reason, the texts by Veljko Barbieri, collected in the four volumes under the common and significant title Kuharski kanconijer. Gurmanska sjećanja Mediterana, are analysed. His circum-culinary narratives are a combination of encyclopaedic knowledge, references to historical and literary sources, personal memories and literary fiction. They can be easily inscribed in the Croatian (collective and individual) identity discourse since they are able to strengthen the collective (either national and supranational, or geo-regional) identity, and to construct the cultural memory. They also show Croatia's affiliation to the Western world along with its cultural-civilization rooting in antiquity, the Mediterranean region and Christianity, thus forming a part of the founding memory that develops a narrative about the very beginnings of Croatian presence on this land. The gastronomic narratives serve to create the cultural memory and this version of history which is to stabilize the social identity described by Pierre Nora and Andreas Huyssen. Through his stories, Barbieri shapes memory based on the representation of the past. In the analysed narratives, the memory carriers are dishes and plates which find reference to the oldest history of Croatia rendered by myths and other narratives. Associated with dishes, the pots enable the narrator to recall the past and the identity coded in individual dishes. They also participate in the processes of repeating, storage and remembering which generate a symbiotic relationship between man and thing. The memory carriers that is, food and plates depicted in Barbieri's culinary narratives do not convey their content in a neutral way, but construct their marked images.


In trying to show you the character of social anthropology as an academic discipline, I might try to sketch some substantive and perhaps intriguing findings in the field, or the history of its development, or some of its major intellectual problems today. I have chosen the last of these alternatives, because by showing the general problems we are grappling with I hope to reveal to you, in part no doubt inadvertently, the ways that anthropologists think, and also how our difficulties in part arise from the character of the social reality itself, which we confront and try to understand. The fundamental questions which social anthropology asks are about the forms, the nature, and the extent of order in human social life, as it can be observed in the different parts of the world. There is no need to prejudge the extent of this order; as members of one society we know how unpredictable social life can be. But concretely, human life varies greatly around the world, and it seems possible to characterize its forms to some extent. We seek means systematically to discover, record and understand these forms.


Author(s):  
Amanda C. Seaman

This chapter traces the literary history of Japanese women writing about pregnancy and childbirth, focusing on two key figures in this development. The first is Meiji-era poet Yosano Akiko whose works explored her experiences as an expectant mother and highlighted the unsettling aspects of pregnancy. While Yosano’s works permitted the literary treatment of formerly taboo issues, later writers rejected her lead, instead treating pregnancy as the prelude to motherhood, as a quasi-sacred moment. This persisted until the 1960s and 70s, when writers influenced by second-wave feminism challenged patriarchal society, rejecting the roles of wife and mother. The second was Tsushima Yuko, whose novels and stories explored alternative, mother-centered family models. Since then, writing about pregnancy rests on these two authors: on one side, treatments of pregnancy that emphasize the alien and the disquieting, and on the other, more ironic works, focusing upon the self-assertive and individualistic nature of childbearing.


PMLA ◽  
2018 ◽  
Vol 133 (3) ◽  
pp. 594-609
Author(s):  
Wolfgang Emmerich ◽  
Nicole G. Burgoyne ◽  
Andrew B. B. Hamilton

East german literary history is a case study of how political and cultural institutions interact. the state's cultural regime mo-nopolized the right to publish within its borders and demanded that the nation's new art describe contemporary life or its precedents. Even authors seen in the West as dissidents understood themselves, more often than not, as pursuing that goal and the broader aims of socialism with their work. During the lifespan of the German Democratic Republic, this political albatross weighed on all literary scholarship. Even now, whatever their feelings toward the socialist state, scholars, critics, and readers are bound to approach a text from East Germany as an artifact of its political culture—and rightly, because the political sphere encroached heavily on the artistic. But since German unification, the rise and fall in the stock of so many East German authors has directly resulted from political revelations, raising a number of troubling questions. Though historical distance seemed to have sprung up as abruptly as the Berlin Wall had come down, to what extent does scholarship from the German Democratic Republic represent only a heightened case of what is always true of literary history— namely, that political motivation colors critical evaluation? Is it possible to consider a work of literature with no recourse to the social and political circumstances under which it was written? And would it even be desirable to do so?


