The Future of Drones: Nano, Autonomous Systems, and Science Fiction

Drones ◽  
2016 ◽  
Author(s):  
Sarah E. Kreps

The next phase of development in unmanned technologies is likely to take place in micro/nanoscale technologies or autonomous systems, both of which stand to change the way drones are used and which each present a new set of debates. As Vice puts...

2013 ◽  
Vol 3 (4) ◽  
pp. 12-26 ◽  
Author(s):  
Kristin Miller

This article contemplates the way Northern and Southern California have been used in science fiction films since the 1970s. Continuing a trend the author traces to the 1940s novels Earth Abides and Ape and Essence, Northern California represents possible utopian futures while Southern California represents dystopia. The article includes a photo essay featuring science fiction film stills held up against their filming locations in Los Angeles and the Bay Area.


Author(s):  
J C Rigby ◽  
J McWilliams ◽  
J Johnson

Developments in the command and control of offboard maritime assets, and evolution of the design of the assets themselves, have opened up new avenues to navies, industry and research institutes to change the way in which they consider and conduct Mine Countermeasures (MCM) operations.  However this shift, driven by the opportunity for risk reduction and a potential increase in operational tempo, requires a change in Concepts of Operations; this will affect the way both MCM vessels and the associated MCM equipment are designed and operated in the future. This paper explores how BMT and QinetiQ have investigated the changes this new disruptive technology will have on MCM operations, and the concept of operations that can be adopted to maximise the use of this technology. Working with mine warfare and autonomous systems industry leaders, along with lessons from Unmanned Warrior 2016, and drawing on the experience of operators from several navies, the team established a range of operational concepts that can be employed to clear a minefield or hunt individual mines. Detailed Operational Analysis (OA) was carried out to validate these concepts and determine the required Unmanned Vehicle (UxV) numbers and capabilities. Aligned with this approach is the development of QinetiQ’s Equipment Agnostic Mission Enabling Infrastructure Technology (EAMEITS); a flexible system which maximises the use of UxV technology without adding to the operator burden. The outcome of this work is a new breed of MCM platform design which, thanks to the significant effort in developing the concepts of operation and the underlying OA over a number of years, is able to deliver mine warfare as technology transitions from the current capability to the future. This paper outlines the road taken to arrive at this design and the technology incorporated within, the lessons learnt along the way and what this means for the future of mine countermeasures operations.


1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.


Author(s):  
Jad Smith

This chapter presents the transcript of an interview with John Brunner conducted by Steven L. Goldstein. The interview covered topics such as where Brunner gets his ideas; how he goes about putting his ideas on paper; whether he believes that the future will be as bleak as he made it appear in The Sheep Look Up; whether he follows a set, daily pattern in his work; if he knew that his experimental novels such as Stand on Zanzibar and The Jagged Orbit would turn out the way they did; advice that he can give to aspiring writers; his views on the influence of mainstream writers on science fiction; and how he felt when he won the Hugo Award for Stand on Zanzibar.


Author(s):  
Michael R. Page

This chapter looks at Frederik Pohl's first foray into creating a science fictional world by focusing on his youthful adventures in science fiction (SF) fandom. Pohl discovered SF at age ten in 1930. At that time, SF as a defined category of fiction was only in its fifth year, although the genre itself had a much longer pedigree. Hugo Gernsback launched the first SF magazine, Amazing Stories, in April 1926. The first SF magazine Pohl read was the Summer 1930 issue of Wonder Stories Quarterly. This chapter discusses Pohl's discovery of a collection of pulp magazines in 1931 at his uncle's farm in Pennsylvania; his interest in science fiction magazines; his initial attempts at writing his own stories; and his involvement with the group called Futurians. The chapter also describes Pohl's involvement in the literary agency business.


Author(s):  
Christian P. Haines

This chapter examines William S. Burroughs’ late trilogy of novels—Cities of the Red Night (1981), The Place of Dead Roads (1983), and The Western Lands (1987)—as a critical response to American neoliberalism. It analyzes what Burroughs terms the trilogy’s retroactive utopianism, or the way in which it reactivates the potential of historical revolutions (including the American Revolution and the global revolts of the 1960s) as a way of reimagining the future of global politics. Focusing on The Place of Dead Roads, the chapter shows how Burroughs combines science fiction and the Western to envision the Frontier in utopian terms. It argues that Burroughs’s fiction builds on the politics of the multitude, or the antisystemic politics of the late 1990s to the present, articulating a vision of the nation in terms of communal property, egalitarian relations, and democratic self-rule.


Author(s):  
Michael R. Page

This book chronicles the work of Frederik Pohl, one of the leading figures in the field of science fiction (SF). Pohl's literary output spans nine decades from his poem “Elegy to a Dead Planet: Luna,” published in 1937, to his final book, All the Lives He Led, and The Way the Future Blogs. In between he wrote novels, short stories, story collections, and nonfiction books; edited anthologies and SF magazine issues; and wrote countless essays, editorials, and reviews. The book examines how Pohl's publishing activity and his work as a literary agent in the late 1940s and early 1950s shaped the SF field. It also considers the role played by Pohl in the development of SF as a more or less respectable area of academic study and in the creation and development of SF fandom.


2006 ◽  
Vol 3 (2) ◽  
pp. 4-4
Author(s):  
Elena Vasilevskaya

Movement along this path will fundamentally change many of the ideas about the possibilities of science and technology that have developed over the centuries and decades. The surge of research in the field of nanometer sizes, the emergence of new directions at the intersection of different sciences (medicinal chemistry, chemical bionics, chemical ecology, mathematical chemistry, chemistry of life) - these are the realities of today. The prospects for the use of new technologies in the future often resemble the plots of science fiction novels, but those whom we teach today will bring them to life.


Author(s):  
Michael R. Page

This chapter focuses on Frederik Pohl's literary output as a science fiction (SF) writer during the period 1970–1987, including Gateway and The Way the Future Was. After stepping down from Galaxy, Pohl went into a funk and did not write. Having turned fifty at the close of 1969, Pohl claims that he was experiencing a midlife crisis. Instead of buckling down and writing fiction, he took time to travel with his family, embarking on trips to London and Paris, Bermuda, and Japan and also to Eastern Europe. At this time his marriage to wife Carol was beginning to show signs of trouble. Moreover, Pohl was getting involved in grassroots politics, working in 1968 on the Eugene McCarthy campaign in New Jersey. His political experiences are articulated in his first book of the 1970s, Practical Politics 1972. Pohl contributed to anthologies about the craft of SF writing as well. This chapter also considers the shift in Pohl's work in 1987 for a variety of reasons, including the conclusion of the Heechee saga.


1973 ◽  
Vol 131 (2) ◽  
pp. 285-287 ◽  
Author(s):  
R. A. Rosati
Keyword(s):  

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