The Twentieth and Twenty-First Centuries

2020 ◽  
pp. 50-64
Author(s):  
Christopher Ferguson
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Emotional Responses ◽  
The Cold War ◽  
Totalitarian Regimes ◽  
The Way

During the twentieth century, Christmas became a truly global holiday. The spread of the holiday, however, produced conflicts regarding Christmas’s meaning and the way it was practised by different communities. As different peoples encountered a variety of Christmas traditions at local, national, and global levels, ambivalence emerged about the changes in customary observances such encounters potentially facilitated. The identification of Christmas traditions with specific national communities placed the holiday at the centre of the century’s nationalist politics, especially those of totalitarian regimes, as well as contributing to the experiences of the two world wars and the Cold War. Christmas’s increasing commercialization likewise raised concerns about whether it was becoming too secular. The disputed character of the holiday attests to the important role Christmas continued to play annually for a large swathe of the global populace as a holiday capable of producing a range of intense emotional responses.

To Hell and Beyond: The European Civilisational Crisis of the Twentieth Century

2020 ◽  
pp. 34-63
Author(s):  
Johann P. Arnason
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Civil War ◽  
European Integration ◽  
Traumatic Experiences ◽  
Historical Interpretation ◽  
Crisis Period ◽  
European Project ◽  
The Cold War ◽  
Totalitarian Regimes

The main focus of the chapter is on the first half of the short twentieth century as a background to European integration, but it contains some reflections on subsequent developments. Against the widely current description of the period from 1914 to 1945 as a time of European civil war, it is argued that the notion of a civilisational crisis is more adequate, and this crisis is best understood in terms of modernity as a distinctive civilisation with specific European variations. Global wars and totalitarian regimes, based on ideological absolutizations of class and nation as historical actors, are the defining features of the crisis period. The following phase, characterised by the Cold War, was partly a step beyond the crisis, partly a perpetuation of its dynamics. The process of European integration, unfolding in this context, was a response to the most traumatic experiences of the crisis, but also an attempt to move beyond the constellation that had proved conducive to disasters. This latter aspect may be described as the civilisational dimension of the European project. The concatenation of circumstances and intentions is a matter for historical interpretation, rather than strong theories; in this regard, the work of Alan Milward is exemplary.

Espionage and Exile

2016 ◽  
Author(s):  
Phyllis Lassner
Keyword(s):  
Twentieth Century ◽  
Popular Culture ◽  
Cold War ◽  
Literary History ◽  
Political Engagement ◽  
The Political ◽  
International Crises ◽  
Popular Entertainment ◽  
John Le Carre ◽  
The Cold War

Espionage and Exile demonstrates that from the 1930s through the Cold War, British Writers Eric Ambler, Helen MacInnes, Ann Bridge, Pamela Frankau, John le Carré and filmmaker Leslie Howard combined propaganda and popular entertainment to call for resistance to political oppression. Instead of constituting context, the political engagement of these spy fictions bring the historical crises of Fascist and Communist domination to the forefront of twentieth century literary history. They deploy themes of deception and betrayal to warn audiences of the consequences of Nazi Germany's conquests and later, the fusion of Fascist and Communist oppression. Featuring protagonists who are stateless and threatened refugees, abandoned and betrayed secret agents, and politically engaged or entrapped amateurs, all in states of precarious exile, these fictions engage their historical subjects to complicate extant literary meanings of transnational, diaspora and performativity. Unsettling distinctions between villain and victim as well as exile and belonging dramatizes relationships between the ethics of espionage and responses to international crises. With politically charged suspense and narrative experiments, these writers also challenge distinctions between literary, middlebrow, and popular culture.

The Unassailable Self: Freud's Image Among Post-war American Intellectuals

2017 ◽  
Vol 19 (1) ◽  
pp. 55-75 ◽  
Author(s):  
Katherine Jenness
Keyword(s):  
World War Ii ◽  
Cold War ◽  
External Force ◽  
Sigmund Freud ◽  
Human Being ◽  
World War ◽  
The Us ◽  
Post War ◽  
The Cold War ◽  
The Way

This paper explores the way American intellectuals depicted Sigmund Freud during the peak of popularity and prestige of psychoanalysis in the US, roughly the decade and a half following World War II. These intellectuals insisted upon the unassailability of Freud's mind and personality. He was depicted as unsusceptible to any external force or influence, a trait which was thought to account for Freud's admirable comportment as a scientist, colleague and human being. This post-war image of Freud was shaped in part by the Cold War anxiety that modern individuality was imperilled by totalitarian forces, which could only be resisted by the most rugged of selves. It was also shaped by the unique situation of the intellectuals themselves, who were eager to position themselves, like the Freud they imagined, as steadfastly independent and critical thinkers who would, through the very clarity of their thought, lead America to a more robust democracy.

