The Way the Future Was, 1930–1951

2017 ◽  
Author(s):  
Michael R. Page
Keyword(s):  
Science Fiction ◽  
Fictional World ◽  
Interest In Science ◽  
The Future ◽  
The Way

This chapter looks at Frederik Pohl's first foray into creating a science fictional world by focusing on his youthful adventures in science fiction (SF) fandom. Pohl discovered SF at age ten in 1930. At that time, SF as a defined category of fiction was only in its fifth year, although the genre itself had a much longer pedigree. Hugo Gernsback launched the first SF magazine, Amazing Stories, in April 1926. The first SF magazine Pohl read was the Summer 1930 issue of Wonder Stories Quarterly. This chapter discusses Pohl's discovery of a collection of pulp magazines in 1931 at his uncle's farm in Pennsylvania; his interest in science fiction magazines; his initial attempts at writing his own stories; and his involvement with the group called Futurians. The chapter also describes Pohl's involvement in the literary agency business.

scholarly journals Postcards from the future

2013 ◽  
Vol 3 (4) ◽  
pp. 12-26 ◽  
Author(s):  
Kristin Miller
Keyword(s):  
Los Angeles ◽  
Science Fiction ◽  
Southern California ◽  
Northern California ◽  
Bay Area ◽  
The Future ◽  
Science Fiction Films ◽  
Photo Essay ◽  
The Way

This article contemplates the way Northern and Southern California have been used in science fiction films since the 1970s. Continuing a trend the author traces to the 1940s novels Earth Abides and Ape and Essence, Northern California represents possible utopian futures while Southern California represents dystopia. The article includes a photo essay featuring science fiction film stills held up against their filming locations in Los Angeles and the Bay Area.

Journey to the Future

2017 ◽  
Author(s):  
Gary Westfahl
Keyword(s):  
South Carolina ◽  
Science Fiction ◽  
Beat Generation ◽  
Early Years ◽  
Major Influence ◽  
Childhood And Adolescence ◽  
Chance Discovery ◽  
Interest In Science ◽  
The Future

This chapter describes William Gibson's early years based on his autobiographical sketch, “Since 1948,” first posted to his blog on November 6, 2002. There, he relates the generally familiar story of how he was born in South Carolina and, as a child, frequently moved with his parents because of his father's various jobs. In these early years, the major influence on Gibson's life was television. This chapter first considers Gibson's childhood and adolescence before discussing how he discovered science fiction literature, which became his passion. It then considers the change in Gibson's perception of science fiction beginning in 1962, which he often attributes to his chance discovery of William S. Burroughs and, through him, other Beat Generation writers. It also looks at Gibson's publication of fanzines, his enthusiasm about Fritz Leiber, and how he developed an interest in science fiction poetry and later in nonfiction. Finally, the chapter documents the turbulent events of Gibson's first two decades of his life and notes that since the 1980s, his life has been remarkably uneventful.

scholarly journals O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina

1970 ◽  
pp. 273-284
Author(s):  
Maciej Pietrzak
Keyword(s):  
Science Fiction ◽  
Biblical Text ◽  
The Third ◽  
The Future ◽  
History Of ◽  
The Subject ◽  
Written Word ◽  
The Way ◽  
Adam Mickiewicz

Pietrzak Maciej, O-bi, o-ba: Koniec cywilizacji – postpiśmienny świat Piotra Szulkina [O-Bi, O-Ba: The End of Civilization – The Postliterate World of Piotr Szulkin]. „Przestrzenie Teorii” nr 32. Poznań 2019, Adam Mickiewicz University Press, pp. 273–284. ISSN 1644-6763. DOI 10.14746/pt.2019.32.14. Piotr Szulkin made his mark in the history of cinema primarily as the author of disturbing visions of the future. His four films made between 1979 and 1985 comprised the science-fiction tetralogy, which is still one of the greatest artistic achievements of this genre in Polish cinema. The subject of the article is the third production of Szulkin’s series – the post-apocalyptic film O-Bi, O-Ba: The End of Civilization from 1984. In the film, the director creates a suggestive vision of a world destroyed as a result of nuclear conflict, in which the original functions of literature and the written word are forgotten. The author article analyzes the way in which forsaken literary artifacts are used in the post-literary reality of the film. An important element of his considerations is also the post-apocalyptic reception of the biblical text, on whose elements the mythology of the film’s world is based.