2016 ◽  
Vol 49 (3) ◽  
pp. 463-487
Author(s):  
CLAUDIA DANIEL ◽  
GABRIEL VOMMARO

AbstractThis article examines how poverty came to be identified as the key category of the new social question in Argentina during its post-1983 transition to democracy. It pays special attention to the conformation of an expert group at the Instituto Nacional de Estadísticas y Censos (National Institute of Statistics and Censuses, INDEC), which focused on the construction of statistical instruments aimed at describing the social reality of poverty. Through practices of objectification and classification carried out by those experts, poverty was made into a measurable object, at the same time that it was publicly instituted as a political-moral problem and as an object of state action.


Al-Ulum ◽  
2018 ◽  
Vol 18 (1) ◽  
pp. 64-82
Author(s):  
Hasse J

This paper discusses the young Muslim public's response to non-Muslim leadership in Indonesia. The democratic system provides equal opportunities for everyone to be leaders in various levels of government. However, the debate over non-Muslim leaders remains common, especially in this contemporary era. How the young Muslim public tendency to respond to non-Muslims leadership becomes the point discussed in this paper. This study finds out that there were three young Muslim public tendencies regarding to non-Muslim leadership. First, the tendency of those groups expressively denies the leadership of non-Muslims. The explanation of the Islami texts authority, the Muslim social reality, and the history of national leadership form the basis of this group's thinking. Second, there were groups that accept on the basis of reason, i.e. the social context and political interests, namely anyone has the opportunity and opportunity to be a leader among the Muslim majority. Third, groups that tend to accept with certain conditions, such as having the ability, commitment to uphold the values ​​of Islam, and non-discrimination.


2021 ◽  
Vol 112 (1) ◽  
pp. 10-23
Author(s):  
Dario Del Puppo

Abstract This article considers the importance of material philological features of the early manuscripts of Dante’s Vita nova for the work’s critical reception. Over the centuries, editors (most notably Giovanni Boccaccio) have recast textual meaning in the work mainly by marginalizing the poet’s glosses and by reformatting the poems. Attention to the material features of the earliest extant manuscript of the Vita nova (MS Martelli 12) with respect to later copies, however, prompts us to consider the creative interplay between Dante’s prosimetrum and the material features of the manuscript. To interpret a text critically is to acknowledge and to examine also how a manuscript or print edition orients textual interpretation. The editorial history of the Vita nova teaches us about the cultural processes and discourses of literary culture and about Italian literary history.


2015 ◽  
Vol 40 (03) ◽  
pp. 784-792
Author(s):  
Cam Grey

Ari Byren's Violence in Roman Egypt: A Study in Legal Interpretation (2013) effectively inserts itself into two complementary fields of inquiry and discussion within the field of classical studies. First, it offers a detailed treatment of the social history of small communities in Roman Egypt, providing an important contribution to the study of violence in antiquity—a topic that has gained interest in recent years. Second, it is an extended meditation on the place of violence within a society and law's role in defining and eliminating it.


2014 ◽  
Vol 29 (72) ◽  
Author(s):  
Tore Rye Andersen

Tore Rye Andersen: “Hello?: Episodes in the Literary History of the Telephone”Through analyses of three American novels – Francis Scott Fitzgerald’s The Great Gatsby (1925), Thomas Pynchon’s The Crying of Lot 49 (1966) and Jennifer Egan’s A Visit From the Goon Squad (2010) – this article traces the major impact that the invention of the telephone has had on both society and the culture that reflects it. The medium of the telephone has thoroughly restructured the social space that is one of literature’s most important topics, and it has provided authors with new narrative strategies, new metaphors, new topics and new props, some of which are discussed in the article. The three analyses focus on different stages in the technological development of the telephone, and together they demonstrate how changes in the medium of the telephone also result in changed possibilities for literature.


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