The Futurists. Experts in World Futures

2018 ◽  
Author(s):  
Jenny Andersson
Keyword(s):  
Cold War ◽  
Status Quo ◽  
The Other ◽  
Futures Studies ◽  
The Future ◽  
The Status ◽  
The One ◽  
The Cold War ◽  
Images Of The Future ◽  
The Way

Alvin Toffler’s writings encapsulated many of the tensions of futurism: the way that futurology and futures studies oscillated between forms of utopianism and technocracy with global ambitions, and between new forms of activism, on the one hand, and emerging forms of consultancy and paid advice on the other. Paradoxically, in their desire to create new images of the future capable of providing exits from the status quo of the Cold War world, futurists reinvented the technologies of prediction that they had initially rejected, and put them at the basis of a new activity of futures advice. Consultancy was central to the field of futures studies from its inception. For futurists, consultancy was a form of militancy—a potentially world altering expertise that could bypass politics and also escaped the boring halls of academia.

A Tower of Tangled Histories: The Upper Silesia Tower in Poznań and the Making of an Unromantic Poland, 1911–1955

Slavic Review ◽  
2020 ◽  
Vol 79 (3) ◽  
pp. 566-590
Author(s):  
Patryk Babiracki
Keyword(s):  
Twentieth Century ◽  
National Identity ◽  
Cold War ◽  
World War I ◽  
Material Structure ◽  
World War ◽  
Upper Silesia ◽  
The Cold War ◽  
The City ◽  
Over Time

Engaging with regional, international, and spatial histories, this article proposes a new reading of the twentieth-century Polish past by exploring the vicissitudes of a building known as the Upper Silesia Tower. Renowned German architect Hans Poelzig designed the Tower for the 1911 Ostdeutsche Ausstellung in Posen, an ethnically Polish city under Prussian rule. After Poland regained its independence following World War I, the pavilion, standing centrally on the grounds of Poznań’s International Trade Fair, became the fair's symbol, and over time, also evolved into visual shorthand for the city itself. I argue that the Tower's significance extends beyond Posen/Poznań, however. As an embodiment of the conflicts and contradictions of Polish-German historical entanglements, the building, in its changing forms, also concretized various efforts to redefine the dominant Polish national identity away from Romantic ideals toward values such as order, industriousness, and hard work. I also suggest that eventually, as a material structure harnessed into the service of socialism, the Tower, with its complicated past, also brings into relief questions about the regional dimensions of the clashes over the meaning of modernity during the Cold War.

scholarly journals A EVOLUÇÃO DO PEACEKEEPING: SUEZ, RUANDA E REPÚBLICA DEMOCRÁTICA DO CONGO

2017 ◽  
Vol 5 (10) ◽  
Author(s):  
Maria Fernanda Affonso Leal ◽  
Rafael Santin ◽  
David Almstadter De Magalhães
Keyword(s):  
Cold War ◽  
United Nations ◽  
Security Council ◽  
Democratic Republic ◽  
Democratic Republic Of Congo ◽  
Republic Of Congo ◽  
Peacekeeping Operations ◽  
The United Nations ◽  
The Cold War ◽  
The Way

Since the first peacekeeping operation was created until today, the UN has been trying to adapt them to the different contexts in which they are deployed. This paper analy- ses the possibility of a bigger shift happening in the way the United Nations, through the Security Council, operates their Peacekeeping Operations. The change here ad- dressed includes, mainly, the constitution of more “robust” missions and the newly introduced Intervention Brigade in the Democratic Republic of Congo. By presenting three missions (UNEF I, UNAMIR and MONUSCO) deployed in different historic periods, we identified various elements in their mandates and in the way these were established which indicate a progressive transformation in the peacekeeping model since the Cold War - when conflicts were in their majority between States – until present days, when they occur mostly inside the States.

scholarly journals GRANDE ESTRATÉGIA: POLÍTICA EXTERNA E DEFESA EM UM MUNDO EM TRANSFORMAÇÃO