Interview with John Brunner

2017 ◽  
Author(s):  
Jad Smith
Keyword(s):  
Science Fiction ◽  
Daily Pattern ◽  
The Future ◽  
John Brunner ◽  
The Way

This chapter presents the transcript of an interview with John Brunner conducted by Steven L. Goldstein. The interview covered topics such as where Brunner gets his ideas; how he goes about putting his ideas on paper; whether he believes that the future will be as bleak as he made it appear in The Sheep Look Up; whether he follows a set, daily pattern in his work; if he knew that his experimental novels such as Stand on Zanzibar and The Jagged Orbit would turn out the way they did; advice that he can give to aspiring writers; his views on the influence of mainstream writers on science fiction; and how he felt when he won the Hugo Award for Stand on Zanzibar.

scholarly journals Kartezjusz — Lyotard — Dukaj. „Perfekcyjna niedoskonałość” jako propozycja oświecenia po uznaniu końca paradygmatu wielkich narracji

2021 ◽  
Vol 26 ◽  
pp. 169-178
Author(s):  
Gerard Ronge
Keyword(s):  
Twentieth Century ◽  
Eighteenth Century ◽  
Science Fiction ◽  
Ninth Century ◽  
Human Being ◽  
The Novel ◽  
Fictional World ◽  
The Enlightenment ◽  
The Future ◽  
Canonical Texts

The paper explores the philosophical statements emerging from the plot of Jacek Dukaj’s science-fiction novel Perfekcyjna niedoskonałość [The Perfect Imperfection]. The argument of the article states that the Polish novel proposes a complete philosophical model of possible ways of imagining the future which is unique, yet fully coherent with the Enlightenment paradigm. After recapitulating the most important arguments of the mid-century’s discussion about the end of the grand narratives and brief recall of most canonical texts of the period of the Enlightenment, the author analyses ontological presuppositions hidden after the structure of the fictional world created by Dukaj. The novel appears to fully acknowledge the Cartesian dualistic model of the human being (which strongly separates its biological and mental roots) and sets plots in times when all biological limitations have been transgressed. Despite that, both optimistic scenarios of eighteenth-century utopians and catastrophic visions of twentieth-century sci-fi authors have never been fulfilled and the fictional world of the twenty-ninth century appears to be just the same as ours in its core, despite being totally different in terms of its phenomenological appearance.

A Revolutionary Haunt: Utopian Frontiers in William S. Burroughs’s Late Trilogy

2019 ◽  
pp. 33-73
Author(s):  
Christian P. Haines
Keyword(s):  
Science Fiction ◽  
American Revolution ◽  
Global Politics ◽  
Critical Response ◽  
Communal Property ◽  
The Future ◽  
Self Rule ◽  
The 1960S ◽  
The Way

This chapter examines William S. Burroughs’ late trilogy of novels—Cities of the Red Night (1981), The Place of Dead Roads (1983), and The Western Lands (1987)—as a critical response to American neoliberalism. It analyzes what Burroughs terms the trilogy’s retroactive utopianism, or the way in which it reactivates the potential of historical revolutions (including the American Revolution and the global revolts of the 1960s) as a way of reimagining the future of global politics. Focusing on The Place of Dead Roads, the chapter shows how Burroughs combines science fiction and the Western to envision the Frontier in utopian terms. It argues that Burroughs’s fiction builds on the politics of the multitude, or the antisystemic politics of the late 1990s to the present, articulating a vision of the nation in terms of communal property, egalitarian relations, and democratic self-rule.

