scholarly journals The Oxford Handbook of Slavery in the Americas

The Oxford Handbook of Slavery in the Americas offers authoritative articles on the history and historiography of the institution of slavery in the New World. With articles on colonial and antebellum America, Brazil, the Caribbean, the Indies, and South America, this book has impressive geographic and temporal coverage. It also includes a generous range of thematic articles on comparative slavery, the economics of slavery, and historical methodology in the field, slavery, and the law, for instance. While obviously indebted to the foundational works of the 1960s and 1970s, current writing on the history of slavery and forms of un-free labour in the Americas has taken decidedly original, new, often ingenious turns. A younger generation of scholars has shown a healthy respect for that tradition while posing new, often interdisciplinary, and theoretically informed questions, considering, for example, the nature and definition of slave resistance in the Americas, evolving meanings of gender and race under slavery, the complicated nature of class formation in un-free societies, the elaboration of proslavery and antislavery ideologies, the origins and subsequent elaboration of race-based slavery, and mechanisms of emancipation.

2019 ◽  
Vol 6 (2) ◽  
pp. 179-198 ◽  
Author(s):  
Heather Marie Akou

Since their invention in the 1930s, t-shirts have become one of the most common styles of casual clothing in the United States ‐ worn by all ages, genders and social classes. Although ‘graphic’ t-shirts have existed for decades, twenty-first-century technologies have made them much faster and easier to produce. Students protesting the Vietnam War in the 1960s and 1970s wore black armbands and grew their hair long; today, students (and activists of all ages) are more likely to wear political t-shirts. In a time when anyone with modest computer skills can design a graphic and get t-shirts professionally printed and shipped in just two or three days, this medium for self- and group-expression is well-suited to the turbulence of politics. This article explores the recent history of political t-shirts in the United States in two parts. The first focuses on legislation and legal rulings, including a case heard by the US Supreme Court in 2018 regarding whether activists can wear political t-shirts in polling places (a space where any kind of campaign activity is generally forbidden). The second part explores the definition of a ‘political’ t-shirt. This section is grounded in a study of t-shirts that are currently turning up in thrift shops in Bloomington, IN ‐ a small, politically active community in a conservative state that voted for Obama in 2008 and then Trump in 2016.


2003 ◽  
Vol 1 (1) ◽  
pp. 39-76 ◽  
Author(s):  
Graham Connah ◽  
S.G.H. Daniels

New archaeological research in Borno by the Johann-Wolfgang-Goethe-Universität, Frankfurt am Main, Germany, has included the analysis of pottery excavated from several sites during the 1990s. This important investigation made us search through our old files for a statistical analysis of pottery from the same region, which although completed in 1981 was never published. The material came from approximately one hundred surface collections and seven excavated sites, spread over a wide area, and resulted from fieldwork in the 1960s and 1970s. Although old, the analysis remains relevant because it provides a broad geographical context for the more recent work, as well as a large body of independent data with which the new findings can be compared. It also indicates variations in both time and space that have implications for the human history of the area, hinting at the ongoing potential of broadscale pottery analysis in this part of West Africa and having wider implications of relevance to the study of archaeological pottery elsewhere.


Daedalus ◽  
2012 ◽  
Vol 141 (1) ◽  
pp. 89-100
Author(s):  
Linda K. Kerber

The old law of domestic relations and the system known as coverture have shaped marriage practices in the United States and have limited women's membership in the constitutional community. This system of law predates the Revolution, but it lingers in U.S. legal tradition even today. After describing coverture and the old law of domestic relations, this essay considers how the received narrative of women's place in U.S. history often obscures the story of women's and men's efforts to overthrow this oppressive regime, and also the story of the continuing efforts of men and some women to stabilize and protect it. The essay also questions the paradoxes built into American law: for example, how do we reconcile the strictures of coverture with the founders' care in defining rights-holders as “persons” rather than “men”? Citing a number of court cases from the early days of the republic to the present, the essay describes the 1960s and 1970s shift in legal interpretation of women's rights and obligations. However, recent developments – in abortion laws, for example – invite inquiry as to how full the change is that we have accomplished. The history of coverture and the way it affects legal, political, and cultural practice today is another American narrative that needs to be better understood.


2006 ◽  
pp. 89-96
Author(s):  
Ewa Sławkowa

The article presents a lexical and semantic study of the discourse, one of the most widespread terms of modern human sciences. We begin with etymology, and then demonstrate various stages of the development of the meaning of the term in the history of Polish. The lexem “discourse”, well established in the linguistic tradition of Polish, has undergone a characteristic evolution: first, a borrowing from Latin (discurere – “go in diverse directions”), it then became popular in the 16th through 18th centuries as a rhetorically marked Polish (particularly with the view of political speeches and sermons) to signal a kind of discussion and logical exposition of argumentation. Recent contemporary Polish gives this term a slightly archaic and bookish sense. At the same time, however, “discourse” has become a strictly scientific, scholarly term which carved for itself a special discipline of research (discourse studies). In the 1960s and 1970s the work of such linguists as Emile Benveniste or Roman Jakobsen helped to shape the meaning of discourse as a process of speaking, an interactive and dialogic communicative behaviour which sees language as conditioned by diverse social practices and/or ideologies (e.g. historical, scholarly, or feminist discourse).


