A New Kind of Song: Psychoanalysis as Revelation
Conceptions of psychoanalysis as science typically construe its key formulations as providing posits to be referenced in inferences to the best explanation of the clinical phenomena. Such was Freud’s own vision of the discipline he created, and it is reflected in his ambition to prove his fundamental formulations warranted. The first half of this chapter argues that this approach and this ambition significantly underestimate the significance of the psychoanalytic project. The suggestion is that it misconstrues foundational—and therefore unaccountable—forms of revelation, apprehension, poiesis, and grammar as merely factual claims, accounts, representations, and posits which, as such, now falsely appear to require scientific accounting. The second half of this chapter explores the significance of this for attempts to capture psychoanalytic theory and therapy within the ‘reflective scientist practitioner’ model of contemporary clinical psychology.