Resources for a Journey of Hope: Raymond Williams on Utopia and Science Fiction

2016 ◽  
Vol 10 (4) ◽  
pp. 415-430 ◽  
Author(s):  
Andrew Milner
Keyword(s):  
Science Fiction ◽  
George Orwell ◽  
Theoretical Concepts ◽  
Interest In Science ◽  
Selective Tradition ◽  
Wide Range ◽  
The Future ◽  
Raymond Williams ◽  
Science Fiction Studies ◽  
The City

Raymond Williams had an enduring interest in science fiction, an interest attested to: first, by two articles specifically addressed to the genre, both of which were eventually published in the journal Science Fiction Studies; second, by a wide range of reference in more familiar texts, such as Culture and Society, The Long Revolution, George Orwell and The Country and the City; and third, by his two ‘future novels’, The Volunteers and The Fight for Manod, the first clearly science-fictional in character, the latter less so. This article will summarise this work, and will also explore how some of Williams’s more general key theoretical concepts – especially structure of feeling and selective tradition – can be applied to the genre. Finally, it will argue that the ‘sociological’ turn, by which Williams sought to substitute description and explanation for judgement and canonisation as the central purposes of analysis, represents a more productive approach to science fiction studies than the kind of prescriptive criticism deployed by other avowedly ‘neo-Marxist’ works, such as Darko Suvin’s Metamorphoses of Science Fiction and Fredric Jameson’s Archaeologies of the Future.

All the Lives He Led

2017 ◽  
Author(s):  
Michael R. Page
Keyword(s):  
Short Stories ◽  
Science Fiction ◽  
Publishing Activity ◽  
Literary Agent ◽  
The Future ◽  
The Creation ◽  
Literary Output ◽  
The Way ◽  
Academic Study

This book chronicles the work of Frederik Pohl, one of the leading figures in the field of science fiction (SF). Pohl's literary output spans nine decades from his poem “Elegy to a Dead Planet: Luna,” published in 1937, to his final book, All the Lives He Led, and The Way the Future Blogs. In between he wrote novels, short stories, story collections, and nonfiction books; edited anthologies and SF magazine issues; and wrote countless essays, editorials, and reviews. The book examines how Pohl's publishing activity and his work as a literary agent in the late 1940s and early 1950s shaped the SF field. It also considers the role played by Pohl in the development of SF as a more or less respectable area of academic study and in the creation and development of SF fandom.

scholarly journals ON THE WAY TO A NEW ROUND OF INTERESTS IN THE FIELD OF SCIENCE EDUCATION

2006 ◽  
Vol 3 (2) ◽  
pp. 4-4
Author(s):  
Elena Vasilevskaya
Keyword(s):  
Science Education ◽  
Science Fiction ◽  
Chemical Ecology ◽  
Medicinal Chemistry ◽  
New Technologies ◽  
Science And Technology ◽  
Mathematical Chemistry ◽  
New Directions ◽  
The Future ◽  
The Way

Movement along this path will fundamentally change many of the ideas about the possibilities of science and technology that have developed over the centuries and decades. The surge of research in the field of nanometer sizes, the emergence of new directions at the intersection of different sciences (medicinal chemistry, chemical bionics, chemical ecology, mathematical chemistry, chemistry of life) - these are the realities of today. The prospects for the use of new technologies in the future often resemble the plots of science fiction novels, but those whom we teach today will bring them to life.

The Future of Drones: Nano, Autonomous Systems, and Science Fiction

Drones ◽  
2016 ◽  
Author(s):  
Sarah E. Kreps
Keyword(s):  
Science Fiction ◽  
Autonomous Systems ◽  
The Future ◽  
The Way

The next phase of development in unmanned technologies is likely to take place in micro/nanoscale technologies or autonomous systems, both of which stand to change the way drones are used and which each present a new set of debates. As Vice puts...

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