2021 ◽  
Vol 41 (1) ◽  
pp. 56-70
Author(s):  
Steffi Marung

AbstractIn this article the Soviet-African Modern is presented through an intellectual history of exchanges in a triangular geography, outspreading from Moscow to Paris to Port of Spain and Accra. In this geography, postcolonial conditions in Eastern Europe and Africa became interconnected. This shared postcolonial space extended from the Soviet South to Africa. The glue for the transregional imagination was an engagement with the topos of backwardness. For many of the participants in the debate, the Soviet past was the African present. Focusing on the 1960s and 1970s, three connected perspectives on the relationship between Soviet and African paths to modernity are presented: First, Soviet and Russian scholars interpreting the domestic (post)colonial condition; second, African academics revisiting the Soviet Union as a model for development; and finally, transatlantic intellectuals connecting postcolonial narratives with socialist ones. Drawing on Russian archives, the article furthermore demonstrates that Soviet repositories hold complementary records for African histories.


Author(s):  
Mary J. Henold

In this chapter, the history of the National Council of Catholic Women in the 1960s and 1970s – the years during and following Vatican II – is reassessed. The NCCW has been commonly perceived as a powerful anti-feminist organization for Catholic laywomen that was controlled by the Catholic hierarchy, but its archives reveal a sustained effort to engage with feminist ideas after the Second Vatican Council. Although most of the NCCW’s leadership did not self-identify as feminist, the group espoused many feminist beliefs, particularly about women’s leadership, opportunity, challenging ideas about women’s vocation, and women’s right to participate fully in the life of the Catholic church. The NCCW, under the leadership of Margaret Mealey, developed new organizational structures, educational programs, and publications to educate their membership about changing gender roles and the need to press the church for greater inclusion. Comparison to the international organization the World Union of Catholic Women’s Organizations (WUCWO), reveals the limitations of their feminism, however. Whereas WUCWO was willing to openly embrace feminism and feminist activism, NCCW was divided and preferred not to self-identify as feminist.


Author(s):  
Christopher T. Keaveney

Chapter 3 examines the long history of baseball films in Japan, a tradition nearly as old as the history of Japanese cinema itself. After a brief survey of the early history of cinema in Japan, a tradition whose history parallels that of the game of baseball chronologically, the study focuses on early shomingeki films and explores how baseball became an important marker of domesticity and middle class respectability in this genre of film in the 1930s. The chapter then examines several pivotal films in the postwar era, examining how baseball was used alternately to perpetuate a national hero in Suzuki Hideo’s Immortal Pitcher (1955) or to chart the corruption and greed surrounding professional baseball as in Kobayashi Masaki’s I Will Buy You (1956). In the 1960s and 1970s, as young filmmakers arose to challenge the dominance of the great postwar filmmakers and to produce often avant-garde and politically charged films that reflected an international challenge to the hegemony of Hollywood films, the baseball film was again adopted as a means to offer that challenge. Ōshima Nagisa’s Ceremonies, in a film that contests the very concept of the baseball film, uses baseball as a metaphor for the Japan’s abandonment of its citizens during the war. The recent splatter comedy baseball films of Yamaguchi Yūdai likewise play with the familiar tropes of Japanese baseball and of the baseball hero as antihero in problematizing the very concept of the baseball film.


2019 ◽  
Vol 40 (1) ◽  
pp. 62-81
Author(s):  
Etienne Morales

This article focuses on the transformation of the carrier Cubana de aviación before and after the 1959 Cuban revolution. By observing Cubana's management, labour force, equipment, international passenger and freight traffic, this article aims to outline an international history of this Latin American flag carrier. The touristic air relationships between the American continent and Spain that could be observed in the 1950s were substituted – in the 1960s and 1970s – by a web of political “líneas de la amistad” [Friendship Flights] with Prague, Santiago de Chile, East Berlin, Lima, Luanda, Managua, Tripoli and Bagdad. This three-decade period allows us to interrogate breaks and continuities in the Cuban airline travel sector and to challenge the traditional interpretations of Cuban history. This work is based on diplomatic and corporative archives from Cuba, United States, Canada, Mexico, Spain and France and the aeronautical international press.


2010 ◽  
Vol 53 (2) ◽  
pp. 453-475 ◽  
Author(s):  
DAVID M. CRAIG

ABSTRACTRecent claims about the convergence in methodology between ‘high politics’ and the ‘new political history’ remain unclear. The first part of this review examines two deeply entrenched misunderstandings of key works of high politics from the 1960s and 1970s, namely that they proposed elitist arguments about the ‘closed’ nature of the political world, and reductive arguments about the irrelevance of ‘ideas’ to political behaviour. The second part traces the intellectual ancestry of Maurice Cowling's thinking about politics, and places it within an interpretative tradition of social science. The formative influences of R. G. Collingwood and Michael Oakeshott are examined, and Mark Bevir's Logic of the history of ideas is used to highlight how Cowling's approach can be aligned with ‘new political history’.


2019 ◽  
Vol 16 (1) ◽  
pp. 141-155
Author(s):  
SIMON FRITH

AbstractThis article considers the role of Marxism in the history of popular music studies. Its approach combines the sociology of knowledge with a personal memoir and its argument is that in becoming a field of scholarly interest popular music studies drew from both Marxist theoretical arguments about cultural ideology in the 1950s and 1960s and from rock writers’ arguments about the role of music in shaping socialist bohemianism in the 1960s and 1970s. To take popular music seriously academically meant taking it seriously politically. Once established as an academic subject, however, popular music studies were absorbed into both established music departments and vocational, commercial music courses. Marxist ideas and ideologues were largely irrelevant to the subsequent development of popular music studies as a scholarly field.


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