2015 ◽  
Vol 4 (7) ◽  
Author(s):  
Celso Amorim
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Soft Power ◽  
World Order ◽  
Defense Policy ◽  
Mixed Structure ◽  
Hard Power ◽  
The World ◽  
The Cold War ◽  
Brazilian Case

In the last years of the twentieth century, after the end of the Cold War, the world has evolved into a mixed structure, which preserves the characteristics of unipolarity at the same time that approaches to a multipolar world in some ways. In an international reality marked by its fluid nature, the emergence of new actors and the so-called "asymmetric threats" has not eliminated the former agents in the world order. And the conflict between the States has not disappeared from the horizon. In this context, diplomacy must have the permanent support of defense policy. Therefore, in the Brazilian case, the paper presents that the country should adopt a grand strategy that combines foreign policy and defense policy, in which soft power will be enhanced by hard power.

Patterns of Prejudice from Henri Massis to Walter Bedell Smith

2016 ◽  
Vol 43 (2) ◽  
pp. 142-180
Author(s):  
Mircea Platon
Keyword(s):  
Nineteenth Century ◽  
Twentieth Century ◽  
Cold War ◽  
Reading Public ◽  
Policy Makers ◽  
The Status ◽  
War Propaganda ◽  
Successive Generations ◽  
Ideological Context ◽  
The Way

Astolphe de Custine’s collection of letters La Russie en 1839, first published in France in 1843, was rediscovered by Henri Massis in 1946. Massis re-introduced Custine’s by then long forgotten letters on Russia to the French public. Once American Cold Warriors such as George Kennan and General Walter Bedell-Smith discovered the book, they promptly promoted it to the status of the most prophetic book on the “Russian soul.” Denounced as “fictional,” by many nineteenth-century writers and by a host of twentieth-century scholars, Custine’s book was accepted as canonical by a large reading public and, more importantly, by successive generations of us policy makers. This article contributes to the historiography of Cold War propaganda by looking first at the context in which the book was initially resurrected by Massis, and then by analyzing the ways in which Cold War propaganda constructed its “relevance,” “actuality” and “prophetic” character. The article begins by taking a look at the way in which Massis, the first popularizer of the book, fitted it into his own ideological pattern. In a second movement, the article analyzes the ways in which the book functioned in the post-wwii ideological context, seeking to discover if the alleged relevance of the book had anything to do with the survival into the postwar world of the European Right’s interwar tangle of received ideas and patterns of prejudice.

“This Room is Yours, Personal!”: The Rise and Fall of Middle-Class Decoration Expertise in the Bedrooms of America’s Teens, 1900–1985

2011 ◽  
Vol 21 (1) ◽  
pp. 109-129
Author(s):  
Jason Reid
Keyword(s):  
Twentieth Century ◽  
Cold War ◽  
Middle Class ◽  
Working Class ◽  
Top Down ◽  
Room Design ◽  
Do It Yourself ◽  
1960S And 1970S ◽  
The 1960S ◽  
The Cold War

This article also examines how the decline of teen-oriented room décor expertise reflected significant changes in the way gender and class influenced teen room culture during the tail end of the Cold War. Earlier teen décor strategies were often aimed towards affluent women; by contrast, the child-centric, do-it-yourself approach, as an informal, inexpensive alternative, was better suited to grant boys and working class teens from both sexes a greater role in the room design discourse. This article evaluates how middle-class home décor experts during the early decades of the twentieth century re-envisioned the teen bedroom as a space that was to be designed and maintained almost exclusively by teens rather than parents. However, many of the experts who formulated this advice would eventually become victims of their own success. By the 1960s and 1970s, teens were expected to have near total control over their bedrooms, which, in turn, challenged the validity of top-down forms of expertise.

“Hiding in Plain Sight”

2016 ◽  
Author(s):  
N. Megan Kelley
Keyword(s):  
Cold War ◽  
Racial Passing ◽  
War Films ◽  
Hollywood Films ◽  
The Cold War ◽  
The Way

This chapter focuses on political passing, in which the specter of passing was utilized in Hollywood films produced in the context of the Cold War. Films about political passing called into question who was who and the nature of identity. The notion that somebody could pass politically mirrored fears about racial passing, complicated by postwar obsessions with Communism. The chapter examines how anti-Communist films such as My Son John and Woman on Pier 13 tackle the “enemy within” and portray Communists as caricatures, either gangster-like or hyperintellectual, thus making visible what was supposed to be an invisible threat. It also considers the way anti-Communism in Hollywood exploited anxieties that were linked to postwar ideas about identity.

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